A collection of ten of the best works from Sonny Rollins one of the greatest Saxophone players of the 20th century.

Jazz giant Sonny Rollins created an enduring classic with this catchy Latin tune. This will give your soloists an opportunity to explore the major modes (for a change) and spice up your combo repertoire in the process.

9 important solos for B Flat Tenor Sax as played by the innovative contemporary jazz musician Sonny Rollins. Includes chord changes and analysis of Rollins's style with a complete discography. Selected and edited by CharleyGerard.

Here's one of the great bebop tunes of all time from jazz great Sonny Rollins. Mark's medium up-tempo chart features both tenor saxes and swings like crazy.

Heres a Sonny Rollins bebop standard that should be in every bands library. Marks chart for young players provides a nice mix of small ensemble sections (3 saxes trumpet trombone and guitar) along with plenty of tutti lines for the entireensemble. Flexible solo opportunities allow you to customize this great-sounding chart to fit your own needs.

The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Blues?Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You?ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.If you?re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.

Par BURNETTE SONNY. This Ain't Your Grandfather's Stinkin' Rondo was composed for the Osland Saxophone Quartet, based out of Lexington, Kentucky. It features the predictable return of the 'A' section sandwiched between contrasting sections... perhaps in a slightly more jazzy setting than grandfather was expecting, not to mention the improv section in the middle. Scored for SATB quartet./ Répertoire / 4 Saxophones

Par BURNETTE SONNY. As implied by its title, I Lost My Mouthpiece Cap Somewhere in Brazil is a Latin-style work. It is based almost exclusively on a two-chord montuno-a repeated pattern alternating between the supertonic seventh chord (ii7) and the dominant seventh (V7) chord./ Répertoire / 4 Saxophones

A jazz standard from the legendary Sonny Rollins Doxy is arranged here in a very playable and appealing swing setting for little big band. Tenor sax baritone sax and trombone take the lead in the beginning and an open solosection for any instrument adds to the chart's flexibility.

Cette composition de Sonny Rollins infl uencée du calypso n?est peut-être pas aussi connue que St. Thomas mais Duke of Iron est pourtant une mélodie distinctive et merveilleuse. Avec les deux saxophones ténor et deux trombones de l?original ce tube est bien arrangé pour l?ensemble entier et sera vite un de vos préférés. Des solos sont fournis pour saxophone ténor et trombone.

Arranged in a medium swing/shuffle style here is a very easy version of this jazz standard by Sonny Rollins that maintains the style and feel of the original. Featuring a mix of tutti playing and call-and-response scoring thisis a great way tointroduce a jazz legend to your young players. There is a written or ad lib solo for any trumpet or alto sax and the shout chorus features a dialogue between the ensemble and drums.