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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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Jesus Und Der Ungläubige Thomas (GUNSENHEIMER GUSTAV)
Solo S et Choeur SSATBB
[Sheet music]
Carus Verlag
Par GUNSENHEIMER GUSTAV. Jede dieser Motetten schildert in anschaulicher und ein...
(+)
Par GUNSENHEIMER GUSTAV. Jede dieser Motetten schildert in anschaulicher und eindrucksvoller Weise das Wirken Jesu. Es handelt sich dabei jeweils um Perikopentexte [die fünf erstgenannten in der Passionszeit]. Am Schluss dieser Motetten [Dauer jeweils zwischen 4 und 6 Minuten] steht immer ein Choralsatz. Eine lohnende Aufgabe für Chöre, die anspruchsvollere Werke darstellen können. Gehobene Gebrauchsmusik! Attraktiv für den Zuhörer!/ Répertoire / Solo S et Choeur SSATBB
5.20 EUR - Sold by LMI-partitions
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Operatic Anthology Vol.4 - Baryton Et Piano
Baritone voice, Piano
Hal Leonard
Celebrated Arias selected from Operas by Old and Modern Composers in five volume...
(+)
Celebrated Arias selected from Operas by Old and Modern Composers in five volumes Volume IV: Baritone Compiled by Kurt Adler Song List: Ah Pescator Avant De Quitter Ces Lie(Gounod) Bella Siccome Un Angel(Donizetti Blick\' Ich Umher (Wagner) Cortigiani,Vil Razza (Verdi) Credo In Un Dio Crudel (Verdi) Cruda,Funesta Smania(Donizetti) Deh vieni alla finestra (Serenade) Der Vogelfänger Bin Ich Ja Di Provenza Il Mar Il Suol (Verdi) Die Frist Ist Um (Wagner) E Sogno? O Realta (Verdi) Ein Madchen Oder Weibchen Eri Tu Che Macchiavi (Verdi) Finch\' Han Dal Vino (Mozart) Ha! Welch\' Augenblick (Beethoven) Il Balen Del Suo Sorriso (Verdi) L\'onore! Ladri! (Verdi) Largo Al Factotum (Rossini G) Leb\' Wohl! (Wagner) Lo Vedremo,Veglio Audace (Verdi) Mein Vater! (Wagner) Non siate ritrosi from Così fan tutte O Du Mein Holder Abendst(Wagner) O Vin, Dissipe La Triste(Thomas) Onegin\'s Aria (Tchaikovsky) Pari Siamo (Rigoletto) Verdi Per Me Giunto (Don Carlo) Verdi Pieta, Rispetto, Amore (Verdi) Salome! Salome! (Massenet) Scintille,Diamant (Offenbach) Si Puo? Si Puo? (Leoncavallo) Urna Fatale (Verdi) Vision Fugitive (Massenet J) Votre Toast, Je Peux (Toreador Song) Wahn! Wahn! (Wagner) Was Duftet Doch Der Fl.(Wagner)
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Core Classics - Grades 2-3: Piano: Instrumental Album
Piano solo
ABRSM Publishing
Essential Repertoire for Piano-Core Classics is a collection of seven books of m...
(+)
Essential Repertoire for Piano-Core Classics is a collection of seven books of music from the piano canon selected and graded by leading educationalists. Drawn from ABRSM???s extensive back catalogue each volume contains a rich selection of engaging pieces to form the backbone of any pianist???s repertoire. From Bach to Beethoven Scarlatti to Schumann this series includes an abundance of much-loved pieces. All pieces have been carefully selected to ensure that each book is nothing short of a ???teacher???s toolkit??? ??? works that any teacher would want their pupils to learn as part of their musical journey. Each book is authoritatively graded with pieces gradually increasing in difficulty throughout. Thebooks are equally valuable for learners working towards a grade exam between grades or playing for leisure building technical skills and confidence. With an elegant and attractive design and an unrivalled range of repertoire this is an essential collection for piano teachers and learners alike. Core Classics is a collection of seven books of music from the piano canon selected and graded by leading educationalists. Drawn from ABRSM???s extensive back catalogue each volume contains a rich selection of engaging pieces to form the backbone of any pianist???s repertoire. From Bach to Beethoven Scarlatti to Schumann this series includes an abundance of much-loved pieces. All pieces have been carefully selected to ensure that each book is nothing short of a ???teacher???s toolkit??? ??? works that any teacher would want their pupils to learn as part of their musical journey. Each book is authoritatively graded with pieces gradually increasing in difficulty throughout. Thebooks are equally valuable for learners working towards a grade exam between grades or playing for leisure building technical skills and confidence. With an elegant and attractive design and an unrivalled range of repertoire this is an essential collection for piano teachers and learners alike.
7.95 GBP - Sold by Musicroom UK
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Madrigal Magic: Wind Ensemble: Instrumental Album
Woodwind Quartet: any 4 woodwinds
Spartan Press
Flexible Wind Ensemble-Three well known Madrigals including 'Now is the month of...
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Flexible Wind Ensemble-Three well known Madrigals including 'Now is the month of Maying' (Thomas Morley).Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.
19.95 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
(+)
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
4.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Motet No.4 'Fürchte Dich Nicht Ich Bin Bei Dir': Double
Choral SATB
SATB/SATB (Double Choir)
[Sheet music]
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
(+)
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228 All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. - Urtext of the New Bach Edition. - Performance material and choral score (BA5133) available for sale. -Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
6.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
(+)
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
4.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
(+)
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
(+)
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Johann Pachelbel: Canon In D - Piano Duet: Piano Duet: Instrumental Work
1 Piano, 4 hands
The Walsh Collection
Pachelbel's Canon In D arranged for Piano Duet by Thomas Johnson.
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Scott Joplin: The Entertainer: Piano Duet: Instrumental Work
1 Piano, 4 hands
Fentone Music
Arranged by Thomas Johnson.
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Graded Pianoforte Studies Second Series Grade 2: Piano: Study
Piano solo
ABRSM Publishing
Seventeen studies for dexterity and technique including works by Le Couppey Ca...
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Seventeen studies for dexterity and technique including works by Le Couppey Carl Czerny and Stephen Heller.
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Ralph Vaughan Williams: Fantasia On A Theme By Thomas Tallis: Piano Duet:
2 Pianos, 4 hands
[Sheet music]
-
Intermediate/advanced
Curwen
An arrangement of one of the most famous Vaughan Williams works two Pianos by Ma...
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An arrangement of one of the most famous Vaughan Williams works two Pianos by Maurice Jacobson.
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Anne Marsden Thomas: Oxford Service Music 1 Manuals: Organ: Instrumental Album
Organ
Oxford University Press
This is a major collection of Organ music for students players and church musi...
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This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collectionhave been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist
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Anne Marsden Thomas: Oxford Service Music 2 Manuals: Organ: Instrumental Album
Organ
Oxford University Press
This is a major collection of Organ music for students players and church musi...
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This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collectionhave been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist
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Erstanden Ist Der Herre Christ (SELLE THOMAS)
Choeur SSB, 2 ViolonSBasson et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par SELLE THOMAS. Gattungen: Geistliche Konzerte, Kirchenl...
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Tonalité : G-Moll -. Par SELLE THOMAS. Gattungen: Geistliche Konzerte, Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Musique religieuse / Répertoire / Choeur SSB, 2 ViolonSBasson et Basse Continue
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Erstanden Ist Der Herre Christ (SELLE THOMAS)
Solo T, Violon, 2 Trombones et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par SELLE THOMAS. Gattungen: Geistliche Konzerte, Kirchenl...
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Tonalité : G-Moll -. Par SELLE THOMAS. Gattungen: Geistliche Konzerte, Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Musique religieuse / Répertoire / Solo T, Violon, 2 Trombones et Basse Continue
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4 Hymns
Conducteur De Poche
Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...
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The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Conducteur De Poche
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4 Hymns
Partie De Violon Alto Solo
Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...
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The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Partie De Violon Alto Solo
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Graded Pianoforte Studies Second Series Grade 4: Piano: Study
Piano solo
-
Intermediate
ABRSM Publishing
Fifteen studies for the improvement of phrasing and agility from the ABRSM. Incl...
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Fifteen studies for the improvement of phrasing and agility from the ABRSM. Includes studies by Bertini Stephen Heller Felix Le Couppey and Carl Czerny.
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Grade 7 Piano Anthology 2023-2024
Piano solo
Peters
Examination Pieces. The Edition Peters Grade 8 Piano Anthology has long been a p...
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Examination Pieces. The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam.
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Interludes
Organ
Boosey and Hawkes
Album for organ solo from the composer of the much-recorded 'Miroir?. The album ...
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Album for organ solo from the composer of the much-recorded 'Miroir?. The album consists of four pieces of between 2½ and 4 minutes' duration respectively. 'Play it cool!? was composed as the mandatory test piece in the 2012 First Breda International Organ Competition, with the Grote Kerk's four-manual Flentrop/Van den Heuvel instrument in mind. As the title suggests, the piece makes great play on syncopated, jazz- and rock-inflected figures. Suitable for advanced standard performers. 'The Messenger on the Hill?, while similarly syncopated and witty, is within easy reach of intermediate standard players. Laid out for two-manual instrument it features an almost continuous oscillating left-hand figure with right-hand melody and a very simple pedal part. 'Rejoice!? is an arrangement of a work for saxophone and organ, made at the request of, and in collaboration with, Thomas Trotter. A duo for contrasting manuals, with a simple, syncopated bass part in the pedals. Suitable for advanced standard performers. 'Passacaglia?, also for two-manual instrument, is composed almost entirely for the white notes. The simple passacaglia theme is repeated throughout on the pedals. Above this, melodic material derived from the theme is played in the right hand against a sustained, chordal left-hand accompaniment. Later on, there is dialogue between the hands, with some optional ornamentation in the right hand. Suitable for intermediate standard performers. / Orgue
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Anne Marsden Thomas: Oxford Service Music 2 Manuals & Pedals: Organ:
Organ
Oxford University Press
This is a major collection of Organ music for students players and church musi...
(+)
This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collectionhave been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist
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Anne Marsden Thomas: Oxford Service Music 3 Manuals & Pedals: Organ:
Organ
Oxford University Press
This is a major collection of Organ music for students players and church musi...
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This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collectionhave been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist
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The Piano Player Series: Classical Tear-Jerkers
Piano solo
[Sheet music]
Faber Music Limited
The Piano Player: Classical Tear-Jerkers presents 20 of the saddest pieces of cl...
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The Piano Player: Classical Tear-Jerkers presents 20 of the saddest pieces of classical music, guaranteed to make you weep, specially arranged for intermediate solo piano. Contents include Un bel di vedremo from ‘Madam Butterfly’ by Puccini Parry and Dido’s Lament by Purcell. The striking cover features Edward Bawden’s colour linocut Aesop’s Fables: The Ant and the Grasshopper, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork./ Recueil / Piano
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88 PIANO CLASSICS FOR BEGINNERS
Easy Piano
[Sheet music]
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Beginner
Dover Publications
Par . Beginning pianists of all ages will cherish this excellent compilation of ...
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Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano
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Lacote Thomas - 4 Motets - Conducteur
Lemoine, Henry
Sancta et immaculata est une commande de Musique Nouvelle en Liberté-Ville de P...
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Sancta et immaculata est une commande de Musique Nouvelle en Liberté-Ville de Paris. Création : 22 octobre 2013 à la cathédrale Notre-Dame de Paris dans le cadre du Livre de Notre-Dame par la Maîtrise Notre-Dame de Paris, Denis Comtet (orgue) et Emilie Fleury (direction). Enregistrement : Le Livre de Notre-Dame, Maîtrise de Notre-Dame, MSNDP005 (2015) Quae est ista et Alma redemptoris Mater ont été commandés par l'Ensemble Sequenza 9.3 Création : 25 août 2017 au Festival de la Chaise-Dieu par l'Ensemble Sequenza 9.3, Thomas Lacôte (orgue) et Catherine Simonpietri (direction) Contenu 1. Felix namque es (2') - 2. Sancta et immaculata (4') - 3. Quae est ista (2') - 4. Alma redemptoris Mater (4')
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