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| How To Sing K Szymanowski S Compositions PWM (Polskie Wydawnictwo Muzyczne)
SKU: BT.PWM21199020 Composed by Stanislaw Korwin-Szymanow. Book Only. Pol...(+)
SKU: BT.PWM21199020 Composed by Stanislaw Korwin-Szymanow. Book Only. Polskie Wydawnictwo Muzyczne #PWM21199020. Published by Polskie Wydawnictwo Muzyczne (BT.PWM21199020). English. $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| O Adonai Choral SATB Chester
Choral (SATB) SKU: HL.14037492 Composed by Pawel Lukaszewski. Music Sales...(+)
Choral (SATB) SKU: HL.14037492 Composed by Pawel Lukaszewski. Music Sales America. General Worship, Sacred. Octavo. Composed 2009. 20 pages. Chester Music #CH75845. Published by Chester Music (HL.14037492). UPC: 884088571481. 6.75x9.75x0.07 inches. O Adonai was dedicated to Stanislaw Moryto. The antiphon was an award winner at the F. Nowowiejski ZAiKS competition in Warsaw in 1996. The first performance took place during the Gaude Mater VII International SacredMusic Festival at Czestochowa in May 1997, given by Schola Cantorum Gedanensis conducted by Jan Lukaszewski. The ATK Choir In Warsaw conducted by Rev. Kazimierz Szymonik recorded it in 1998 for the disk Musica SacraPolonia. The recording was later used as part of the composer CD entitled Missa Pro Patria
For unaccompanied SATB chorus with divisions; includes a Piano accompaniment for rehearsal purposes. $3.95 - See more - Buy online | | |
| Musik Be - Greifen Schott
SKU: HL.49015610 Kunstlerische Ausbildung und Identitatsfindung. E...(+)
SKU: HL.49015610 Kunstlerische Ausbildung und Identitatsfindung. Edited by Hans Guenther Bastian. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 210 pages. Schott Music #ED 9150. Published by Schott Music (HL.49015610). ISBN 9783795703578. German. Muss man Musik begreifen, um sie greifen zu konnen? Greift der Interpret nicht auch, um in der Intuition des Spielens zu begreifen? Inwieweit ist in der Kunst uberhaupt ein Begreifen moglich? Welche dialektischen Aneignungsprozesse spielen sich vor, im und nach dem Musizieren als einem Klangwerden von Komposition ab? Fuhrt das Zusammenspiel von Greifen und Begreifen bzw. seiner Umkehrung zu einem Ergreifen? - Diesen Fragen stellte sich das 4. Paderborner Symposium des Instituts fur Begabungsforschung und Begabtenforderung in der Musik. $69.95 - See more - Buy online | | |
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| Songs II GA/CE vol. 11
(SZYMANOWSKI KAROL) Piano, Voice [Sheet music] PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...(+)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
63.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Pawel Lukaszewski: O
Adonai: SATB: Vocal Score Choral SATB SSAATTBB A Cappella [Vocal Score] Chester
O Adonai was dedicated to Stanislaw Moryto. The antiphon was an award winner at ...(+)
O Adonai was dedicated to Stanislaw Moryto. The antiphon was an award winner at the F. Nowowiejski ZAiKS competition in Warsaw in 1996. The first performance took place during the Gaude Mater VII International SacredMusic Festival at Czestochowa in May 1997 given by Schola Cantorum Gedanensis conducted by Jan Lukaszewski. The ATK Choir In Warsaw conducted by Rev. Kazimierz Szymonik recorded it in 1998 for the disk Musica SacraPolonia. The recording was later used as part of the composer CD entitled Missa Pro PatriaFor unaccompanied SATB chorus with divisions; includes a Piano accompaniment for rehearsal purposes.
4.50 GBP - Sold by Musicroom UK | |
| Mollenhauer E. - The
Infant Paganini - Violon
Et Piano Barenreiter
Der in Erfurt geborene Komponist Edward Mollenhauer (1827–1914) war in Amerika...(+)
Der in Erfurt geborene Komponist Edward Mollenhauer (1827–1914) war in Amerika als Solist und Pädagoge erfolgreich. Seine bekanntesten Stücke für junge Geiger sind „The Boy Paganini“ und „The Infant Paganini“. Beide erscheinen in der Originalausgabe für Geige und Klavier sowie erstmals auch in einer Transkription für Cello von Christoph Sassmannshaus. Die Fantasie „The Infant Paganini“ für Violine und Piano (BA 10691) ist ein reizvolles Vorspielstück in Erster und Dritter Lage und kann von Schülern auf dem Niveau des vierten Bandes der Sassmannshaus-Violinschule erreicht werden. Es werden Flageoletts und Pizzicati erwartet. Ebenfalls ein dankbares Vortragsstück in Erster bis Vierter Lage ist „The Infant Paganini“ auf dem Cello (BA 10693), das von Schülern bewältigt werden kann, die mit dem vierten Band des Frühen Anfangs arbeiten. An Bogentechniken sind wie bei der Geige Detaché, Legato, Spiccato und Saitenwechsel mit Arpeggios gefordert. Es werden zudem Flageoletts und Pizzicati erwartet. Anspruchsvoller ist die Fantasie „The Boy Paganini“ für Violine und Piano (BA 10692), ein beindruckendes Konzertstück in der Ersten bis Fünften Lage. Die beiden Sätze verlangen Taktwechsel, Flageoletts und Pizzicati. In der Cello-Version (BA 10694) ist das Spiel in der Ersten bis Vierten Lage erforderlich. Der Schüler sollte die vier Bände des „Frühen Anfangs auf dem Cello“ nahezu vollständig durchgearbeitet haben. Weitere Herausforderungen sind Akkorde über alle vier Saiten sowie einfaches Spiel in Oktaven. • Beliebte Konzertstücke • Direkt im Anschluss an „Früher Anfang“ • Jetzt auch in einer Transkription für Cello
11.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
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