The Singing Storycloth is a wonderful classroom resource suitable for children aged 3-7 years and no music reading is required. It consists of a collection of eight song-stories from around the world collected and retold by Helen East. Every story has a theme related to fabric and is supported with activities for music and puppetry. Each story has a song as well to give the rhythm of the tale and the taste of the country that it comes from. To help visualise each story and encourage children to tell them play with them and perform them with confidence there are music and movement actvities and clever puppet ideas including activities for making and using avariety of simple puppets. Various musical suggestions are also available for how the stories and songs could be used. The activities are flexible and can be enjoyed in the classroom in the course of creative work in music drama DT and language but will also have the potential for short performances at assembly. The puppetry activities have been devised by a team of experienced performers and workshop leaders - Liz Waugh MacManus and Mike MacManus of Obelon Arts - and the musical activities by Janet Koralambe music workshop leader and performer with Obelon.The accompanying CDs have complete recordings of the song-stories song performances plus a full set of backing tracks to accompany classroom singing and performance.

Voici votre chance de découvrir les racines mêmes de ce style de guitare flatpick à travers les airs de violon Old-Time qui a commencé à tout cela, enseigné être Eric Thompson. Dans ce DVD présentation Eric partage ses arrangements soulful de sept fliddle standards, vous guidant l'expression-par-expression à travers classiques Texas Gals, poissons dans le bassin de stockage, Reel de l'écossais irlandais Miller et Stony Point, la montagne modale chutes de Richmond et bien plus encore. Construire votre répertoire et de perfectionner votre technique, explorant les doigtés patrons dans six touches différentes qui sont tous clairement illustrées en écran partagé plans rapprochés. / Guitare

1. Uncle Bebop 2. Rays Of Light 3. Latin Dance. Violoncello-Stimme Allein. Par GERNOT WOLFGANG. Hörbeispiele unter www. gernotwolfgang. com / Date parution : 2000-01-01/ Répertoire / Musique de Chambre

Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Pique-nique de Plays J.B. / Gras Christophe qui a été composé pour Flûte Traversière / Niveau : 1er Cycle, 1ère Année / Répertoire / Flûte Traversière et Piano

Par NORTON CHRISTOPHER. Langue: German, French, Format: New Edition portrait/ Recueil / Piano ou Clavier

Songs from the Zarzuela for Baritone with piano accompaniment including notes on the dramatic context of each song and English literal translations by Christopher Webber. This unique collection presents celebrated songs from Zarzula the popular Spanish tradition of music theatre which draws on elements of opera popular song dance and spoken drama. As well as providing an excellent selection of high quality vocal music the ever-increasing popularity of Zarzuela means that this collection of songs will be welcomed by a wide range of experienced singers students amateur musicians and audiences everywhere.

Acis and Galatea HWV 49a1st versionHandel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) (BA4068) the masque Acis and Galatea HWV 49a (1718) (BA4039) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) (BA10700).This species of stage work was related to the early eighteenth-century English masque by virtue of its choral numbers and straightforward formal design and to the Italian serenata due to its use of one voice to a part in the choruses. In the England of Handel’s dayit was given a multitude of generic names: besides “masques” such works were often called “little operas” “English operas” or “pastoral operas” (the term “serenata” had not yet entered English parlance). Handel himself did not specify the genre of Acis and Galatea in his autograph score and probably as a result uncertainty arose among copyists printers and performers as to the work’s proper designation for it has come down to us with a confusing array of generic titles. Handel wrote the piece for James Brydges (1674–1744) Earl of Carnarvon and later Duke of Chandos at whose country estate in Cannons the composer spent the years 1717 and 1718.- Urtext of the Halle handel Edition- Full score (BA4039) and vocal score (BA4039-90) available for sale- performance material (BA4039-72) available for sale

Complete Performance Resource with Audio CD and Downloadable Extras-Raising the curtain on Christopher Norton’s Micromusicals exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 7-11 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days. Stage a class act with this comprehensive and flexible resource:* Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scores with guitar chords * Photocopiable lyric sheets * Cast list (with number on lines per role) plus succinct costume anddirection suggestions * Comprehensive props checklist * Wide-ranging cross-curricular teaching and classroom activity ideasDownloadable extra resources include:* a wide range of flexible easy band and orchestral parts which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * flexible prop designs illustrations and banners * PDF lyric sheets and scripts * Powerpoint files containing full script and song lyrics * sound effect audio files * a customisable poster to publicise performances Performance licences available online.Romeo & Juliet - Shakespeare’s tragedy about two ‘star-crossed lovers’ - is an English literary masterpiece studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through poetry and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School

Marvin Gaye's life and brilliant career were cut tragically short on April 1 1984 – one day before his 45th birthday – when he was shot and killed by his own father. Now for the first time ever Marvin Gaye's storyis told in intimate detail by a member of his own family. Frankie and Marvin Gaye were close from childhood until Marvin's death. Frankie was at Marvin's side when he died and only Frankie heard his deathbed confession. Full ofnever-before-told personal anecdotes this book takes you behind the scenes from Marvin's childhood through his spectacular success at Motown and then Columbia his stormy relationships with women and finally to his descent intodrugs and despair. The true story of the man behind the beloved music is now available to fans old and new. Includes great photos throughout a helpful index and a timeline of important events in Marvin's life.

This composition was commissioned by the Musique Municipale dâ??Ingwiller for the occasion of their 150th anniversary. The source of inspiration for this work was the municipality of Ingwiller in the French region Alsace. The title of the work refers to the many buildings there that are made of red sandstone and to the â??Schlembeâ?? a train connecting Ingwiller with Bouxwiller for sixty years. It consists of 4 movements all related to the city of Ingwiller and its history. This bright and positive work offers beautiful melodic themes slow passages perfect for working on intonation and phrasing as well as pleasant parts for percussion.This composition was commissioned by the Musique Municipale dâ??Ingwiller for the occasion of their 150th anniversary. The source of inspiration for this work was the municipality of Ingwiller in the French region Alsace. The title of the work refers to the many buildings there that are made of red sandstone and to the â??Schlembeâ?? a train connecting Ingwiller with Bouxwiller for sixty years. It consists of 4 movements all related to the city of Ingwiller and its history. This bright and positive work offers beautiful melodic themes slow passages perfect for working on intonation and phrasing as well as pleasant parts for percussion.