SKU: HL.123182

UPC: 884088955441. 5.0x5.0x0.185 inches. David Dabbon/Jill Abramovitz.

Written for the Blumey Awards for young theatrical performers by two music theatre veterans, this uptempo group song offers powerful affirmation of the role of the arts in a young persons life! An ideal feature for pop and show choirs, it positively sparkles with creative energy!

SKU: CF.YPS222F

ISBN 9781491156636. UPC: 680160915170. 9 x 12 inches.

Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix. Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love! Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can't dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don't cover up the winds. Remember, it's a dance. Have fun! Kiefer.ed@gmail.com Facebook: The Music of Ed Kiefer.
Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix.Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love!Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can’t dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don’t cover up the winds. Remember, it’s a dance. Have fun!Kiefer.ed@gmail.comFacebook: The Music of Ed Kiefer.

SKU: CF.YPS222

ISBN 9781491156629. UPC: 680160915163. 9 x 12 inches.

Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix. Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love! Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can't dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don't cover up the winds. Remember, it's a dance. Have fun! Kiefer.ed@gmail.com Facebook: The Music of Ed Kiefer.
Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix.Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love!Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can’t dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don’t cover up the winds. Remember, it’s a dance. Have fun!Kiefer.ed@gmail.comFacebook: The Music of Ed Kiefer.

SKU: LM.27101

ISBN 9790230971010.

BACH A.M. : Musette - CHARPENTIER : Prelude (Te Deum) - FUCIK : Entree des gladiateurs - GOUNOD : Ave Maria - GRIEG : Dans la halle du Roi de Montagne (Peer Gynt) - HAYDN : Symphonie n. 94 La Surprise - IVANOVICI : Flots du Danube - MOZART : La ci darem la mano (Don Giovanni) - MOZART : Cela sonne si beau (Flute enchantee) - OFFENBACH : Barcarolle (Contes d'Hoffmann) - ROSSINI : Ouverture (Guillaume Tell) - STRAUSS : Marche de Radetzky - TCHAIKOVSKI : Trepak (Casse-Noisette) BACH A.M. : Musette - CHARPENTIER : Prelude (Te Deum) - FUCIK : Entree des gladiateurs - GOUNOD : Ave Maria - GRIEG : Dans la halle du Roi de Montagne (Peer Gynt) - HAYDN : Symphonie n. 94 La Surprise - IVANOVICI : Flots du Danube - MOZART : La ci darem la mano (Don Giovanni) - MOZART : Cela sonne si beau (Flute enchantee) - OFFENBACH : Barcarolle (Contes d'Hoffmann) - ROSSINI : Ouverture (Guillaume Tell) - STRAUSS : Marche de Radetzky - TCHAIKOVSKI : Trepak (Casse-Noisette).

SKU: KN.09144S

UPC: 822795091441.

Haydn's works often contained musical jokes, and the Surprise Symphony (#94) includes the most famous of all -- a sudden loud chord in the theme of the second movement after a tranquil opening. The music then returns to its original quiet dynamic, as if nothing had happened, and the ensuing variations do not repeat the joke. As the story goes, this surprise was meant to wake up anyone in the audience who had started to doze off. This version gives students with a great opportunity to listen for pitch accuracy on their F and C naturals. Duration 2:50.

SKU: LM.27991

ISBN 9790230979917.

Petite souris - D'une autre planete - Le Roi Soleil - Voyage en micheline - De bon matin - Papillon - Petit matelot - Tete a tete - Un tres beau reve - Flic-flac - Dundalk - Surprise partie - Cocktail.

SKU: LM.27340

ISBN 9790230973403.

BRAHMS : Valse Op.39 n. 15 - HAYDN : Symphonie n. 94 La Surprise - MENDELSSOHN : Chanson de printemps - MOZART : Andante grazioso - Rondo KV 485 - PARLOW : Enclume Polka - RUBINSTEIN : Melodie en Fa Op.3 n. 1 - SCHUBERT : Marche militaire Op.51 n. 1 - Le Tilleul - SOUSA : The Stars and Stripes forever - STRAUSS (fils) : Le Sang viennois - TCHAIKOVSKI : Le Lac des cygnes - TRADITIONNEL : My Bonnie is over the Ocean - Stenka Rasin.

SKU: KN.19612

UPC: 822795196122.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 3 arrangements are fully interchangeable, and contain well-known classical melodies. Published in score form for any combination of instruments using the appropriate key-compatible books.

Contents:
Can Can(Offenbach); French Song (Tschaikowsky); German Dance (Mozart); The Happy Farmer (Schumann); Minuet (Bach); Rosamunde (Schubert); Slavonic Dance (Dvorak); Surprise Symphony (Haydn); Trumpet Voluntary (Clarke); and Turkish March (Beethoven).

SKU: FL.FX073810

Some easy lines for very young instrumentalists, but which can include some surprises! - Pascal PROUST ;

A piece to be played from 2 years of instrument practice ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 2.