Discovery Level 1-Younger and developing groups will build important vocal jazz skills in this straight-ahead swing arrangement of “Jingle Bells.” Good voice-leading well-voiced chords and a supportive and authentic accompaniment willmake it right in the pocket for a successful experience! Available separately: 3-Part Mixed 2-Part VoiceTrax CD. Duration: ca. 2:50.

This sizzling crowd pleaser features four swing favorites from the thirties, forties, and fifties. A fantastic choice for concert or show choirs, Alan's hip five-minute arrangement really kicks! / 2 Parties Mixtes

This sizzling crowd pleaser features four swing favorites from the thirties, forties, and fifties. A fantastic choice for concert or show choirs, Alan's hip five-minute arrangement really kicks! / Choeur SAB

Here is the perfect choice for an entertaining and unique holiday selection. Johnnie Vinson combines a light swing treatment of Jingle-Bell Rock a lush version of Frosty the Snow Man and a jazzy Here Comes Santa Claus into a terrific medley for young bands. Sure to be an audience pleaser!

New in the Jo Ann Miller series for 2008 up and coming composer Justin Metz illustrates the text of Robert Louis Stevenson masterfully. The accompaniment descriptively swings in the air while the vocal lines follow appropriately after. A true concert pleaser.

John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.

John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.

Cette œuvre de Stephen Bulla trouve ses origines dans le swing et combine avec originalité l?un des plus célèbres standards du jazz Nouvelle-Orléans Down by the Riverside. L?accompagnement est brillant et les solistes effervescents !

A wonderful medley of Traditional Spirituals Swing Low Sweet Chariot and Oh When The Saints Go Marchin' In arranged by Mark Hayes for full mixed SATB choir with Piano accompaniment. With gospel soul a bright jazz pulse and rhythm this is a wonderful piece that is sure to delight and impress.

Swing Low Sweet Chariot and When the Saints Go Marching In really belong together in this dynamic soulful setting which contrasts the two classic spirituals in such an exciting way that your choir won't want it toend! Skillfully arranged for singers. Available separately: SATB SAB 2-part TTB SSA Instrumental Accompaniment StudioTrax A/P CD.

Cette œuvre de Stephen Bulla trouve ses origines dans le swing et combine avec originalité l?un des plus célèbres standards du jazz Nouvelle-Orléans Down by the Riverside. L?accompagnement est brillant et les solistes effervescents !

Par BULLA STEPHEN. Cette oeuvre de Stephen Bulla trouve ses origines dans le swing et combine avec originalité l’un des plus célèbres standards du jazz Nouvelle-Orléans, Down by the Riverside. L’accompagnement est brillant et les solistes effervescents ! / Niveau : 2 / oeuvre solo et Orchestre / Répertoire / Concert Band

Ce medley signé Hans J. Rogoll rassemble trois grands thèmes du répertoire classique : Le vol du Bourdon de Nikolaï Rimski-Korsakov Carmen de Georges Bizet et La danse du sabre d?Aram Khatchaturian. Hans J. Rogoll fait usage de toute la souplesse du swing dans le traitement des mélodies. Le changement est inattendu mais original !