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Symphony No. 94 in G Major
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Symphony No. 94 in G Major "Surprise" (EASY PIANO) II. Andante (Hob. I:94) [Joseph Haydn]
Symphony No. 94 in G Major "Surprise" (EASY PIANO) II. Andante (Hob. I:94) [Joseph Haydn]
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Haydn - Symphony No.94 in G major, Hob.I:94 "Surprise"
Haydn - Symphony No.94 in G major, Hob.I:94 "Surprise"
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"Surprise" Symphony for solo violin
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Classical Fake Book - 2nd Edition
Fake Book
[Fake Book]
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Easy
Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...
(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)
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The Real Little Classical Fake Book - 2nd Edition
Piano solo
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Intermediate
Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...
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Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
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The Definitive Classical Collection
Piano solo
[Sheet music]
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Intermediate/advanced
Hal Leonard
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...
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133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 480 pages. Published by Hal Leonard.
(1)
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The Big Book Of Classical Music
Piano solo
[Sheet music]
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Intermediate
Hal Leonard
For solo piano. Format: piano solo book. Classical period and romantic period. 3...
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For solo piano. Format: piano solo book. Classical period and romantic period. 352 pages. 9x12 inches. Published by Hal Leonard.
(24)
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Puff The Magic Dragon And 54 Other All-Time Children's Favorites - Easy Piano
Piano, Voice
[Sheet music]
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Easy
Cherry Lane
For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody...
(+)
For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, big note notation and optional duet part. Children's. 128 pages. 9x12 inches. Published by Cherry Lane Music.
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Classical Piano Music for Dummies
Piano solo
[Sheet music]
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Beginner
Hal Leonard
A Reference for the Rest of Us!. By Various. Misc. Softcover. 240 pages. Publish...
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A Reference for the Rest of Us!. By Various. Misc. Softcover. 240 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Bb Tenor Saxophone
Tenor Saxophone
Hal Leonard
Essential Elements Band Method. 32 pages. Published by Hal Leonard.
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Great Symphonies Transcribed for Piano Solo-Volume 2
Piano solo
[Solo Part]
Carl Fischer
By Haydn, Schumann, Franck, Dvorak. piano. Published by Carl Fischer.
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Mark Nevin - Piano For Adults - Book 1
Piano solo
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Easy
Hal Leonard
Instructional. Size 9x12 inches. 64 pages. Published by Hal Leonard.
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Great Classical Themes - Easy Guitar
Guitar notes and tablatures
Classical guitar
[Sheet music]
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Easy
Hal Leonard
For guitar. Format: easy guitar tablature songbook. With guitar tablature, stand...
(+)
For guitar. Format: easy guitar tablature songbook. With guitar tablature, standard notation, chord names and guitar chord diagrams. Baroque, classical period, romantic period and impressionistic. 48 pages. 9x12 inches. Published by Hal Leonard.
(5)
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The Piano Treasury of Classical Music
Piano solo
[Sheet music + CD]
-
Intermediate
Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...
(+)
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great masterpieces from the Baroque, Classical, Romantic, and Modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.
(1)
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The Symphony
Piano solo
[Sheet music]
Hal Leonard
For solo piano. Format: piano solo book. Classical period and romantic period. S...
(+)
For solo piano. Format: piano solo book. Classical period and romantic period. Series: The World's Great Classical Music. 232 pages. 9x12 inches. Published by Hal Leonard.
(1)
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Library Of Easiest Book Of Piano Favorites
Piano solo
[Sheet music]
-
Easy
Music Sales
For Piano. Classical, Folk, Holiday. Sheet Music. 240 pages. Published by Music ...
(+)
For Piano. Classical, Folk, Holiday. Sheet Music. 240 pages. Published by Music Sales.
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The Classical Era - Easy to Intermediate Piano Solo
Piano solo
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Intermediate
Hal Leonard
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...
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Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature and Chamber Music. World's Greatest Classical Music. Size 9x12 inches. Published by Hal Leonard.
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Easy Classical Duets
1 Piano, 4 hands
[Sheet music + Audio access]
-
Easy
Willis Music
(Later Elementary to Early Intermediate Level 1 Piano, 4 Hands). Composed by Var...
(+)
(Later Elementary to Early Intermediate Level 1 Piano, 4 Hands). Composed by Various. Arranged by Carolyn Miller, Eric Baumgartner, and Glenda Austin. For Piano/Keyboard. Willis. Late Elementary to Early Inter. Softcover Audio Online. 32 pages. Published by Willis Music
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Essential Elements Book 1 - Eb Alto Saxophone
Alto Saxophone
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Bassoon
Bassoon
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. Published by Hal Leonard.
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Essential Elements Book 1 - Bb Bass Clarinet
Clarinet
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Baritone B.C.
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Trombone
Trombone
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Eb Alto Horn
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Eb Alto Clarinet
Clarinet
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Flute
Flute
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Bb Trombone T.C.
Trombone
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Bb Trumpet
Trumpet
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Tuba
Tuba
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Essential Elements Book 1 - F Horn
French Horn
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Percussion
Percussion
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 64 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 64 pages. Published by Hal Leonard.
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Essential Elements Book 1 - Keyboard Percussion
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...
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Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.
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Easiest Book of Piano Classics
Piano solo
[Sheet music]
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Easy
Amsco Wise Publications
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The Best Classical Music in the World: Piano: Instrumental Collection
Piano solo
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Intermediate
Hal Leonard
for Intermediate Piano. BACH: Air on the G String - Badinerie, BWV 1067 - Allegr...
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for Intermediate Piano. BACH: Air on the G String - Badinerie, BWV 1067 - Allegro, BWV 1048 - Jesu, Joy of Man's Desiring - Sheep May Safely Graze - Toccata and Fugue, BWV 565 · BEETHOVEN: Theme from Piano Concerto No. 5 (Emperor) - Theme from Symphony No. 3 (Eroica) - Theme from Symphony No. 5 - Theme from Symphony No. 7 - Theme from Symphony No. 9 · BIZET: Habanera from Carmen · BOCCHERINI: Minuet from String Quintet, Op. 11, No. 5 · BORODIN: Nocturne from String Quartet No. 2 · BRAHMS: Hungarian Dance, WoO 1, No. 5 - Lullaby, Op. 49, No. 4 · CLARKE: Trumpet Voluntary · DVORÁK: Theme from Symphony No. 9 (From the New World) · ELGAR: Nimrod from Enigma Variations - Pomp and Circumstance · FAURÉ: Après un rêve, Op. 7, No. 1 - Pavane, Op. 50 · FRANCK: Panis angelicus · GLUCK: Dance of the Blessed Spirits from Orfeo ed Euridice · GOUNOD: Ave Maria adapted from Prelude in C Major, BWV 846 by JS Bach · GREIG: Anitra's Dance from Peer Gynt Suite No. 1 - Morning from Peer Gynt Suite No. 1 - Norwegian Dance, Op. 35, No. 2 · HANDEL: Air from Water Music, HWV 348 - Allegro from Water Music, HWV 349 - Allegro from Water Music, HWV 348 - The Arrival of the Queen of Sheba from Solomon - Bourrée from Flute Sonata, HWV 363b - Hallelujah Chorus from Messiah - Largo from Serses · HAYDN: Theme from String Quartet, Op. 3, No. 5 - Theme from Symphony No. 94, Hob I:94 (Surprise) · LEHAR: Waltz from The Merry Widow · MASSENET: Meditation from Thaïs · MENDELSSOHN: Nocturne from A Midsummer Night's Dream - Wedding March from A Midsummer Night's Dream · MOZART: Ave Verum Corpus - Theme from Clarinet Concerto - Theme from Eine kleine Nachtmusik - Lacrimosa from Requiem - Theme from Piano Concerto No. 21 - Theme from Symphony No. 40 - Theme from Symphony No. 41 · Offenbach: Barcarolle from The Tales of Hoffmann - Can-Can from Orpheus in the Underworld · PACHELBEL: Canon in D · PARRY: Jerusalem · PUCCINI: Musetta's Waltz from La bohème - Un bel dì vedremo from Madame Butterfly - Vissi d'arte from Tosca · RACHMANINOFF: Theme from Piano Concerto No. 2 · RIMSKY-KORSAKOV: Flight of the Bumblebee - Song of India - The Young Prince and the Young Prince from Scheherazade · SAINT-SAËNS: Danse macabre - The Swan from The Carnival of the Animals · SCHUBERT: Ave Maria - Serenade · SOUSA: The Stars and Stripes
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Organ
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Mozart W.a. - Piano Sonata C Major K. 309 (284b)
G. Henle
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Mart...
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Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozartâs great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Easiest Book Of Piano Favourites
Piano solo
[Sheet music]
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Easy
Amsco Wise Publications
Piano solo / Reliure : Spirales Nb de Pages : 240 Langue : Anglais
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Mozart, Wolfgang Amadeus : Piano Sonata C major K. 309 (284b)
Piano solo
[Sheet music]
G. Henle
«Je veux le composer tout à fait d?après le caractère de Mlle Rose». Voici ...
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«Je veux le composer tout à fait d?après le caractère de Mlle Rose». Voici ce que répondit Mozart à la question de savoir comment il allait concevoir l?Andante de sa Sonate en Ut majeur. Il avait fait la connaissance de Rosina Cannabich à Mannheim durant l?automne 1777. Composée à son intention, la Sonate K. 309 lui fut tout de suite présentée lors d?une leçon, si bien que d?après les dires de son professeur, elle la jouait déjà de manière «admirable» en décembre 1777. Afin que de nombreux élèves puissent faire de même, nous présentons ce joyau de la musique de piano de Mozart, jusqu?alors seulement disponible dans les recueils intégrals des sonates (HN 1 et 3), sous la forme d?une édition séparée avec, en sus, une nouvelle préface de l?éditeur.
1er MOUVEMENT Le premier mouvement de la sonate K 309 en ut majeur est un modèle pour enseigner la structure de la forme sonate. Dans les formes sonate, pas plus que dans la fugue de Bach, aucun dogme ne sert de base au processus de composition, mais chaque sonate apporte une nouvelle variation à un principe fondamental. Cela impliquait, pour Mozart, l?obligation stricte de se conformer à certains schémas sans pour autant laisser entraver sa propre liberté de création. Pour ses mouvements de sonates en tonalités majeures, il était, par exemple, favorable à la dominante comme la plupart de ses contemporains. Sur ce point, Haydn, en revanche, se délectait à tenter de nouvelles expériences.
Il serait peut-être utile, par une brève analyse, de montrer quel était le modèle de référence d?une «forme d?allegro de sonate» pour Mozart, et le premier mouvement de la sonate en ut majeur K 309 est, à cet égard, un exemple idéal pour un tel examen. Le premier thème est un début caractéristique en marcato, suivi d?une «réponse» de cinq mesures. La quarte descendante et la sixte ascendante du début forment un des motifs favoris de Mozart; c?est son procédé mélodique habituel. Il l?utilise souvent en mineur comme en majeur et beaucoup de ses thèmes commencent par ce motif (pour exemple le deuxième mouvement de la sonate en la majeur K 331 et l?Adagio en si mineur K 540 et certains thèmes des Symphonies K 114, 124, 319/II et 551/II). Les sept mesures du thème principal sont répétées avec une légère variation. Les mesures 12 à 30 viennent conclure la période du premier thème par une phrase réponse (3 3 mesures). La transition fait appel à un nouveau matériau puis, dans la mesure 35 (âpres 2 mesures préliminaires) vient un second thème cantabile à la dominante (sol majeur), comprenant deux fois quatre mesures. Il est également repris et s?achemine vers un thème de clôture plein d?allant (groupe conclusif) qui traverse un passage d?ornementation pianistique (m. 43) et enferme une merveilleuse réduction des mesures 35 et 36 dans la mesure 45. L?exposition se termine par une «codetta» de cinq mesures. Le développement présente d?abord le motif d?exposition en sol mineur puis les différentes idées du premier thème sont élaborées. Dans cette démarche, Mozart s?en réfère beaucoup plus aux principes d?école qu?il ne le fait d?habitude. Deux autres expositions du motif du départ nous conduisent à la réexposition dans la mesure 94. Le second thème, maintenant à la tonique, s?est interverti avec son accompagnement. On assiste à un rappel du début dans une coda qui s?impose avec force.
2eme MOUVEMENT Le deuxième mouvement de cette sonate est un Andante un poco adagio introspectif. Mozart avait fait part dans une lettre de sin désir d?adapter cet Andante au caractère de la jeune pianiste Rosa Cannabich pour laquelle il l?avait écrit : «c?est une jolie et charmante jeune fille, tout comme cet andante. Elle est très mûre et posée pour son âge, elle ne parle pas beaucoup et c?est toujours avec grâce et gentillesse».
3eme MOUVEMENT C?est un Rondo élégant et fluide, d?une longueur inusitée, qui clôt cette sonate. / [Sonate pour piano en Ut majeur K. 309 (284b)] / Classique / Partition / Agrafé /
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Classical Repertoire For Recorder (PUSCOIU COSTEL)
Descant (Soprano) Recorder
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Intermediate
Mel Bay
Par PUSCOIU COSTEL. Well-known classical works for recorder students at all leve...
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Par PUSCOIU COSTEL. Well-known classical works for recorder students at all levels of ability, adapted and arranged especially for the recorder. The works are drawn from all periods, including Baroque, Classical, Romantic and Modern. The author has carefully placed the melodies in the best keys for easy recorder. / Niveau : Intermédiaire / Classic - Solos / Recueil / Flûte à Bec Soprano
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Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Parts
Orchestra
Barenreiter
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day...
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Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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Easy Concert Pieces Band 3
Recorder, Piano
[Sheet music + CD]
-
Intermediate
Schott
21 Pieces from 5 Centuries. La série Easy Concert Pieces a les bonnes pièces p...
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21 Pieces from 5 Centuries. La série Easy Concert Pieces a les bonnes pièces prêtes pour les premiers concerts. De difficulté facile à moyenne, les compositions originales et les arrangements pour flûte à bec soprano et piano offrent un aperçu des différentes époques, de la Renaissance à l'époque moderne. Le CD ci-joint contient tous les morceaux en version intégrale et en version play-along avec accompagnement de piano. Le volume 1 contient des pièces courtes et claires dans la gamme de do' à mi'', y compris les demi-tons fa' dièse et si' bémol. Le rythme est simple. Certaines pièces n'ont qu'un petit ambitus, de sorte que ce volume peut être utilisé comme livret d'accompagnement après une courte période de leçons de flûte à bec. / Niveau : 3 / Recueil / Flûte à Bec et Piano
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Eulenburg Audio+Scores - Boxed Set
All Instruments
Eulenburg
The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument
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FIRST 50 CLASSICAL PIECES YOU SHOULD PLAY ON THE CLARINET
Clarinet
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Easy
Hal Leonard
If you've been playing clarinet for a little while, you are probably eager to le...
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If you've been playing clarinet for a little while, you are probably eager to learn some familiar works. This book includes 50 must-know works by Bach, Brahms, Handel, Tchaikovsky and more arranged for clarinet.
Complete contents include: About Strange Lands and People from Scenes from Childhood (Schumann) ? Adagio, Op. 63, No. 24 (Baermann) ? Andante from Symphony No. 6 ?Pathétique? (Tchaikovsky) ? Andante from Symphony No. 94 ?Surprise? (Haydn) ? Aria from Aria con Variazioni (Handel) ? Ave Maria (Schubert) ? Barcarolle from The Tales of Hoffmann (Offenbach) ? Canon in D (Pachelbel) ? Dance of the Blessed Spirits from Orfeo ed Euridice (Gluck) ? Emperor Waltz (Strauss) ? Etude in E Major, Op. 10, No. 3 (Chopin) ? Evening Prayer from Hansel and Gretel (Humperdink) ? Funeral March of a Marionette (Gounod) ? He Shall Feed His Flock from Messiah (Handel) ? Heidenröslein (Schubert) ? Hungarian Dance No. 5 (Brahms) ? Intermezzo, Op. 117, No. 1 (Brahms) ? Irish Tune from County Derry (Grainger) ? Jupiter Chorale from The Planets (Holst) ? La donna è mobile from Rigoletto (Verdi) ? Largo from Serse (Handel) ? Largo from Symphony No. 9 ?From the New World? (Dvorák) ? Lullaby (Brahms) ? Lullaby (Schubert) ? Marmotte (Beethoven) ? Mazurka (Glinka) ? The Merry Farmer from Album for the Young (Schumann) ? Minuet from String Quintet in E Major, Op. 11, No. 5 (Boccherini) ? Minuet in D minor, BWV Appendix 132 (Anonymous) ? Minuet in G Major, BWV Appendix 114 (Petzold) ? Minuet in G Major, WoO 10, No. 2 (Beethoven) ? Minuet in G minor, BWV Appendix 115 (Petzold) ? The Moldau from Ma Vlast (Smetana) ? Musette in D Major, BWV Appendix 126 (Bach) ? Non più andrai from The Marriage of Figaro (Mozart) ? O mio babbino caro from Gianni Schicchi (Puccini) ? Ode to Joy from Symphony No. 9 (Beethoven) ? On the Beautiful Blue Danube (Strauss) ? Pavane (Fauré) ? Pomp and Circumstance March No. 1 (Elgar) ? Schlummerlied, Op. 84, No. 2 (Baermann) ? Solvejg's Song from Peer Gynt (Grieg) ? St. Anthony Chorale (Haydn) ? Theme from Swan Lake (Tchaikovsky) ? To Music (Schubert) ? Toreador's Song from Carmen (Bizet) ? Waltz from Sleeping Beauty (Tchaikovsky) ? Waltz from The Merry Widow (Lehár) ? Waltz, Op. 39, No. 15 (Brahms) ? Wild Horseman from Album for the Young (Schumann). / Partitions classique / Bois / Clarinette / HAL LEONARD
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Difficult Passages Vol. 2 - Oboe
Boosey & Hawkes
990 Difficult Passages From the Symphonic Repertoire Instrument : Oboe (English...
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990 Difficult Passages From the Symphonic Repertoire Instrument : Oboe (English horn) Nombre de Pages : 64 Content : Franck: Symphony in D minor - Variations Symphoniques - Haydn: Symphony No. 92 in G major Oxford - Symphony No. 94 in G major The Surprise - Symphony No. 97 in C major - Symphony No. 100 in G major Military - Symphony No. 101 in D major The Clock - Symphony No. 103 in E flat major With the Roll of the Kettledrum - Symphony No. 104 in D major London - Liszt: Piano Concerto No. 1 in E flat major - Mendelssohn: Symphony No. 3 in A minor, op. 56 Scottish - Symphony No. 4 in A major, op. 90 Italian - Violin Concerto in E minor, op. 64 - A Midsummer Night's Dream. Overture, op. 21 - Fingal's Cave. Overture, op. 26 - Scherzo from A Midsummer Night's Dream - Mozart: Symphony No. 34 in C major KV 338 - Symphony No. 35 in D major KV 385 - Symphony No. 36 in C major KV 425 - Symphony No. 38 in D major Prague KV 504 - Symphony No. 40 in G minor KV 550 - Symphony No. 41 in C major Jupiter KV 551 - Piano Concerto in D minor KV 466 - Piano Concerto in B flat major KV 595 - Violin Concerto in G major KV 216 - Violin Concerto in D Major KV 218 - Violin Concerto in A major KV 219 - Oboe Concerto in C major KV 314 - Il Seraglio Overture KV 384 - The Marriage of Figaro Overture KV 492 - Don Giovanni Overture KV 527 - Cosi fan tutte Overture KV 588 - The Magic Flute Overture KV 620 - Nicolai: The Merry Wives of Windsor Overture - Rossini: The Barber of Seville Overture - The Thievish Magpie Overture - Semiramide Overture - L'Italiana in Algeri Overture - La Scala di Seta Overture - Tancredi Overture - William Tell Overture - Schubert: Symphony No. 4 in C minor - Symphony No. 5 in B flat major - Symphony No. 7 in C major - Symphony No. 8 in B minor - Rosamunde Overture - Schumann: Symphony No. 1 in B flat major, op. 38 - Symphony No. 2 in C major, op. 61 - Symphony No. 3 in E flat major, op. 97 - Symphony No. 4 in D minor, op. 120 - Piano Concerto in A minor, op. 54 - Smetana: The Bartered Bride Overture - J. Strauss: Die Fledermaus Overture - The Gypsy Baron Overture - Tschaikowsky: Symphony No. 4 in F minor, op. 36 - Symphony No. 5 in E minor, op. 64 - Symphony No. 6 in B minor, op. 74 Pathétique - Piano Concerto No. 1 in B flat minor, op. 23 - Violin Concerto in D major, op. 35 - Le Casse-Noisette Ballet Suite, op. 71a - Swan Lake Ballet Suite - Romeo and Juliet Overture-Fantasy - Wagner: The Flying Durchman Overture - Tannhäuser Overture - Lohengrin - Tristan and Isolde - The Mastersingers of Nuremberg Overture - Siegfried Idyl - Weber: The Ruler of the Spirits Overture - Euryanthe Overture - Oberon Overture - Der Freischütz Overture
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Divers : The Easy Piano Collection: Classical Gold
Piano solo
[Sheet music]
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Easy
Chester
Les plus grandes ?uvres pour Piano de la période Classique, arrangé...
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Les plus grandes ?uvres pour Piano de la période Classique, arrangées pour les pianistes commençants. Biographies incluses / Classique / Partition /
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First 50 Classical Pieces You Should Play
Clarinet
[Sheet music]
Hal Leonard
on the Clarinet. Par . If you've been playing clarinet for a little while, you a...
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on the Clarinet. Par . If you've been playing clarinet for a little while, you are probably eager to learn some familiar songs. This book includes 50 must-know works by Bach, Brahms, Handel, Tchaikovsky and more arranged for clarinet. / Date parution : 2021-12-09/ Recueil / Clarinette
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The Library of Children's Piano Pieces
Piano solo
[Sheet music]
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Easy
Amsco Wise Publications
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Franz Joseph Haydn: Symphony No. 100 In G: Orchestra: Miniature Score
Orchestra
Eulenburg
London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his secon...
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London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his second trip to England in 1794. This work is one of the still popular from the series of the so-called '12 London Symphonies' (Hob. 1/93 - Hob. 104).The work characterized by musical finesse and various sonic stimuli has the following four movements: I. Adagio - Allegro - II. Allegretto (C major) - III. Menuet: Moderato - IV. Presto. The somewhat unusual epithet 'military symphony' refers essentially to the second and the fourth movement ('Allegretto' and 'Presto') in which the instrumentation is enriched by timpani triangle cymbals and bass drum and thereby the evokes the impression of amilitary band. A 'trumpet signal' especially set in the second movement led to such a characterization. On the value and importance of this G major Symphony the following article from the Allgemeine Musikalische Zeitung of April 1799 reveals: 'It is a little less learned and easier to grasp than some of the other's newest works but new ones Ideas just as rich as they. Perhaps the surprise in music can not be furthered than it is here by the sudden collapse of full Janissary music in the minor of the second movement-since until then one has no suspicion that these Turkish instruments are attached to the symphony. But here too not only the inventive but also the prudent artist shows. Nevertheless the Andante is nevertheless a whole: for in all the pleasing and easy things that the composer in order to infer from the idea of his coup deceitfully brought it into the first part of it it is nevertheless arranged and worked in a march.' The 'Military Symphony' was premiered on March 31 1799 in London.
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10 Chefs-d?Oeuvre de Musique Symphonique : Partitions + CD
Orchestra
[Study Score / Miniature + CD]
Schott
Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, ta...
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Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, tant au niveau des partitions qu'au niveau des enregistrements. / Classique / Partition CD / Broché / Mozart, Wolfgang Amadeus / Mendelssohn, Félix / Dvorak, Antonin / Beethoven, Ludwig Van / Grieg, Edvard / Smetana, Bedrich / Schumann, Robert :
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The Flute Collection - Easy to Intermediate Level: Flute: Instrumental Album
Flute
[Sheet music + Audio access]
Schirmer
Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collectio...
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Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collection for a student performing in a contest or recital for the first time. Contents: Gavotte from the French Suite No. 5 BWV 816 (J.S. Bach) · Minuet from the Notebook for Anna MagdalenaBach (J.S. Bach) · Scotch Dance WoO 23 (Beethoven) · Sonatina (Beethoven) · Aria of the Shepherd from La liberazione de Ruggiero (Caccini) · Berceuse from the DollySuite (Fauré) · Tambourine from Iphigénie en Aulide (Gluck) · Allegro from the String Quartet in F Major Op. 74 No. 2 (Haydn) · Minuet from the Symphony No. 89 in FMajor (Haydn) · The Entertainer (Joplin) · Musette (Leclair) · Andante Espressivo Op. 58 No. 1 (Mendelssohn) · Gymnopédie (Satie) ·Andantino (Schubert) · Minuet (Schubert) · Romanze Op. 94 (Schumann). The book also includes access to online audio recordings of Piano accompaniments for each piece for download orstreaming.
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Just For Kids Not ! Classics Big Note Piano
Big Note Piano
[Sheet music]
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Beginner
Hal Leonard
Plus de 10 classiques des chansons les enfants comme les adultes vont adorer, ar...
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Plus de 10 classiques des chansons les enfants comme les adultes vont adorer, arrangé pour grand-note de piano. / Rép Classique / Recueil / Piano
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The Essential Collection : Schubert Gold (Schubert, Franz)
Piano solo
[Sheet music]
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Intermediate
Chester
Les plus grandes ?uvres pour Piano de Franz Schubert, arrangées pour Pian...
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Les plus grandes ?uvres pour Piano de Franz Schubert, arrangées pour Piano Solo / Classique / Partition /
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Schubert, Franz : The Essential Collection: Schubert Gold
Piano solo
[Sheet music + CD]
Chester
Réédition de la collection Gold aujourd'hui devenue célèbre.
Ce v...
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Réédition de la collection Gold aujourd'hui devenue célèbre.
Ce volume contient 2 CD avec les titres complets pour piano. / Classique / Partition 2 CDs /
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The Greatest Orchestral Masterworks Vol.51-75 Box Set
Concert band
Eulenburg
The most important concert and orchestral works from the Baroque era to the Roma...
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The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band
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Franz Joseph Haydn: Symphony No.90 In C Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to ...
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Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale
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Franz Joseph Haydn: Symphony No.90 In C Major Hob.I: Orchestra: Score
Orchestra
Barenreiter
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to ...
(+)
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale
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Franz Joseph Haydn: Symphony No.90 In C Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to ...
(+)
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale
9.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Symphony No.90 In C Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to ...
(+)
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale
9.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Symphony No.90 In C Major Hob.I: Orchestra: Parts
Orchestra
Barenreiter
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to ...
(+)
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale
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Franz Joseph Haydn: Symphony No.90 In C Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to ...
(+)
Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale
9.50 GBP - Sold by Musicroom UK
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Easy Concert Pieces
Cello, Piano
[Sheet music + CD]
-
Easy
Schott
For use in lessons or for your first concert performances - Easy Concert Pieces ...
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For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano
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