Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100213

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/13. Published by Carus Verlag (CA.3100213).

ISBN 9790007041366. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107911

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Violin 1. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/11. Published by Carus Verlag (CA.3107911).

ISBN 9790007045258. Key: G major. Language: German/English.

After the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100219

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. Duration 20 minutes. Carus Verlag #CV 31.002/19. Published by Carus Verlag (CA.3100219).

ISBN 9790007135904. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107912

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Violin 2. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/12. Published by Carus Verlag (CA.3107912).

ISBN 9790007045265. Key: G major. Language: German/English.

After the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100212

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/12. Published by Carus Verlag (CA.3100212).

ISBN 9790007041359. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103513

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Viola. Composed 1726. BWV 35. 8 pages. Duration 31 minutes. Carus Verlag #CV 31.035/13. Published by Carus Verlag (CA.3103513).

ISBN 9790007205652. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105819

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. Duration 17 minutes. Carus Verlag #CV 31.058/19. Published by Carus Verlag (CA.3105819).

ISBN 9790007136208. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103511

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Violin 1. Composed 1726. BWV 35. 12 pages. Duration 31 minutes. Carus Verlag #CV 31.035/11. Published by Carus Verlag (CA.3103511).

ISBN 9790007205638. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105849

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, New year. Single Part, Organ. Composed 1733/1734. BWV 58. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.058/49. Published by Carus Verlag (CA.3105849).

ISBN 9790007206611. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103512

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Violin 2. Composed 1726. BWV 35. 12 pages. Duration 31 minutes. Carus Verlag #CV 31.035/12. Published by Carus Verlag (CA.3103512).

ISBN 9790007205645. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105809

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.058/21 oboe 1, 1x 31.058/22 oboe 2, 1x 31.058/23 oboe d'amore. German title: Ach Gott, wie manches Herzeleid 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.058/09. Published by Carus Verlag (CA.3105809).

ISBN 9790007043223. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Orchestra SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani] - Grade 4

SKU: CA.4000713

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Dixit. Sacred, Cantatas, Motets; Stuttgart Urtext editions; Occasions: Daily hours; Use during church year: Epiphany. Single Part, Choir 1: Viola. RV 594. 12 pages. Duration 25 minutes. Carus Verlag #CV 40.007/13. Published by Carus Verlag (CA.4000713).

ISBN 9790007057626. Language: Latin/English.

Dixit Dominus (Ps 109), a psalm setting for double choir, is one of Vivaldi's most significant sacred works. In it, he takes up the old Venetian polychoral tradition, combining its compositional techniques with those of the instrumental concerto, the cantata and the opera. The broadly conceived cycle of movements, consisting of eight psalm verses and the doxology, is characterized by an expansive arch of tonalities connecting the two framing outer movements in D major (these are also thematically related): Dixit Dominus and Gloria Patri. The contrasting and varied inner movements are perfect examples of Vivaldi's skill in vividly portraying linguistic figures in music. Score and part available separately - see item CA.4000700.

Orchestra SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani] - Grade 4

SKU: CA.4000709

Composed by Antonio Vivaldi. This edition: urtext. 1x 40.007/21 oboe 1, 1x 40.007/22 oboe 2, 1x 40.007/31 trumpet 1, 1x 40.007/32 trumpet 2, 1x 40.007/41 timpani. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Dixit 5. Sacred, Cantatas, Motets; Stuttgart Urtext editions; Occasions: Daily hours; Use during church year: Epiphany. Set of Orchestra Parts. RV 594. 20 pages. Duration 25 minutes. Carus Verlag #CV 40.007/09. Published by Carus Verlag (CA.4000709).

ISBN 9790007057596. Language: Latin/English.

Dixit Dominus (Ps 109), a psalm setting for double choir, is one of Vivaldi's most significant sacred works. In it, he takes up the old Venetian polychoral tradition, combining its compositional techniques with those of the instrumental concerto, the cantata and the opera. The broadly conceived cycle of movements, consisting of eight psalm verses and the doxology, is characterized by an expansive arch of tonalities connecting the two framing outer movements in D major (these are also thematically related): Dixit Dominus and Gloria Patri. The contrasting and varied inner movements are perfect examples of Vivaldi's skill in vividly portraying linguistic figures in music. Score and parts available separately - see item CA.4000700.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103514

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, basso continuo. Composed 1726. BWV 35. 16 pages. Duration 31 minutes. Carus Verlag #CV 31.035/14. Published by Carus Verlag (CA.3103514).

ISBN 9790007205669. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Orchestra SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani] - Grade 4

SKU: CA.4000712

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Dixit. Sacred, Cantatas, Motets; Stuttgart Urtext editions; Occasions: Daily hours; Use during church year: Epiphany. Single Part, Choir 1: Violin 2. RV 594. 12 pages. Duration 25 minutes. Carus Verlag #CV 40.007/12. Published by Carus Verlag (CA.4000712).

ISBN 9790007057619. Language: Latin/English.

Dixit Dominus (Ps 109), a psalm setting for double choir, is one of Vivaldi's most significant sacred works. In it, he takes up the old Venetian polychoral tradition, combining its compositional techniques with those of the instrumental concerto, the cantata and the opera. The broadly conceived cycle of movements, consisting of eight psalm verses and the doxology, is characterized by an expansive arch of tonalities connecting the two framing outer movements in D major (these are also thematically related): Dixit Dominus and Gloria Patri. The contrasting and varied inner movements are perfect examples of Vivaldi's skill in vividly portraying linguistic figures in music. Score and part available separately - see item CA.4000700.