SKU: YM.GTP01100091
ISBN 9784636100662.
In this piano-duet (1 piano 4 hands) repertoire series, both of the primo (upper part in an easy level) and the secondo (lower part in an intermediate level) have their own melody parts to play. It is a great choice for both children and adults teaching or learning to play the piano, as well as for a variety of uses, from piano lesson to live performances such as concerts and street piano performances!
SKU: HL.48182066
UPC: 888680850869. 9.0x12.0x0.155 inches.
“The Bird Catalogue by Olivier Messiaenis a set of 7 books with 13 pieces for Piano composed between 1956 and 1958. Each volume refers to a special bird and to the region where the bird is typically from in France. The piece not only describes the bird, it also depicts its surroundings, such as other birds, the landscape of its area, the colours and the temperature. Book 1 - Le Chocard des Alpes (Alpine Chough) - Le Loriot (Golden Oriole) IH Le Merle Bleu (Blue Rock Thrush) Book 2 - Le Traquet Stapazin (Black-Eared Wheatear) Book 3 - La Chouette Hulotte (Tawny Owl) - L'Alouette Lulu (Wood Lark) Book 4 - La Rousserolle Effarvatte (Reed Warbler) Book 5 - L'Alouette Calandrelle (Short-Toed Lark) - La Bouscarle (Cetti's Warbler) Book 6 - Le Merle de Roche (Rock Thrush) Book 7 - La Buse Variable (Buzzard) - Le Traquet Rieur (Black Wheatear) - Le Courlis Cendré (Curlew) As mentioned above, this 5th volume focuses on the Short-toed Lark and the Cetti's Warbler. The first one, the Short-toed Lark represents the wilderness of Provence and the Cetti's Warbler, the Charente area. The interpretation of these pieces requires a strong level in Piano (upper advanced), due to some complex technique requirement. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Treatise on rhythm, colour and ornithology' in 7 volumes.â€.
SKU: BR.BV-401
Discover - Play - Learn. Together - From One Another - With One Another
Such buzzwords can be used to summarize the fundamental concept of the new flute method. More information on the ISBN 9783765104015. 8.5 x 11.5 inches. German.
Next to imparting a well-founded playing technique, it is the joint discovery of music that is at the center of this book, the secrets of the flutes sound, and the personal resources of expressiveness. The many trios, duos and solo pieces, new tunes and well-known melodies (all with an accompanying part for teacher and piano) encourage joint music-making, and do it yourself suggestions stimulate the conscious experience of music. Wir floten QUER! boasts the perfect concept for flexible use in classroom teaching or private lessons, and is ideal for everyday use: In their design and appeal, the two student books retrace childrens learning and development arcs corresponding to their age The detailed and in-depth suggestions provided in the lavishly prepared book for the teachers comments give the teacher maximum freedom in the planning of the teaching mode and the choice of methods, apart from offering a general introduction into aspects of group work with young children. There are duo versions of the trios for individual lessons The supplementary volume, Learning Games and General Suggestions, is a genuine treasure chest of material with a wealth of additional ideas. The enclosed CD contains all kinds of do-it-yourself modules and print models. This book can also be used independently of the method, and for other instruments as well. More information you will find on the author's website www.wirfloetenquer.deDiscover - Play - Learn. Together - From One Another - With One AnotherSuch buzzwords can be used to summarize the fundamental concept of the new flute method. More information on www.wirfloetenquer.de and on the author's website.
SKU: BR.EB-8829
Such buzzwords can be used to summarize the fundamental concept of the new flute method. More information on the ISBN 9790004183939. 9 x 12 inches. German.
SKU: BR.EB-8828
Such buzzwords can be used to summarize the fundamental concept of the new flute method. More information on the ISBN 9790004183922. 9 x 12 inches. German.
SKU: MH.1-59913-054-8
ISBN 9781599130545.
Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion.
SKU: HL.118848
ISBN 9781480340459. UPC: 884088902438. 5x5 inches. John Jacobson/John Higgins.
The swamp is all a-buzz with party preparations galore! Naturally, the turtles are running late, and Bully the Frog is being a bully. The frogs have learned a new dance they want to share. The tadpoles are growing appendages (yikes!) and the dragonfly larvae need encouragement to spread their wings and fly. Lessons of friendship, tolerance, courage to face the future, and more, abound! This 25-minute musical party features five original songs and easy-to-learn rhyming dialog with over 40 speaking parts. The ENHANCED Teacher Edition with Singer CD-ROM includes piano/vocal arrangements with choreography, helpful production guide with staging and costume suggestions, teaching objectives linked to the National Standards for each song, PLUS REPRODUCIBLE and PROJECTABLE singer parts on the enclosed CD-ROM. Also available: Preview CD (with vocals & dialog), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, and a Classroom Kit with Teacher/Singer and Performance/Accompaniment CD for extra value! Approximate Performance Time: 20 minutes. Suggested for grades K-3.
SKU: HL.118847
ISBN 9781480340442. UPC: 884088902421. 8.5x11.0x0.143 inches. John Jacobson/John Higgins.
The swamp is all a-buzz with party preparations galore! Naturally, the turtles are running late, and Bully the Frog is being a bully. The frogs have learned a new dance they want to share. The tadpoles are growing appendages (yikes!) and the dragonfly larvae need encouragement to spread their wings and fly. Lessons of friendship, tolerance, courage to face the future, and more, abound! This 25-minute musical party features five original songs and easy-to-learn rhyming dialog with over 40 speaking parts. The ENHANCED Teacher Edition with Singer PDFs includes piano/vocal arrangements with choreography, helpful production guide with staging and costume suggestions, teaching objectives linked to the National Standards for each song, PLUS REPRODUCIBLE and PROJECTABLE singer parts available via DIGITAL ACCESS. Also available: Preview CD (with vocals & dialog), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, and a Classroom Kit with Teacher/Singer and AUDIO ACCESS for extra value! Approximate Performance Time: 20 minutes. Suggested for grades K-3.
SKU: HL.265067
UPC: 888680731502. 5.0x5.0x0.15 inches.
There is plenty of room to get your groove on in this techno pop hit by Canadian group Men Without Hats. Be sure to have Kazoos handy for your choir as the iconic buzzing instruments make appearances throughout. The steady eighth note beat pulsates without pause and the choral writing is solid and worthy. A great change of pace in your show.
SKU: MB.99126M
ISBN 9781513465791. 8.75x11.75 inches.
Provides the intermediate clawhammer 5-string banjo player with a fresh repertoire of 21 traditional and 5 original tunes as played by the author with the Boiled Buzzards Old Time String Band. The book briefly addresses clawhammer basics with a few pages of exercises and scales before presenting the tunes. The banjo tunings in this book are: double C tuning gCGCD , modified double C tuning eCGCD , G tuning GDGBD , A tuning aEAC#E , D tuning aDADE , and Double-D tuning drop 5th f#DADE . Written in banjo tablature only with suggested backup chords. Voted one of the top 10 clawhammer banjo players by Banjo Newsletter readers, Levenson advises the reader that the tablature in this book is to be used only as a guide and to play the tune as you hear it, not slavishly as written. This approach allows the reader to play within his/her style and level of ability. Includes access to online audio.
