SKU: BA.BA08834
ISBN 9790006567195. 32.5 x 25.5 cm inches. Preface: Hugh Macdonald.
Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem “Danse macabre†reflects not only his affinity to medieval superstitions but also constitutes a tribute to Liszt’s “Totentanzâ€.“Danse macabre†is based on the eponymous song Saint-Saëns composed in 1872 after Henri Cazalis’ poem. At its premiere, the work was not well-received; in fact it was booed, possibly due to the “diabolic†solo violin playing on an E-string that was tuned down to E-flat, which the audience might have misinterpreted as being out of tune. However within ten years the work had become so popular that Saint-Saëns quoted some of its musical themes in “The Carnival of the Animalsâ€. Since the composer’s death, “Danse macabre†is among the works most often mentioned in connection with the theatrical face of death found in popular mortuary cult.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48182310
UPC: 888680839703. 9.0x12.0x0.086 inches.
“French composer and conductor, Henri Tomasi (1901-1971) published Gregorian Variations on a Salve Ragina 1964. As with his other wind compositions, Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Gregorian Variations on a Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality, rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters, providing an exciting, alternative addition to the instrument's repertoire.â€.
SKU: HL.51487045
ISBN 9790201870458. UPC: 888680745318. 6.75x9.5x0.244 inches.
In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the space of just four weeks he composed a new string quartet in G major. Together with the Quartet in A-flat major op. 105, it forms a glorious close to his chamber music oeuvre. Echoes of Bohemian folk music are here mixed with cantabile themes, while his motivic working shows him to be a master at the height of his powers. Even today, it seems almost as if we can feel the composer's satisfaction with this work: “I am working so easily and it is going so smoothly that I could not wish it better.â€.
SKU: BT.DHP-0930518-020
‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).
SKU: FJ.HX103EB
ISBN 9781546947226. UPC: 704438463436. English.
A collection of six Christmas and holiday charts for small jazz groups at grade 2.5. All charts are scored in three-part writing, with flexible instrumentation provided by all three parts in each wind book. Solo sections are provided with changes, and also a mini-clinic with a break down of the spelled-out chord progression and a scale etude for each tune. Twelve transcribed solos match the recordings note-for-note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. 54 downloadable play-along tracks provide every instrument a chance to sit in with the recorded band. Contents include: Up On the Housetop, Good King Wenceslas, Jingle Bells, Deck the Halls, The Holly and the Ivy, Auld Lang Syne.
SKU: BO.B.3102
ISBN 9788480201988.
English comments: Divertimento I and Divertimento II, for two violins were composed in 1996. These two sister compositions have the additional attraction of being unedited works which are representative of the composer's most recent style. This etymological description, which defines a personality rather than an established musical style, takes the form of a succession of contrasting dynamic movements. One of the most outstanding features is the way in which the two instruments break away from their usual range of sounds to create the ideal conditions for suggesting their latent extent of sound possibilities in compositions that could be extended perfectly well into a string quartet. The interplay between the two instruments opens up a whole range of possibilities: short motives in an imitative style often braking out into a repetition of brief themes with a lot of personality, sequences of transformations, repetitive rhythms, etc. All theses show the virtuosity of the players on their own and together and because of their characteristics, they are written in a very clear tonal language, a times, modal, oriental, or even pentatonic. The progression of the movements is governed by a desire for variety: between the fast opening and closing movements there is a sequence of relaxed andante -some of which are in an easy two-part canon style- in scherzzi -and these are the lightest, most airy fragments of the two Divertimenti. Recordings: Ilia Ioff and Ilia Teplyakov (violins), Columna Musica (1CM0156). --Lluis MilletComentarios del Espanol:Divertimento I y Divertimento II, para dos violines fueron compuestos en el ano 1996. Un atractivo adicional de estas dos composiciones hermanas raya en su condicion de obras ineditas y representativas de la ultima manera del compositor. La acepcion etimologica, que define un caracter mas que una forma musical establecida, se concreta aqui en una sucesion de movimientos contrastados de gran dinamismo. Cabe remarcar la capacidad de los instrumentos para superar su estricto ambito sonoro y crear las condiciones idoneas para sugerir toda la amplitud sonora latente en unas composiciones que, con toda propiedad, podrian ser ampliadas en cuarteto de cuerda. El juego al que se someten los dos instrumentos se halla abierto a multiples posibilidades: breves motivos en estilo imitativo susceptibles de desembocar en elementos tematicos reiterados, poco desarrollados y de fuerte personalidad, mutaciones secuenciales, ritmos obstinados, etc., que propician el virtuosismo individual y colectivo de los ejecutantes y que, por sus caracteristicas, se inscriben en un lenguaje tonal muy claro, ocasionalmente abierto, tambien, a trazos modales y orientalizantes e, incluso, a lo pentatonico. El criterio que rige la progresion de los movimientos responde a simples razones de variedad: entre los fragmentos extremos rapidos, inicial y conclusivo, una sucesion de andante distendidos -a veces en un descanso estilo canonico a dos voces- y de scherzo los fragmentos mas ingravidos y aereos de los Divertimenti. Grabaciones: Ilia Ioff y Ilia Teplyakov (violines), Columna Musica (1CM0156). --Lluis Millet.
SKU: HP.C5044O
UPC: 763628144685. 1 Peter 1:16, Acts 2:2, Haggai 2:6, John 9:4-5, Luke 24:49, Matthew 28:19, Matthew 5:14,16, Romans 8:16, Mark 5:21-43, Mark 6:1-13.
Popular English Praise song A driving setting of a song from the popular, English praise-songwriter, Graham Kendrick. Perfect for mission themes or as a rousing send-off to a service or conference. Useful and uplifting.
SKU: CF.CAS165F
ISBN 9781491165393. UPC: 680160924301. Key: D major.
Pachelbel’s Canon in D has become a staple in western music, especially when it comes to weddings. It’s a wonderful piece of music with exciting melodies that grow throughout the work. However, there is one major problem with this piece from the perspective of cello and bass players. Their part only contains a pattern of 8 notes that get repeated over and over and over. 28 times to be exact. To remedy this, composer Katie O’Hara LaBrie has created Pachelbel’s Rhapsody, a dream-like variation on Pachelbel’s original themes which allows for all parts of the orchestra to shine.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: BA.BE02820
ISBN 9783764928209. 31.5 x 26.5 cm inches. Language: German. Preface: Dartsch, Michael / Savage-Kroll, Camille / Schmidt-Hiller, Kitty / Steffen-Wittek, Marianne / Stiller, Barbara / Vogel, Corinna / Rademacher, Ulrich.
SKU: FJ.HX102BS
ISBN 9781530867608. UPC: 682500374647. English.
A collection of six charts for small jazz groups at grade 2 - 2.5. All charts are scored in three-part writing, with flexible instrumentation provided by all three parts in each wind book. Solo sections are provided with changes, and also a mini-clinic for each tune with a break down of the spelled-out chord progression and suggested scales to use throughout each solo. Twelve transcribed solos match the recordings note-for-note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. 49 downloadable play-along tracks provide every instrument a chance to sit in with the recorded band. Contents Include: Porto Alegre; Time Will Tell; Leap Day; Bohemian Groove; Avalon; Steam Punk Funk.
SKU: HL.287934
UPC: 888680909208. 6.75x10.5 inches.
Wayne and Karey Kirkpatrick made an instant impression on Broadway with their hilarious send-up of musicals in Something Rotten. Here, they take on the common themes of life and love and give them a poignant and memorable pop number sung by Zendaya in Warner Animations' Smallfoot.
SKU: AP.43129S
UPC: 038081504582. English.
Film scores are such an integral part of any contemporary movie. This original work is the film score you need to accompany your own personally imagined movie. In just over four minutes, you'll be able to escape to your own script. Filled with dramatic themes and emotional melodies with a grand conclusion, you're free to explore your own imagination. The moods span from brooding and reflective to intense and exciting! (4:45).
SKU: FJ.B1720S
English.
Having the sound of an epic movie soundtrack, Fable was inspired by Aesop's Fables and Grimm's Fairy Tales. Broad, memorable themes jump off the page along with an energetic and highly rhythmic pulse that drives the work forward. The music maintains a veil of darkness and intrigue that will capture the imagination of the listener from start to finish.
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: CA.4062305
ISBN 9790007084363. Key: G major. Language: Latin.
The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score available separately - see item CA.4062300.
SKU: CL.012-4365-01
This masterful arrangement of Offenbach’s famous overture to Orpheus in the Underworld is sure to be a crowd-pleaser! All the subtleties of the original are captured, from the spirited opening, the lush lyrical themes, and rousing Can-Can for the finale. Orpheus will showcase your band, providing a fun change of pace for your next concert. Exciting and enjoyable music!
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: FJ.HX103SC
ISBN 9781545198049. UPC: 704438463429. English.
SKU: BR.EB-8984
ISBN 9790004187135. 0 x 0 inches. German.
Songs are part of the childhood. This collection aims to offer a variety of songs for string ensembles, such as young string orchestras or string classes. Included are older and newer songs, songs of various origins, and songs for different occasions and with themes ranging from animals to seasons and times of day to tongue-in-cheek scary subjects.Taking up the motif of diversity in their own way, the six-part arrangements are not confined to the usual cadence harmonies and accompaniment forms, There is something special to discover in each of the songs. Small vignettes with lyrics to them are found in the parts, and can be taken up in rehearsals and lessons.The songs begin with fingering positions and bowing techniques that are usually learned at the beginning of lessons, then gradually increase in difficulty, though the booklet as a whole is set at the elementary level. Suggestions for improvisation and pieces for practicing certain requirements round out the booklet. Special emphasis is placed on playing together - true to the title: Together on Strings!
SKU: ST.Y296
ISBN 9790220223525.
Nature and landscape have been the dominant themes of much of Rhian Samuel's vocal music of the last ten years, projected chiefly through the poetry of Anne Stevenson, and in her most recent song-settings, the writings of the Pakistan-born Texas-based poet Zulfikar Ghose. His poem 'Conspiracy of the Clouds' describes how, the clouds having chosen to become invisible, 'Even the astronauts on the space shuttle / looked down on a cloudless America' as hurricanes ravage Louisiana and storms engulf Nebraska. An intriguing conceit in the tradition of magic realism, the text is presented as a scena lasting around 16 minutes, with interpolations from 'Haze' by the nineteenth-century New England transcendentalist Henry David Thoreau. Thus modern fable and romantic nature-description are juxtaposed, and their interaction becomes the source of musical contrasts too. Thoreau's words are assigned predominantly to the vocalist's highest register, those of Ghose to her lower tessitura; and the suggestive and dramatic accompaniment builds tension steadily to the final ironic response of an incredulous American public: not one of awe and wonder, but the question 'Why weren't we told about it?
SKU: HL.4007788
ISBN 9781705174036. UPC: 196288093992.
The Hida High School is in a highland city called Takayama in Gifu Prefecture. Takayama City has some of the highest mountains in Japan, atmospheric rows of houses and streets, and a beautiful landscape. The magnificent views from these mountains can be described as a paradise above the clouds. When the composer visited there in the summer of 2001, the lovely flowers spreading through the valley and the refreshing air welcomed him. The flowers looked as if they were fashionably dressed and fully enjoying conversation and a short summer at a reunion party. The composer was inspired by this scenery to compose this piece. The musical party opens with happy greetings of a reunion andjoyful themes follow one after another. A light xylophone solo, a waltz and an adagio featuring alternate solos by alto saxophone, euphonium and trumpet lead to a brilliant finale featuring brass and percussion played in irregular time. A beautiful musical picture that your band will enjoy performing for many years.