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| Jan Ladislav Dussek (1760-1812). A Bohemian Composer ‘en voyage’ through Europe Ut Orpheus
Books and Journals SKU: UT.QC-4 Edited by Roberto Illiano and Rohan H. St...(+)
Books and Journals SKU: UT.QC-4 Edited by Roberto Illiano and Rohan H. Stewart-MacDonald. Paperback (Soft Cover). Quaderni Clementiani. Essays by Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanova, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDo. Classical. Books and Journals. 568 pages. Ut Orpheus #QC 4. Published by Ut Orpheus (UT.QC-4). ISBN 9788881094783. 6.5 x 9.5 inches. Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner Lott
The career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys. The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition. This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.
$146.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| Lucio Silla, KV 135 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed c...(+)
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str) SKU: BA.BA04590-01 Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Kathleen Kuzmick Hansell. This edition: complete edition, urtext edition. Linen. Edition in 2 volumes. Complete edition, Score. K. 135. Duration 4 hours. Baerenreiter Verlag #BA04590_01. Published by Baerenreiter Verlag (BA.BA04590-01). ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra. On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$463.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flowing Piano Songs Piano solo - Easy Music Distribution Services
Piano - easy to intermediate SKU: M7.ART-42166 18 romantische Klaviers...(+)
Piano - easy to intermediate SKU: M7.ART-42166 18 romantische Klavierstücke für Kinder, Jugendliche & Erwachsene. Composed by Theresia Prelog. Score with online audio files. 56 pages. MDS (Music Distribution Services) #ART 42166. Published by MDS (Music Distribution Services) (M7.ART-42166). ISBN 9783866421660. Der Nachfolgeband 'Flowing Piano Songs' von Theresia Prelog bietet 18 leichte bis mittelleichte, romantische Klavierstücke für Herz und Sinne. Die gefühlvollen Kompositionen eignen sich hervorragend als Ergänzung und Auflockerung zu einer klassischen Klavierschule und wenden sich an Spielerinnen und Spieler ab dem 3. und 4. Unterrichtsjahr und jeder Altersstufe. Beim Spielen von 'Flowing Piano Songs' besteht die Möglichkeit für ein paar kostbare Augenblicke alles andere hinter sich zu lassen und sich dem Dahinfließen der Musik voll und ganz hinzugeben. Körper, Geist und Seele entspannen sich und tanken neue Energie. Hinter jedem Stück steht zugleich ein bestimmter technischer und musikalischer Aspekt, der beim Spielen ganz unbewusst und mühelos geübt wird, auch wenn das klangliche Erlebnis im Vordergrund steht. Trainiert werden unter anderem die Geläufigkeit in schnellen melodischen Figuren, die Differenzierung des Anschlages zwischen Melodie und Begleitung, erste Verzierungen, das Ablösen der Hände sowie die Entwicklung des Gefühls für eine musikalische Phrase. Die Tempobezeichnungen und Metronomangaben sind lediglich Richtwerte und können nach persönlichem Geschmack angepasst werden. Die Hörbeispiele dienen als Lernhilfe und sind auch als 'Soundtrack' für unterwegs ein wahrer Genuss. Wir wünschen viele entspannende Momente mit den 'Flowing Piano Songs'. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| On the Outside Looking Out: 5-String Banjo Beyond Bluegrass Banjo [Sheet music + Audio access] - Intermediate Mel Bay
Banjo (5-string) - Intermediate SKU: MB.30092M Composed by Leon Hunt. Squ...(+)
Banjo (5-string) - Intermediate SKU: MB.30092M Composed by Leon Hunt. Squareback saddle stitch, Country, Banjo: 5-String, Contemporary, Technique, Theory and Reference. Style. Book and online video. 96 pages. Mel Bay Publications, Inc #30092M. Published by Mel Bay Publications, Inc (MB.30092M). ISBN 9780786693900. 8.75 x 11.75 inches. Theres no getting away from it, the 5-string banjo is about as American as apple pie. This poses something of a conundrum for those who love the instrument, but dont wish to be confined to bluegrass music. My own motives for straying musically were born out of necessity, but now the enjoyment and exploration of new musical styles are what guides me. This book and accompanying online video are intended to help anyone who also wants to take their banjo playing to new exciting places. Includes access to online video. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| French Art Songs: The Ultimate Collection (Version 2.0)
Voice solo [CD Sheet Music] Subito Music
By French. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 370...(+)
By French. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 3700 pages. Published by Subito Music.
(4)$28.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Lighthouse Collection Book/CD Set Violin [Sheet music + CD] - Intermediate Cranford Publication
(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and V...(+)
(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and Violin. Transcribed Solos. Cranford Publications. Fiddle Tunes. Intermediate. Book/CD Set. 112 pages
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| This Very Morning - Music Collection Choral Unison GIA Publications
Choir SKU: GI.G-5010 Composed by Gary Daigle, Rory Cooney, and Theresa Do...(+)
Choir SKU: GI.G-5010 Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. Holy Week, Easter, Palm Sunday, Holy Thursday, Good Friday, Easter Sunday. Sacred. Collection. GIA Publications #5010. Published by GIA Publications (GI.G-5010). This profound collection for Palm Sunday, Triduum, and Easter, deeply infused with the passion of the season, evolves from the worship in the parishes where Rory Cooney and Gary Daigle have served over the years. Trumpet in the Morning, Rory Cooney's highly inspirational hymn for the millennium, is set to the haunting strains of an early-American melody. The text draws on jubilee imagery, especially from the book of Leviticus, but its point of view is distinctly modern. New hymns resound with the emotions of the season, including the solemn strains of Good Friday's Precious Blood and the truly uplifting title song, This Very Morning. Also included is a new concertato arrangement of Suzanne Toolan's classic, I Am the Bread of Life. Highlights of this collection include a stirring acclamation for baptism that has been expanded into a song for the sprinkling of the assembly. There is an upbeat Litany of Saints to accompany the baptismal procession to the font, appropriately based on When the Saints Go Marchin' In and incorporating the refrain from that enduring spiritual. One each of the following octavos: TRUMPET IN THE MORNING (G-4970) • QUIET STRENGTH (G-5011) • PALM SUNDAY PROCESSIONAL (G-5012) • LENTEN GOSPEL ACCLAMATION (G-5013) • PRECIOUS BLOOD (G-5014) • FRACTION RITE AND “TABLEPRAYER†(G-5015) • CONCERTATO ON “I AM THE BREAD OF LIFE†(G-5016) • PSALM 31: I PLACE MY LIFE (G-3613) • GENESIS READING FOR THE GREAT VIGIL (G-5018C) • PSALM 118 (EASTER ALLELUIA) FOR THE GREAT VIGIL (G-5019) • A LITANY OF SAINTS: WHEN THE SAINTS COME MARCHIN’ IN (G-5020) • YOU HAVE PUT ON CHRIST (G-5021) • THIS VERY MORNING (G-5022). $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ascanio in Alba Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeu...(+)
(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Mixed Choir, Ball, Flute (2), Oboe 1, Oboe 2/English Horn, Bassoon (2), Horn (4), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 111. Duration 150'
$266.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alceste Barenreiter
(4Sg-S-solo,2Sg-T-solo,2S g-Bar-solo,3Sg-B-solo,Mix edCh-SATB,Tz-Bal,Orch) SK...(+)
(4Sg-S-solo,2Sg-T-solo,2Sg-Bar-solo,3Sg-B-solo,MixedCh-SATB,Tz-Bal,Orch) SKU: BA.BA05844-90 Tragedia per musica in three acts. Composed by Christoph Willibald Von Gluck. Edited by Gerhard Croll. Arranged by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Vienna version 1767. Vocal Score. Baerenreiter Verlag #BA05844_90. Published by Baerenreiter Verlag (BA.BA05844-90). ISBN 9790006558728. 27 x 19 cm inches. Text Language: Italian, German. Translation: Walther Durr. Text: Ranieri de' Calzabigi. With the premiere of Gluck'sAlceste, theBurgtheaterVienna reopened its doors, concluding a period of mourning that had been decreed following the death of Archduchess Maria Josepha.
Calzabigi's inspiration for the libretto, which, despite including an element of wonder, focuses entirely on death and the afterworld, most likely stemmed from the death of Empress Maria Theresia's husband. In Euripides'Alkestis, the librettist might have recognized a sufferer akin to the imperial widow, who was highly regarded by her people. Following in the Greek tragedy tradition, Gluck once more sought to emphasize the unity of the work as a whole and the interplay of all elements involved, including costumes and stage design. He placed great importance on integrating the chorus into the happenings on stage.
Barenreiter now presents a newly engraved vocal score which has been meticulously revised, corrected and adapted to meet current Barenreiter standards.
$79.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| New Busker's
Fakebook 1001 All-Time
Hit Songs - Easy Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...(+)
The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
89.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Nonett (KAREL RUDOLF) Flûte Traversière,
Hautbois, Clarinette, Basson, C [Sheet music] Carus Verlag
Par KAREL RUDOLF. Rudolf Karel, the last student of Dvorák, was able to compose...(+)
Par KAREL RUDOLF. Rudolf Karel, the last student of Dvorák, was able to compose the Nonett in short score before his death [1945] in the concentration camp in Theresienstadt. From this score, Václav Snítil, the longtime leader of the Czech Nonett, has been able to complete and instrumentate the work. In spite of death and suffering around him, Karel was still able to portray the belief in a place where beauty exists./ Répertoire / Flûte Traversière, Hautbois, Clarinette, Basson, C
49.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Nonett (KAREL RUDOLF) Flûte Traversière,
Hautbois, Clarinette, Basson, C Carus Verlag
Par KAREL RUDOLF. Rudolf Karel, the last student of Dvorák, was able to compose...(+)
Par KAREL RUDOLF. Rudolf Karel, the last student of Dvorák, was able to compose the Nonett in short score before his death [1945] in the concentration camp in Theresienstadt. From this score, Václav Snítil, the longtime leader of the Czech Nonett, has been able to complete and instrumentate the work. In spite of death and suffering around him, Karel was still able to portray the belief in a place where beauty exists./ Répertoire / Flûte Traversière, Hautbois, Clarinette, Basson, C
56.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Busk It! Country
Fakebkmlc [Sheet music] Amsco Wise Publications
La plus grande collection de musique country catalogue ! Presque 200 chansons, t...(+)
La plus grande collection de musique country catalogue ! Presque 200 chansons, tous en facile à jouer format de ' busker '. Comprend ' Achy Breaky Heart ', ' Crazy ', ' Prendre ces chaînes de My Heart ', 'I Can ' T Stop Lovin' vous' et bien plus encore ! / Chant Et Guitare / 128 pages / Partition
23.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wolfgang Amadeus Mozart:
Lucio Silla K.135: Voice:
Vocal Score Opera [Sheet music] Barenreiter
Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Moz...(+)
Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate K.87 (74a) for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770 and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second Lucio Silla (K. 135) again commissioned for the 1771–72 Carneval season inMilan doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand the third son of Maria Theresia scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire
78.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Ascanio In Alba K.111:
Voice: Vocal Score [Sheet music] Barenreiter
On the occasion of the marriage of her son Archduke Ferdinand of Austria to the ...(+)
On the occasion of the marriage of her son Archduke Ferdinand of Austria to the Princess Maria Ricciarda Beatrice of Modena the Empress Maria Theresia commissioned the young Mozart to compose the work Serenata Teatrale “Ascanio in Alba”. The librettist the Viennese Abate Guiseppe Parini one of the most outstanding poets of the 18th century wrote a baroque-designed libretto which paid homage to and congratulated the royal couple.Mozart wrote the music in only a few weeks from the end of August until 23 September 1771. The first performance took place on 17 October 1771 in Milan to rousing success. Shortly thereafter LeopoldMozart wrote that his son's composition had so overpowered the main performance of Hasses opera “Il Ruggierio ” from the previous day that he could hardly describe it.- Urtext of the New Mozart Edition- Full score (BA4504-01) and vocal score (BA4504-90) available for sale- Performance material (BA4504-72) available for hire
59.00 GBP - Sold by Musicroom UK | |
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