Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Couleur latine ( cor et piano ) du compositeur Naulais Jérôme a été cataloguée sous la référence FP 1073 par l'éditeur. Cette oeuvre est écrite pour Cor . En 3 clics et quelques jours elle peut être chez vous. / Cor Et Piano / Partition

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Couleur latine ( 2 trompettes, cor, treombone, tuba ) du compositeur Naulais Jérôme a été cataloguée sous la référence FP 1100 par l'éditeur. Cette oeuvre est écrite pour Ensemble Instrumental et Petit Orchestre. En 3 clics et quelques jours elle peut être chez vous. / Ensemble De Cuivres / Partition

Par HARVEY JONATHAN. Forms of Emptiness by Jonathan Harvey   Forms of Emptiness is a work for mixed choir which sets words from the Buddhist Heart Sutra, in the original Sanskrit, and three poems by E.E. Cummings. The E.E. Cummings poems all have emphasis on the here and now, on 'catching the joy as it flies'. Seeker of truth Follow no path All paths lead where Truth is here Against these vivid flashes of joy and colour is set a chant - the sanskrit of the Heart Sutra - which acts as a ground from which the 'forms of emptiness' briefly emerge, and against which they are comprehended as transient, scarcely real. There are references to other 'sacred styles' as well as that of the chant - to those of Palestrina and Messiaen for instance. Jonathan Harvey  / Répertoire / SATB

As the original Bass guitarist for the Alice Cooper Group, Dennis Dunaway helped take this hard-knuckles band of teenagers all over, from Hollywood to Detroit, eventually going on to become America's highest-grossing rock act. Snakes! Guillotines! Electric Chairs! is the thrilling memoir that gives you access to the golden years of one of rock's most legendary groups.Raised in Phoenix, Dennis Dunaway formed a band with Vince Furnier, also known as Alice Cooper, whose outrageous live shows, reputation for fearlessness and penchant for a memorable riff catapulted them into rock history. As co-writer of songs like 'I'm Eighteen' and 'School's Out', Dennis Dunaway's story takes you from the parties to the live shows, introducing the characters and drama that came with being one of the biggest acts in rock history.In the pages of Snakes! Guillotines! Electric Chairs! Dunaway details the early beginnings of the band, as a concept for combining art and music in an all-encompassing project that would eventually become Alice Cooper. From an inspirational art teacher in school to struggling for recognition to topping the charts, this fascinating story is told through beautifully written memories, providing all rock fans with a unique perspective on this even more unique band. Fans of Alice Cooper will love this Dennis Dunaway autobiography for the fresh take it provides on the original Shock Rock band. Thanks to his self-confessed vivid memory, Dunaway gives the straight story, taking readers through his almost-unbelievable life as part of such a huge rock band. Snakes, Guillotines and Electric Chairs are just a few of the props that formed Alice Cooper's live shows, but the full story can only be read in this brilliant Dennis Dunaway memoir. / Livre

Musical Criticism (1)-As well as being a highly individual composer and a pioneer editor of early music Philip Heseltine (Peter Warlock) did much else in his short life (1894-1930). He was a prolific journalist and commentator on music and this the first of four volumes in a series which has brought together all his occassional writings.This volume boasts every article writen by Heseltine for the outspoken magazing The Sackbut of which he was once editor. These articles range from concert reviews to letters all of which display his intuitive and combative mind at its most wide-ranging.

Par HYYTINEN TOMMI . Tommi Hyytinen (DMus, Finnish horn player and pedagogue) writes about this collections: 'I composed these 30 Etudes for Low Horn to be at the same time instructive and at the same time fun and interesting to play. The etudes consist similar technical challenges than a low horn player confronts in orchestra. The etudes also encompass many of the technical challenges that a horn player encounters in chamber music and in solo repertoire, especially since many of the touring soloists in the 18th and 19th centuries were Cor-Basse players. Some of these etudes are not the most serious in nature in the horn literature, but nevertheless they challenge and develop the playing technique in wide variety of ways. The ambitus of the etudes is very virtuosic, encompassing almost four octaves. Some of the etudes are more melodic and concentrate in lyrical phrasing, legato-playing, sound and intonation, others contain technically tricky passages, articulations and fingerings. Rhythmic accuracy and ?finding the groove' is of utmost importance in all of the etudes. The etudes develop the sound and control of the low register of the horn and flexibility between the registers. These 30 Concert Etudes work as individual pieces or as a set of pieces. You can for example choose a set of etudes and perform them in a concert or matinée. I hope you have as much fun practising and playing these etudes as I had composing them.' / Date parution : 2022-05-31/ Etude / Cor

The composer writes...Doruntine is the name of a princess in Ismail Kadare's novel of the same name which takes place in thirteenth century Albania. Doruntine who in the piece is represented by the Cello's melody is taken through various strange musical landscapes before she finally finds her way home.The piece was composed 1994 and is dedicated to the Joachim Piano Trio.

Arrangement: Rittiner. Par RITTINER BERNARD. / Niveau : Elémentaire / Répertoire / Orchestre à Vent

5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano

Version for piano four hands by Yudum Çetiner (2020). Par SAY FAZIL / CETINER YUDUM (Arr.). / Date parution : 2021-12-09/ Répertoire / Piano 4 Mains

Originally hailed as Britain's answer to The Strokes The Libertines have proved themselves to be so much more combining the story-telling nostalgia of travelling troubadours with a sound that echoes The Jam The Smiths and the best of English pop heritage. This their second album was released in the now mandatory storm of headlines and hedonism and is presented in full guitar Tablature transcriptions. Includes bonus singles Time For Heroes Up The Bracket and the foul-mouthed What A Waster.

Miscellaneous Writings-As well as being a highly individual composer and a pioneer editor of early music Philip Heseltine (Peter Warlock) did much else in his short life (1894-1930). He was a prolific journalist and commentator on music and this the fourth volume in a series which has brought together all his occassional writings. The core of this volume is a series of programme notes on a very wide range of composers from Bach to Strauss two vintage lectures articles on three of his particular interests Delius Van Dieren and Sorabji plus an early schoolboy effort on the Welsh railway system.

Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence NAUL04590.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Echapée clandestine de Naulais Jérôme. / Violon / niveau : Cycle 1 / Partition