SKU: HL.35031603
UPC: 888680676056. 5.0x5.0x0.2 inches. 2 John 1:9, James 4:8, Jeremiah 23:23, Psalm 34:18.
A slow gospel ballad, this choral adaptation is filled with characteristic stylings that will lift the spirit. Set as a passionate prayer for those seeking assurance and God's presence in their spiritual walk, this affirming song can be programmed any time of the year. A stellar piano part sets the message soaring, and the rhythm/strings and track options give choirs of any size a chance to do something current. Feature a soloist for a powerful and poignant moment of worship. Stirring! Score and Parts (rhy, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: MB.20619M
ISBN 9781513460932. 8.75 x 11.75 inches.
This book/online audio lesson is designed for the beginner and intermediate student. Basic fingerpicking styles are illustrated in all the major keys. The technique of the alternating bass is introduced in various settings both in standard and open tunings . The styles and techniques of Mississippi John Hurt, Rev. Gary Davis, Blind Blake, Blind Boy Fuller, Sam McGee, Skip James, Willie Brown and Tommy Johnson are explored. Includes access to online audio.
SKU: PE.EP68488A
ISBN 9790300758909. English.
At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)
As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)
SKU: PE.EP68488
ISBN 9790300758893. English.
As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)
