A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

Par NEWTON ABBY. Aujourd'hui le violoncelle est habituellement considéré comme un instrument classique, mais la fin XVIIe au début du XIXe siècle, il a été utilisé dans des ensembles folkloriques à fournir des rythmes faibles, conduites danse tunes et à rendre haunting airs écossais. Au sein de la Renaissance de la musique folklorique du passé quarante ans il y a eu un mouvement petit mais dédié à restaurer la richesse unique du violoncelle à la musique traditionnelle et Newton Abby a été à l'avant-garde de ce mouvement. Abby a été profondément impliqué avec la musique écossaise depuis, voyageant à et d'effectuer, en Ecosse, plusieurs fois. Les airs, les planxties et les bobines, cet ouvrage proviennent de sources traditionnelles et contemporaines, y compris le violoneux du XVIIIe siècle Neil Gow, harper Turlough O'Carolan, Daithi Sproule, David Hornung, Alasdair Fraser, Ronnie Aimes et autres. Tous les 19 de la mélodie sont écrites pour violoncelle solo avec corde symboles inclus sur la plupart des airs pour un instrument d'accompagnement. Le texte comprend également des notes de l'auteur sur l'origine de chaque morceau. La co... / Niveau : Débutant à Intermédiaire / Scottish - Transcribed Solos / Recueil / Violoncelle

Par MACKILLOP ROB. This book is devoted to playing the soprano, concert, or tenor ukulele tuned in perfect fifths as used by the string and mandolin families of instruments, as well as the cittern and tenor banjo. The book?s scores are all in tablature; you?ll have no trouble adapting to the tuning and playing in the book?s various styles.The 55 pieces in Play Ukulele in 5ths Tuning progress from simple to advanced and can be played fingerstyle or with a pick. To help you come to grips with the tuning, the book includes Classical-era studies originally written for instruments tuned in 5ths, followed by Scottish traditional tunes, bluegrass, blues, and early jazz pieces, and ultimately?Bach\'s gorgeous Baroque cello music. Includes access to online audio for every piece recorded by the author to facilitate your progress.Anytime you play with musicians who use instruments tuned in fifths, you can all use the same fingerings. As a result, the music can sound more \'together\'. In addition, having played the uke tuned in perfect fifths, if you ever want to play any of those traditionally 5th-tuned instruments, you will have had a head start! / Date parution : 2022-09-14/ Etude / Ukulélé

The Vocal Score for Judith Weir's Truly I Tell You a setting of three different Biblical passages from Psalms and Mark's gospel. This work was first performed by the Choir of Westminster Abbey at theCommonwealth Day Observance on the 9th of March 2015. It is arranged for SSATB Chorus and Organ. Truly I Tell You is a setting of Psalms 8: 4-10 and 34: 1-4 and Mark 10: 15. The thread thatmarries these three texts together is the comparison between man and the name of God the literal exposition of the word of God (working beautifully within the context of such a brilliantly-composed piece of music) and thehopeful entering of God's kingdom in general. In the December 2015 edition of RSCM Church Music Quarterly Magazine the reviewer states that this piece is 'highly recommended' and is a 'useful churchanthem that is not too difficult'. Judith Weir is a British composer whose music often draws influence from her many extra-musical interests such as medieval history and Scottish traditionalmusic. In 2005 Weir received a CBE for her services to music and in 2014 she was appointed the Master of the Queen's Music becoming the first female holder of a post which dates back to 1626.

Bericht Über Das Symposium Vom 23. Bis 26. März 1999 In Hamburg.. Hasse, Johann Adolf / Weiss, Christina / Hortschansky, Klaus / Wiesend, Reinhard / Strohm, Reinhard / Thöming, Anja-Rosa / Monson, Dale E. / Miggiani, Maria Giovanna / Zaggia, Antonella / Mücke, Panja / Schmidt-Hensel, Roland Dieter / Zórawska-Witkowska, Alina / Harriss, Ernest / Döhring, Sieghart / Balbo, Tarcisio / Calella, Michele / Petzold McClymonds, Marita / Soussidko, Irina / Loutsker, Pavel / Hochstein, Wolfgang / Horn, Wolfgang / Marx, Hans-Joachim / Rice, John A. / Riedel, Friedrich W. / Tempke, Imme / Poppe, Gerhard / Landmann, Ortrun (Trad.) -/ Répertoire / Livre

Traite des accords des claviers droit et gauche et de la façon de s?en servir. Théorie et pratique, 57 morceaux tous styles, tous niveaux.

Une petite histoire du phénomène Fest-noz et une centaine d?airs de danses de tous les terroirs. L?enregistrement du support sonore est effectué à vitesse moyenne, sur un accordéon en Sol/Do. Livre et CD indissociables.

23 easy to intermediate-level pieces for accordion. This collection of characteristic dances from Flanders and Wallonia features a cross-section of the repertoire and demonstrates the diversity of this area's cultural heritage. Belgium consists of Flanders in the north and Wallonia in the south and each region has its own traditional folk music, both displaying similarities as well as differences. The accordionist Marinette Bonnert has collected the most beautiful pieces and Tomasso Huber has adapted them to create authentic, easy to intermediate arrangements for accordion. The notation and chord indications for the left hand comply with international standards. 23 easy to middle-grade characteristic dances from Flanders and Wallonia for standard-bass accordion Notation and left-hand chord symbols are in accordance with the international standard Introductory background information is provided by Marinette Bonnert, who grew up with this music / Date parution : 2015-11-20/ Recueil / Accordéon

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Hautbois / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Cor / 44 pages / niveau : Facile - Elémentaire / Partition + Cd

Dances, Airs and Ballads. Par . / Date parution : 2022-04-12/ Recueil / Guitare

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Trombone / 16 pages / niveau : Facile - Elémentaire / Partition + Cd

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Trombone (Accompagnement De Piano) / 46 pages / niveau : Facile - Elémentaire / Partition + Cd