1-4 H. Purcell (ca. 1659 - 1695): 'Air'5-8 G. Finger (ca. 1660 - 1723): 'Air'9-12 J. B. Lully (1632 - 1687): Menuett13-16 B. Campagnoli (1751 - 1827): 'Courtly Dance'17-20 Chr. W. Gluck (1714 - 1787): 'Fröhlicher Tanz'21-24 W. A. Mozart (1756-1791): Allegretto25-28 J. Haydn (1732-1809): 'Deutscher Tanz'28-32 J. Brahms (1833-1897): 'Lied'33-35 Traditional: 'J? ai du bon tabac'36-38 Traditional: 'The hobby horse'

Ce recueil vous propose une trentaine de falsetas de Moraíto, pour une ou deux guitares (presque une intégrale !), ainsi que la transcription complète de deux solos. Le 'toque por Bulería' de Moraíto restera sans doute longtemps le point culminant d'une tradition jérézane déjà centenaire, de Javier Molina à Manuel Parrilla et Diego del Morao, en passant par Juan et Manuel Morao, Parrilla de Jerez, Paco Cepero? Avec une remarquable économie de moyens, tant pour la forme que pour la technique, Moraíto a en effet créé une redoutable machine à produire des falsetas 'con soniquete'. L'étude des présentes falsetas vous permettra, sans trop de difficultés techniques, non seulement de jouer Moraíto dans le texte et surtout dans l'esprit, mais aussi de composer vos propres falsetas 'con aire jerezano'. Le CD, qui reproduit toutes les interprétations originales des partitions, vous permettra de mieux capter le swing si particulier de la Bulería de Jerez, et donc de Moraíto. / Guitare

Both a dedicated carol singer and an authority on the history of English music Nicholas Temperley here offers a unique book of 37 carols dating from the fifteenth century to the present.For over fifty years he has sung edited and composed carols each Christmas and in Christmas is Coming the fruit of his enthusiasm is combined with his wealth of knowledge to produce an outstanding and original new collection. As John Rutter observes in his Foreword the book does not pointlessly duplicate what can be found in many other carol books but has a personality and purpose of its own.Twenty-two fresh and practical arrangements include carols from Austria France Germany Mexico Poland and the USA alongside music both rare and familiar from the rich heritage of the English carol tradition. As well as eight of his personal favourites from J. S. Bach to Charles Ives the author includes seven new compositions of his own settings of medieval and traditional texts that reveal his skill as a choral composer whose command of style ranges from the humorous to the profound.In addition to sample programmes and translations there are invaluable notes on the performance and history of individual items plus an historical summary of the genre as a whole: everything in fact to make Christmas is Coming an indispensable companion for singers who wish to enrich the seasonal repertoire for concerts churches and traditional Yuletide carolling.

The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano

A Collection Of Irish Traditional Dance And Session Tunes - Taylor David J. (Edited). Par TAYLOR DAVID J.. Ce livre contient 65 irlandaise danse et session airs traditionnels transcrits de 2 albums par le premier ministre céilí irlandais band, Shaskeen : My Love Is en Amérique et la souris derrière le Dresser. Il y a avec les arrangements qui conviennent à la plupart des instruments de mélodie, symboles de la corde pour les guitaristes, des pianistes, ou des accordéonistes plus des photographies, des notes abondantes et Croix-références, qui vont d'un long chemin à remplissage en arrière-plan pour les mélodies, encourageant le musicien d'examiner plus. Les airs en l'espèce et son livre compagnon, à travers la moitié porte, sont ceux actuellement joué dans les sessions irlandaises, qui a été la source d'inspiration pour les produire. La musique est sensés clés, utilement et lisiblement énoncées, répétitons avec précision et facile à lire. Mally est et UK produit # AP102. / Niveau : Intermédiaire / Celtic/Irish - Tune Book / Recueil / Instruments Acoustiques

The traditional piece John B Rock has been arranged for Brass Quartet by J. Hague. Score and Parts. For 2 Trumpets Horn and Trombone/Euphonium.

Here again is an assortment of tunes which I hope will give some pleasure to those who play them. Much of the work is written in traditional mode and should be treated as such. In other words whereas in classical pieces the player attempts to reproduce what the composer intended in traditional music it is up to the player to apply his/her own interpretation and personality to the work. If that interpretation happens to differ to what I intended it doesn't make it wrong it makes it personal to you and I have no doubt that in your hands at least it will come over better so feel free to change the odd note apply your own grace notes alter a chord here or there. Music is avery personal thing and traditional music perhaps even more so than other forms.

Traditional-Christmas Lites is a medley of three familiar Christmas carols arranged in Jazz styles written by David J. Elliott. We Wish You A Merry Christmas Jingle Bells and O Christmas Tree are all included in this piece.Christmas Lites was commissioned by the Glen Ellyn Children's Chorus and premièred the 9th of December 1991 at Orchestra Hall Chicago.

A collection of 25 traditional melodies written in standard music notation as well as autoharp tablature. Accompaniment chords are indicated. The melody-playing techniques used are explained here in detail. A professional performance audio which provides more than an hour of listening pleasure to all of the tunes, including "Wild Mountain Thyme," "My Luv is Like a Red," "Red Rose," "White Cockade," "Corn Rigs," "Auld Lang Syne" and more. Includes access to online audio.

J. Paul Williams and Joseph Martin collaborate to give churches the quintessential blended worship anthem for Thanksgiving. The use of “Rejoice the Lord Is King ” the classic hymn by Charles Wesley with thecontemporary rhythmic answer from Martin provides the contemporary variety that makes the anthem a perfect choice for traditional/transitional churches. Exciting!

Noel! is an exciting collection for mixed voice choirs, selected and edited by David Hill. The contents range from the Renaissance to the present: the polyphony of Victoria and Byrd, via Bach, familiar settings of traditional and lesser known carols through the ages, and works by today's composers including Richard Rodney Bennett, Judith Bingham, John Tavener and Judith Weir. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. / Choeur SATB

This compilation contains 50 pieces for intermediate to advanced guitar players. It contains pieces by de Narvaez, J.S. Bach, Sor, Carulli, Carcassi, Tarrega, Brouwer and many more. The collection is aimed at senior classes within music schools, at students minoring in music, at musicians who participate in competitions, and last but not least at music lovers looking for performance literature to enjoy. / Guitare

On ne connaît pas encore avec certitude les origines de la mélodie sur laquelle se base Norwegian Overture. Les sources indiquent pour la plupart un certain J.H. Nebelong dans les environs de 1881. Il est également possible qu'il ait été le premier à avoir transcrit cette mélodie transmise de génération en génération et qu'il l'ait mise à son nom. Le texte est signé par un certain A.H. Brorson et a été posé ultérieurement sur la musique. Le titre original est 'store hvide flok' ce qui signifie 'le grand troupeau blanc'. Différents compositeurs parmi lesquels Edvard Grieg et le compositeur danois Carl Nielsen ont déjà utilisé ce thême.

On ne connaît pas encore avec certitude les origines de la mélodie sur laquelle se base Norwegian Overture. Les sources indiquent pour la plupart un certain J.H. Nebelong dans les environs de 1881. Il est également possible qu'il ait été le premier à avoir transcrit cette mélodie transmise de génération en génération et qu'il l'ait mise à son nom. Le texte est signé par un certain A.H. Brorson et a été posé ultérieurement sur la musique. Le titre original est 'store hvide flok' ce qui signifie 'le grand troupeau blanc'. Différents compositeurs parmi lesquels Edvard Grieg et le compositeur danois Carl Nielsen ont déjà utilisé ce thême.