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Päärme / Hem for piano trio (WENNAKOSKI LOTTA)
Piano Trio: piano, violin, cello
Fennica Gehrman
Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Pä...
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Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano
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Camille Saint-Saëns: Oratorio de Noël (PA): SATB: Vocal Score
Soli, Choeur Mixte Et Orgue
[Sheet music]
Barenreiter
Owing to its Latin text Saint-Saëns? Christmas Oratorio has found admirers all...
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Owing to its Latin text Saint-Saëns? Christmas Oratorio has found admirers all over the world. Saint-Saëns avoids theatrical effects in his church music and relies almost entirely on homophonic choral writing. Here the operatic allusions so popular in his day have given way to a mixture of romantic élan and reminiscences of the Baroque. The subtitle reads ? dans le style de J. S. Bach? although the composer was unaware of Bach?s Christmas Oratorio.In this unusual form the oratorio of which the final movement is already a hit with many choruses is well-suited for performance during the Advent and Christmas seasons providing a welcome change fromBach.A ?discovery? for Christmas and Advent concertsRelatively simple choral writingSensitive organ arrangementThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Adrian Legg: How To Become A More Creative Guitarist: Guitar Solo: Instrumental
Guitar
[DVD]
-
Intermediate
Hal Leonard
British Guitar guru Adrian Legg guides you through some of his trademark devices...
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British Guitar guru Adrian Legg guides you through some of his trademark devices that will help you look at the instrument in a new unusual and creative way. His pioneering ideas are designed to help you step away from all the pre-conceived ideas of how a guitar works and what it can do.The techniques in this tutorial will add rich textures and stunning effects to your arrangements. They include:Use of Keith-style banjo tunersImitating the sound of the pedal steel guitarUsing double string bendsworking with harmonised scalesUsing half-capos that leave some strings ringing whilst barring othersNine full instrumental piecesare used to show these ideas in context including Silent Night Auld Lang Syne and Brooklyn Blossom. Each piece is explored in depth examining the possibilities for embellishment that will transform each performance into something that is entirely your own.
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Stomping 'Em Along Slow
Guitare Flatpicking et Fingerpicking
-
Intermediate
Mel Bay
The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Jo...
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The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble' but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking
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World Music for Fingerstyle Guitar: Instrumental Tutor
Guitar notes and tablatures
Grossman's Guitar Workshop
In this lesson Fernando Perez teaches several evocative instrumentals from diff...
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In this lesson Fernando Perez teaches several evocative instrumentals from different world music styles. The tunes are performed in standard as well as alternative tunings. Fingerstyle techniques are used throughout the lesson. Two tunes are arranged for slide Guitar. Perez takes you on a globetrotting voyage where you will explore: How to understand the sound and techniques found in the music of the Balkans Japan Brazil Hawaii Malawi and Argentina and how to apply theses to the Guitar. Cool and unusual rhythms applied to the guitar in a way that goes further than just strumming chords but also how to make guitar arrangements with theserhythms. Origins and relations between world music styles in order to better understand and perform them. Many interesting fingerstyle Guitar tricks and techniques. Main scales used in these instrumentals. Understanding grooves how to feel and apply them as you play the music. How to further develop these tunes as well as creating new ones. New musical approaches coming from other cultures which will open up your vision as a player. New simple and easy Guitar tunings which will offer you a broader sound spectrum in your Guitar arrangements. Unusual slide techniques ie. how to play behind the slide uncommon chords and special tricks. A dynamic World Music repertoire full of variety. Each tune is taught phrase by phrase and played slowly on a split-screen. Titles include: Into the Balkans (Balkans) Samba para Ti (Brazil) Ame (Japan) Malawi Dance (Malawi) Kalani (Hawaii) and Tango/ Habanera (Argentina/Cuba). 120 minutes â?¢ Level 3 â?¢ Detailed tab/music PDF file on the DVD
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Bob Brozman: Rhythm In Your Riffs: Guitar Solo: Instrumental Tutor
Guitar
-
Intermediate
Hal Leonard
Discover a whole new way to approach your acoustic guitar-playing! Celebrated ac...
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Discover a whole new way to approach your acoustic guitar-playing! Celebrated acoustic master Bob Brozman concentrates upon the unspoken elements of meter and groove to give an new and unusual rhythmic slant to your riffs. You will learn a series of exercises and drills that concentrate entirely upon accents swing rhythms polyrhythms triplets and other more unusual meters until they become second nature. Soon your riffs will have that added groove and swing that will really make your audience move!
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Real Book 2nd Edition Vol.2 European Pocket Edition
Fake Book
[Fake Book]
Hal Leonard
Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) ...
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Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap 52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like Today Ablution, Adam's Apple, Affirmation, Alfie's Theme, All Alone (Left Alone), All My Tomorrows, Along Came Betty, Alto Itis, April Skies, Aquellos Ojos Verdes (Green Eyes), Ask Me Now, At The Mambo Inn, Azure Baby, It's Cold Outside, Bags And Trane, Bags' Groove, Baia (Bahla), Bali Ha?i, Ba-lue Bolivar Ba-ldes-arb (Bolivar Blues), Barbara, Be-bop Big P, Billie's Blues (I Love My Man), Bill's Hit Tune, Bird Feathers, Birdland, Bitches Brew, Blackberry Winter, Bloomdid, Blue ?n Boogie, Blue Serge, Blue Seven, Blue Silver, Blues By Five, Blues For Wood, Blues In The Closet, Bohemia After Dark, Bolivia, Born To Be Blue, Bossa Antigua, Bouncing With Bud, Bright Boy, Brilliant Corners, Buster Rides Again, Bye Bye Blackbird Caldonia (What Makes Your Big Head So Hard?), Caravan, Careful, Chameleon, Chasin' The Trane, Circle, Cold Duck Time, Comin' Home Baby, Continuum, Cool Blues, Cousin Mary, Crazy She Calls Me, Criss Cross Dance Of The Infidels, Day By Day, Day Dream, 'deed I Do, Dewey Square, Dheamy, Dig, Dindi, Do I Love You Because You're Beautiful?, Don't Ever Go Away (For Causa De Voce), Don't Explain, Don't Worry 'Bout Me, Doxy, Duff Early Morning Mood, East To Wes, Eclypso, Elogie, Elora, Emancipation Blues, Estate, Eye Of The Hurricane Farmer's Trust, Feels So Good, Fever, Fields Of Gold, Filthy Mcnasty, Five Brothers, Fly Me To The Moon (In Other Words), Flying Home, Fox Hunt, Freight Trane, Frenest, Full Moon And Empty Arms, Funkallero, Funky Georgia On My Mind, Gettin? It Togetha, Girl Talk, Glad To Be Unhappy, Gregory Is Here, Grooveyard H
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Sonata (LARCHER THOMAS)
Cello
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
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Fasten Seatbelts (IGUDESMAN ALEKSEY)
Violin
Universal Edition
10 Virtuoso Pieces for Solo Violin. Par IGUDESMAN ALEKSEY. Challenging and unusu...
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10 Virtuoso Pieces for Solo Violin. Par IGUDESMAN ALEKSEY. Challenging and unusual concert pieces for the more advanced violinist Aleksey Igudesman takes us to his homeland and then around the world with his own arrangements and humorous compositions for solo violin. Aleksey Igudesman's solution, when considering mistakes that could be made when performing well-known virtuoso pieces, was to '…write my own virtuoso pieces so that in performance I could make my own mistakes without anyone judging me.' He generously invites performers of these works to 'feel free to alter them in any way, be it the rhythm, articulation or even the notes and form.' Performed with great success by Aleksey Igudesman himself Here is the chance to perform these unique and thoroughly enjoyable pieces - just as they are and also have the chance, if desired, to make some creative changes and deliver your own personal message to your audience. Performances of some of these pieces may be viewed at www.alekseyigudesman.com and www.universaledition.com/ue36700 The CD of this sheet music is availble at Orlando Records./ Recueil / Violon
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Happy Traum: Guitar Building Blocks: Guitar Solo: Instrumental Tutor
Homespun
Barre Chords and How To Use Them-Happy Traum decodes the myths surrounding barre...
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Barre Chords and How To Use Them-Happy Traum decodes the myths surrounding barre chords and how they can be used to transform your chord vocabulary. Discover how to find a variety of chord shapes beyond the third fret giving you a rich choice of voicings as well as a library of new keys to use. You'll find using barre chords the easiest way to transpose your music from one key to another and to find awkward chords easily without having to learn a daunting number of different fingerings. By breaking the technique down into building blocks and fundamental patterns you will soon be developing your own personal solo style and you'll be amazed just how simple the most unusual chord progressions can be! Get themost from your guitar with this superb tutorial from one of the best in the business. Full music and tablature are included. Happy Traum has created the Guitar Building Blocks series of lessons to help learning players develop essential guitar technique. Each of these DVDs concentrates on a specific 'building block' allowing you to delve deeply into just those areas that you need to strengthen. The Building Blocks series gives you a solid foundation upon which to base your future guitar studies.
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Lorenz Hart Richard Rodgers: Blue Moon - SSA/Piano: SSA: Vocal Score
Choral 3-part
SSA
Novello & Co Ltd.
Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many trea...
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Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley's unusual treatment made its way onto his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ?An American Werewolf in London? was the first movie to associate this most romantic of songs with lycanthropy.With its timeless chord progression and the bittersweet juxtaposition of its melody and lyrics it's no wonder that this song is widely regarded as one of the greatest ever. The clever play-on-words combine luck with the blues creating theuniversal message that has touched the hearts of countless listeners and performers since its composition.This brand new arrangement by Simon Foxley & Christopher Hussey for SSA choir takes this beautifully evocative standard and updates it with a fresh pair of ears making it a really welcome addition to the Novello Choral Pops series.
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Steve Bloom: 21St Century Chords For Guitar: Guitar: Instrumental Work
Guitar
[Sheet music]
Mel Bay
21st Century Chords for Guitar offers a new perspective on Guitar chords. The st...
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21st Century Chords for Guitar offers a new perspective on Guitar chords. The standard chords that we all know work to 'get us through' any accompaniment situation. However there are more expressive possibilities to be found.In these pages you will see that the Guitar is much less limited than is generally realized. Through the 12-tone system or Atonal Music theory I have found interesting voicings for many 'every-day' chords. You will also findvery unusual sounding chords that you probably wouldn't figure out using other methods. My goal is to help change the way we as Guitar players think of chords on the instrument so check it out!
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Visions (PRZYBYLSKI DARIUSZ)
Carillon
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
for carillon. Par PRZYBYLSKI DARIUSZ. First composer contact with the carillon c...
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for carillon. Par PRZYBYLSKI DARIUSZ. First composer contact with the carillon came in March 2022, in the tower of the Main Town Hall in Gdansk. The instrument’s unusual location, as well as the remarkable space through which its music resounds, aroused composer imagination in such a way as to trigger visions or hallucinations in sound, which in turn inspired the work presented here. / Date parution : 2023-06-01/ Répertoire / Carillon
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Vintage Synthesizers - 2nd Edition: Reference Books: Reference
Backbeat Books
Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesi...
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Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. This new edition is the ultimate exploration of the upstart instruments - and their unique analog growls and screams - that paved the way over the last four decades for today's fast-paced electronic music world. Explores the development of the modern synthesizer from 1962 on with in-depth interviews with pioneering designers Bob Moog and Alan R. Pearlman of Moog Music and ARP Instruments fame. These and other designers reveal their initial ideas reflect on their hits and misses and discuss how star performers have used their creations. Histories of groundbreaking instruments examine modular analog & digital synths and samplers plus more unusual instruments like the Mellotron. Noted synthesist Keith Emerson and composer Wendy Carlos (Switched-On Bach) offer musical insights and performance techniques. Includes fully updated pricing and production info and more than 200 photos and a stunning color section.
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Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score
Concert band
Gobelin Music Publications
Durkle Bandrydge is the name of the composers imaginary world but it could very...
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Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!
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Wolfgang Amadeus Mozart: Serenade In B Flat K.361 - Gran Partita: Wind Ensemble:
2 Oboen, 2 Klarinetten, 2 Bassetthörner, 4 Hörner, 2 Fagotte und Kontrabass
[Set of Parts]
G. Henle
?Wind music of a very special nature on a large-scale a composition by Hr. Moza...
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?Wind music of a very special nature on a large-scale a composition by Hr. Mozart? this was the way the ?Wiener Blättchen? announced the concert in the National Court Theatre in which the clarinettist Anton Stadlerwas to hold his academy. There were twelve Wind instruments supported by a Double Bass which was a very unusual combination of instruments and the contemporary critics raved about it ?Oh what an effect it made glorious andgrand excellent and exquisite!?. The title ?Gran Partita? which was added to the autograph in an unknown hand also bears witness to admiration and respect. Our edition is based on the autograph which haschanged hands many times and is today held in Washington.
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Michael Casswell: Ultimate Guitar Techniques - Effects Pedals: Guitar:
Roadrock International
From the revolutionary ideas of Jimi Hendrix right up to modern day masters suc...
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From the revolutionary ideas of Jimi Hendrix right up to modern day masters such as Thurston Moore Jonny Greenwood and Kevin Shields the art of twisting and transforming the sound of the electric guitar has become an art in itself. Armed with filters echoes and other toys the guitarist has become capable of creating staggering walls of sound. In the hands of Steve Vai pedals appear to make the guitar 'talk' and Tom Morello's uncanny record-scratch mimicry is also possible thanks to the right choice of stomp box.In this unique DVD Michael Casswell teaches all you need to know about effects pedals old and new and guides you through the variouscombinations and sounds that can be achieved using Flangers Wah Wahs Distortions Compression Delays Reverbs and much more! Transform the way your see your guitar with this unusual and insightful tutorial suitable for players of all levels.
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The Big Book Of Broadway
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate/advanced
Hal Leonard
Great songs from the world's top shows including Evita, Cabaret, The Phantom Of ...
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Great songs from the world's top shows including Evita, Cabaret, The Phantom Of The Opera and Fiddler On The Roof. With these sixty-four songs arraged for piano, voice and guitar, you can bring Broadway home!
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Jan Van der Roost: Signature: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
This fantastic opener opens with a soft and lyrical middle section follows on th...
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This fantastic opener opens with a soft and lyrical middle section follows on the powerful opening fanfare which if the technical equipment is available can be used as background music for a spoken text or presentation. The finale is distinctly rhythmical in character and develops into a somewhat unusual ending. Here the composer piles ten different notes on top of each other representing the BBMB anniversary in a musical way.
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Renaissance and Elizabethan Music for Banjo (DATESMAN KYLE)
Banjo
[Sheet music + Audio access]
Mel Bay
Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissanc...
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Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\'?that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended? and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo
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Bruce Fraser: Durkle Bandrydge Suite: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Durkle Bandrydge is the name of the composers imaginary world but it could very...
(+)
Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!
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Jan Van der Roost: Signature: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
This fantastic opener opens with a soft and lyrical middle section follows on th...
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This fantastic opener opens with a soft and lyrical middle section follows on the powerful opening fanfare which if the technical equipment is available can be used as background music for a spoken text or presentation. The finale is distinctly rhythmical in character and develops into a somewhat unusual ending. Here the composer piles ten different notes on top of each other representing the BBMB anniversary in a musical way.
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Joseph M. Martin: Living Water Guiding Spirit: Orchestra: Parts
Orchestra
Shawnee Press
This anthem is unusual in a wonderful way... a traditional Native American folks...
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This anthem is unusual in a wonderful way... a traditional Native American folksong decorated with an instrumentation that truly paints a picture of the images of living water and Spirit winds. Based on the celebrated passage fromthe Psalm “Like a deer pants for the water ” and corresponding New Testament passages this haunting music and message would be very special for baptism Pentecost or even for a multicultural Sunday.
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Wolfgang Amadeus Mozart: Grande Sestetto Concertante For String Sextet: String
Violon 1, Violon 2, Alto, Violoncelle, Violoncelle
[Sheet music]
Barenreiter
for String Sextett-For String Sextet (2 Violins 2 Violas 2 Cellos Bass) set o...
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for String Sextett-For String Sextet (2 Violins 2 Violas 2 Cellos Bass) set of parts.Mozart?s Sinfonia Concertante for Violin and Viola K. 364 (320d) is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim.For two decades it was known only in a few copyists? manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year particularly the arrangements for Piano four-hands and Piano trio.This arrangement for String Sextet dating from 1808 is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings.This edition revives this arrangement after almost two centuries drawing primarily on the sole surviving source: the first edition in parts published by the Vienna Stamperia Chimica in 1808.The editor Christopher Hogwood recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the ?New Mozart Edition?.New edition of a historical transcription for String Sextet (1808)Available in print again after almost two centuriesAlso suitable for Chamber OrchestraDetailed preface and critical report (Eng./Ger./ Cz .)Includes facsimiles
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Sonata
Violon, Violoncelle Et Basse Continue
Ricordi
The sonata RV 820 represents two 'firsts': it is the latest work to be added to ...
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The sonata RV 820 represents two 'firsts': it is the latest work to be added to the Vivaldian canon, and it is also one of the oldest works by Vivaldi - perhaps the very oldest among those known. Having come to light among the numerous anonymous manuscripts preserved in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek in Dresden, it was attributed to him by Federico Maria Sardelli on the basis of several musical concordances with early works of known authenticity- in addition, a complex network of biographical and paleographical relationships has revealed how this sonata, copied in the hand of the very young Johann Georg Pisendel, belonged to an initial stock of compositions that Giuseppe Torelli brought with him from Italy after he was appointed Kapellmeister at Ansbach in 1698. In this context, Vivaldi's sonata finds itself in the company of two manuscripts that evidence early versions of two concertos that were later included in L'estro armonico ,, plus works by Torelli and his pupil Pietro Bettinozzi. From these facts we obtain a new picture that sheds light on on Vivaldi's period of apprenticeship and his debt to Torelli: from a stylistic viewpoint, RV 820 is an unusual type of trio sonata for violin and cello that remains structured in a late-seventeenth-century way, a work into which Vivaldi injects inventions that are completely new and individual. This is a rare jewel that reveals the work produced by its composer before he became himself. / Violon, Violoncelle Et Basse Continue
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Roger Boutry: Divertimento: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
Leduc, Alphonse
Saxophone and String Orchestra-As a musical genre of the 18th century it is unu...
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Saxophone and String Orchestra-As a musical genre of the 18th century it is unusual that a divertimento is composed for the Alto Saxophone an instrument which was not developed until the mid-19th Century. Yet Roger Boutry (b. 1932) proves with his Divertimento for Alto Saxophone that the combination of style and instrument make for a thrilling performance. French composer Boutry won many prizes during his time at the Paris Conservatoire as well as for his professional work. He has over 100 published works in which he successfully unites diverse modern and traditional trends. He was named Personality of the Year in 1989 for all of his artisticactivities. Divertimento is cast in three movements beginning in a highly rhythmic and syncopated way before moving on to a moody and balladlike second movement that ends with a cadenza. This leads into the third movement a light presto finale. Boutry's Divertimento for Alto Saxophone and Piano accompaniment is an essential and varied addition to the advanced saxophonist's repertoire.
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Wolfgang Amadeus Mozart: At The Piano - Mozart: Piano: Score
Piano Quintet: piano, violin, viola, cello, double bass
G. Henle
15 well-known original pieces in progressive order of difficulty with practical ...
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15 well-known original pieces in progressive order of difficulty with practical comments-This volume opens with especially easy minuets written by Mozart when he was just eight years old. A successful mix of well-known and unusual pieces leads the player all the way to the profound Fantasy in d minor. A specialfeature here is the C-major study which has not been available in any Henle edition until now. Selected individual movements from Mozart’s piano sonatas show the stylistic and emotional breadth and subtlety of his music andoffer manifold opportunities to practise and overcome specific technical challenges.
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The Secret Garden
Piano solo
Barenreiter
Modern Piano Nocturnes. Par METELKA JAKUB. The album ?The Secret Garden? by Jaku...
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Modern Piano Nocturnes. Par METELKA JAKUB. The album ?The Secret Garden? by Jakub Metelka (b. 1986) contains fifteen recital pieces in simple song form, thus tying in with his successful, technically less demanding piano cycle ?Little Virtuoso? (BA11569). The individual compositions in the collection are characterized by Metelka?s unmistakable, tonally anchored melodic style, enriched with many unusual harmonies and colours, which here underlines the slightly melancholic and mysterious character of these nocturnal pieces. The playful illustrations by Andrea Tachezy reflect these moods in an imaginative and charming way. Although it is not really a predetermined cycle, the fifteen atmospheric character pieces, with their programmatic titles and their arrangement tell a kind of fairy tale that culminates in the magical final composition ?The Secret Garden?. / Date parution : 2024-01-06/ Répertoire / Piano
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