Score and parts of this splendid Venetian Baroque piece originally for two solo Violins and strings arranged for two Violas with Keyboard accompaniment and edited by Alan Arnold.

A collection of Baroque Pieces which have been arranged for Viola and Piano by Watson Forbes.

Viola Part from the Suzuki Viola School Volume 2. Transcribed for Viola and Piano by Doris Preucil. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language through repetitive listening. This simple method of teaching has developed into a worldwide movement with proponents in many countries across many instruments. The first three volumes of The Suzuki Viola School have been directly transcribed from Shinichi Suzuki's Violin method by Doris Preucil and contain many popular Baroque melodies in addition to the necessary exercises and studies. Suitable for bothbeginner adults and young children.

While Gordon Jacobs composed a vast amount of music more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism atonality and other avant garde effects in favour of Romanticism Jacob was much morean adherent to the musical models of the classic and baroque eras while still encompassing modern harmonies. His work Music for a Festival for symphonic wind band and brass ensemble was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II.

In Classic Hits For Violin And Viola well-known melodies from the Baroque Classical and Romantic period are arranged by Vladimir Bodunov for Violin and Viola. Both players are of equal standing the role of soloist and accompanist changing constantly. The arrangements stand out for their fidelity to the original works.The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist in orchestras and particularly in duo with his wife Marta Danilkovich.

La collection Best of Viola Classics - 16 Famous Concert Pieces pour alto et piano présentée par Schott contient une sélection d'?uvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts.Georg Philipp Telemann: Sonata B-Dur / Bb major aus / from: Der getreue Music-MeisterLuigi Boccherini: Minuetto aus / from: Sonata c-Moll / C minorJohann Nepomuk Hummel: Allegretto moderato aus / from: Sonata Es-Dur / Eb major, op. 5/3Robert Schumann: Märchenbild Nr. 3 / Fairy-Tale Picture No. 3, op. 113/3Märchenbild Nr. 4 / Fairy-Tale Picture No. 4, op. 113/4Friedrich Kiel: Romanze Nr. 2 / Romance No. 2, op. 69/2Romanze Nr. 3 / Romance No. 3, op. 69/3Emanuele Muzio: AndanteAnton Rubinstein: Morceau de Salon No. 2Joseph Joachim: Hebräische Melodie Nr. 1 / Hebrew Melody No. 1, op. 9/1Hebräische Melodie Nr. 2 / Hebrew Melody No. 2, op. 9/2Heinrich von Herzogenberg: Legende Nr. 1 / Legend No. 1, op. 62/1Robert Fuchs: Phantasiestück Nr. 2 / Fantasy Piece No. 2, op. 117/2Alexander Sergej Tanejew: Feuillet d?album / Albumblatt / Album Leave, op. 33Johanna Senfter: Scherzo aus / from: Viola-Sonata F-Dur / F major, op. 41Volker David Kirchner: Paso doble aus / from: Nostalgia / Alto / Schott

Simply Baroque is a collection of arias choral works concerto themes dances and keyboard and string masterpieces from the Baroque period of music history. These selections have been carefully arranged by Bruce Nelson for Easy Piano making them accessible to pianists of all ages. Phrase markings articulations fingering pedaling and dynamics have been included to aid with interpretation and a large print size makes the notation easy to read.

Herbstlied - Version 2009 - for English Horn String Trio and Piano. Parts = WH31261A Original version (1992) for Mezzo Soprano Clarinet Violin Cello and Piano: WH31259 Programme note This work was written for the tenth anniversary of the Vækstcenteret (the growth center) with a dedication to its head Jes Bertelsen. This center is a place for consciousness training as well as instruction in meditation practices and various forms of self-development. It is also a community of spiritual fellowship and a place to find peace and inspiration for internal contemplation.  The original version of the piece was scored for mezzo-soprano clarinet and harpsichord. The work is a quodlibet utilizing a Danish song by Oluf Ring – Sig nærmer tiden (The time is near for you to leave) – and two themes by Johan Sebastian Bach from Die Kunst der Fugue: the main theme and the B-A-C-H theme which the Baroque composer introduces in the last fugue the moment before the composition breaks off unfinished. The text is Rainer Maria Rilke’s Herbst: Herbst   Die Blätter fallen fallen wie von weit als welkten in den Himmeln ferne Gärten; sie fallen mit verneinender Gebärde.   Und in den Nächten fällt die schwere Erde aus allen Sternen in die Einsamkeit.   Wir alle fallen. Diese Hand da fällt. Und sieh dir andre an: es ist in allen.   Und doch ist Einer welcher dieses Fallen unendlich sanft in seinen Händen hält. In 2009 I wrote a version for cor anglais piano (or Harpsichord) and string trio.

per viola e pianoforte (orig. per violoncello, archi e cembalo) piano score Édité par Nagy Olivér, Bársony László Instrument: Alto et piano Genre: Baroque Pages: 16 pp Date du parution: 1983

Doris da Costa and Tom Hedges' Voil Viola Duets was written for Viola and Violin players wanting to play duets with friends and teachers or for new Viola pupils swapping from the Violin to the Viola.Changing instruments can be challenging as the alto clef requires completely new reading skills regardless of a player’s standard on the Violin. In this book an alternative Violin part is included to help to familiarise a Violinist with the music and to add instrumental flexibility.A large variety of styles and genres are included: the 16th Century Madrigal the Baroque Concerto dance forms arrangements of traditionalfavourites world music jazz or swing numbers and programmatic 21st century entries.There is much here to challenge the musical and technical demands of the Viola and Violin: string crossing shifting (up to 3rd position) chromatic scales as well as a range of articulation and playing techniques. Time signatures are varied with duets in simple compound and irregular meters. An assortment of key signatures and modes add further challenges.The pieces vary in difficulty: from an easy grade 3 standard to a moderately difficult grade 5. The duets can be used for concert repertoire for GCSE assessments for sight-reading practice to support technical studies or to round off a lesson.

For Viola And Piano. Par WATKINS HUW. Est-l'ouverture d'un geste impatient dans le piano immédiatement répondu par une ligne d'Alto énergique, que le piano puis rejoint et les interrompt '. Cette valeur définit la scène pour Watkins ' Fantasy ', une oeuvre contemporaine écrite dans la tradition Baroque, pleine de très contrastées des articles. Articles expansives exploitant les qualités lyriques de la viola sont habilement juxtaposées, souvent brusquement, avec des idées nouvelles, mais connexes. Le travail a été écrit pour et inspiré par la renommée internationale altiste, Lawrence Power./ Répertoire / Alto et Piano