SKU: BT.PMC3698
SKU: BT.DHP-1196191-070
ISBN 9789043157988. English-German-French-Dutch.
With its simple, memorable melody and folk-song style, You Are My Sunshine is undoubtedly one of America’s most successful old-time music love songs. Its success in the 1940s massively boosted the popularity of the song’s singer and guitarist, Jimmie Davis and Charles Mitchell, so much so that it helped to springboard Davis’ political career, culminating in his successful election as Governor of Louisiana in 1944. Dezaire’s skilful arrangement retains the quintessential country sound of the original with this new string quartet orchestration.You Are My Sunshine is een liefdesliedje in de Amerikaanse old-time-muziektraditie met een eenvoudige, volksliedachtige en bijzonder aanstekelijke melodie. Zanger Jimmie Davis en gitarist Charles Mitchell werden er in de jaren 1940 enorm populair mee. Het succes gaf Davis zelfs een beslissende boost in zijn politieke carrière, die hij bekroonde met zijn verkiezing tot gouverneur van de Amerikaanse staat Louisiana. Nico Dezaire heeft met dit arrangement de kenmerkende countrysound van het origineel op vakkundige wijze bewerkt voor strijkkwartet.You Are My Sunshine ist ein Lovesong in der Tradition der US-amerikanischen Old-Time Music, dessen einfache, volksliedartige Melodie sich sofort einprägt. Sänger Jimmie Davis und Gitarrist Charles Mitchell erlangten mit diesem Titel in den 1940er-Jahren eine enorme Popularität. Bei Davis beflügelte dieser Erfolg sogar maßgeblich seine politische Karriere, die er mit seiner Wahl zum Gouverneur des US-Bundesstaats Louisiana krönen konnte. Nico Dezaire setzt in seiner Bearbeitung den typischen Country-Sound des Originals gekonnt auf eine Streichquartett-Besetzung um.You Are My Sunshine est une chanson d’amour dans la tradition de la Old-time music américaine, dont la mélodie simple aux résonnances folkloriques reste dans la tête. Gr ce ce titre, le chanteur Jimmie Davis et le guitariste Charles Mitchell connurent une immense popularité dans les années 1940. Pour Davis, ce succès donna même un tournant déterminant sa carrière politique puisqu’il fut élu gouverneur de l’État de Louisiane. Dans son arrangement pour quatuor cordes, Nico Dezaire transpose avec talent les sonorités country caractéristiques de l’original.
SKU: HL.48024678
ISBN 9781540058546. UPC: 888680952525.
40 years lie between the composer's multiple award-winning String Quartet No. 2 and this new contribution to the genre. Martin Christoph Redel was motivated by the world's current political situation: by the violation of human rights, by war, torture, violence and expulsion. He includes a soprano part and responds to texts of the Tunisia-born poetess Najet Adouani who had to flee her home country several times herself because she had advocated human rights and freedom of speech there. In my throat nests the pain of all those to whom I lend a voice, is one of her statements that was set to music.
SKU: CF.FAS54F
ISBN 9780825869372. UPC: 798408069377. 8.5 X 11 inches.
Written in a modern Americana style, A Country Memory begins subtly with a lyrical violin melody over triads and open-string fifths in the other sections of the string orchestra. A pastoral country-feel is established in the introduction and continues throughout the piece. The eightmeasure folk tune at m. 5 in violin I, played legato, is featured in each section of the ensemble. The cello plays the melody in m. 25 and then hands off to the high strings in m. 29.In the interlude at m. 35, violin I states a two-measure melody. The rest of the ensemble joins in harmony two measures later, and the full group builds to the ritard. in m. 42. Low strings carry the melody in m. 43, as violin I plays an ostinato above them. The ensemble builds, playing ascending, scalar melodies and moves to the Maestoso section at m. 53. This is the final grand statement of the main theme before the ending begins at m. 61. From there to the end, the group plays vigorously with a full sound, highlighted by repeated sixteenth-note figures in violin I as the piece soars to the final chord.
SKU: MB.30561
ISBN 9780786697816. 8.75 x 11.75 inches.
Fiddling Classics contains 14 arrangements of classic fiddle tunes from Texas, cowboy and Western Swing music traditions, written in an exciting twin/triple fiddle style. The series includes three books for different instrumentation. This book is: MB30562 Fiddling Classics for Solo and Ensemble: Cello/Bass(Includes cello/bass melody and harmony parts). The others are: MB30560 Fiddling Classics for Solo and Ensemble: Violins 1 and 2(Includes 2 violin parts). MB30561 Fiddling Classics for Solo and Ensemble: Viola, Violin 3 and Score(Includes parts for viola melody, harmony, third violin and a full score). Each book includes piano accompaniment with guitar chords. All three work together, providing readers with material for all possible combination of instruments; solo instrument with piano or guitar, duets, trios, string quartets and much more.
SKU: SU.91770981
Full Score & Set of Parts (Flute, Violin, Viola, Violoncello, Piano)1. My Dream (Anna Vacek) 2. You (Walt Whitman) 3. The New Colossus (Emma Lazarus) 4. City of the World (Walt Whitman) 5. Old Ireland (Walt Whitman)Instrumentation: Mezzo-Soprano, Flute, Violin, Viola, Violoncello & Piano Duration: 15' Composed: 2018 Published by: Subito Music Publishing.
SKU: KN.09560S
UPC: 822795095609.
Scored in the keys of E minor, G major and E major, this contest-worthy adaptation presents three themes -- The River, Peasant Wedding, The River At Its Widest Point -- from Smetana's 19th-century symphonic portrait of the Vltava (Moldau in German) River which runs through the Bohemian countryside. The first and last portions are set in a dramatic, flowing 6/8 meter, while the energetic wedding dance is in 2/4 time. Everyone plays a prominent role in this sophisticated concert presentation. Duration 4:25.
SKU: SU.91770980
1. My Dream (Anna Vacek) 2. You (Walt Whitman) 3. The New Colossus (Emma Lazarus) 4. City of the World (Walt Whitman) 5. Old Ireland (Walt Whitman) Instrumentation: Mezzo-Soprano, Flute, Violin, Viola, Violoncello & Piano Duration: 15' Composed: 2018 Published by: Subito Music Publishing.
SKU: PR.114406980
UPC: 680160010806.
Shulamit Ran’s second string quartet, subtitled “Vistas,†occupies a large canvas that is cast in a traditional fourmovement mold, where the outer movements present, explore, and later return to the work’s principal musical materials, surrounding a slow movement and scherzo-type third movement with a trio. In addition to tempo-based titles, the individual movements have subtitles that are evocative of each movement’s character, as follows: I. Concentric: from the inside out II. Stasis III. Flashes IV. Vistas.My second string quartet, “Vistasâ€, is a work cast in a traditional four-movement formal mold, with the outer movements, presenting and later returning to the work’s principal musical materials, surrounding a slow movement and a scherzo-type third movement.While the four movements’ “proper†names -- Maestoso con forza, Lento, Scherzo impetuoso, and Introduzione; Maestoso e grande – give some indication of the general character of the individual movements, I have also subtitled, less formally, each movement as follows: 1) Concentric: from the inside out 2) Stasis 3) Flashes 4) Vista. The images evoked by these titles tell one, I think, a bit more about the inner workings of the quartet.In the first movement, a prominently presented opening pitch (E) reveals itself, as the movement unfolds, to be a center of gravity from which ever-growing cycles of activity gradually evolve. While various important themes come into being as the movement progresses, their impact on the listener has, I believe, a great deal to do with their juxtaposition and relationship to the initial central point of gravity.Stasis is, as the name implies, a movement where activity seems, at times, almost suspended. Being also, as Webster’s Dictionary reminds us, “a state of static balance and equilibrium among opposing tendencies or forces,†it develops various materials, including ones from the first movement, without bringing them to points of resolution.Flashes is short and very fast, evoking in my mind the quick shimmer of fireflies, a “sudden burst of lightâ€, but also a “brief timeâ€. Perhaps, even, a “smileâ€?Finally, the last movement, Vista, is not only “a view or outlookâ€, but also “a comprehensive mental view of a series of remembered or anticipated events.â€Â After a brief recall of the opening of the second movement, this movement brings back all the important themes of the first movement in their original order. But just as going back can never really mean going back in time, the movement is much more than recapitulatory. By cutting through previously transitory passages and presenting the main ideas in a fashion more direct yet more evolved, it also sheds new light on earlier events, offering a retrospective, synoptic view of the first movement as it brings to culmination the work as a whole. “Vistas†was commissioned by C. Geraldine Freund for the Taneyev String Quartet of what was then Leningrad. It was the first commission given in this country to a Soviet chamber ensemble since the 1985 cultural exchange accord between the Soviet Union and the United States.
SKU: HL.49019930
ISBN 9790001152693. UPC: 841886011441. 9.0x12.0x0.079 inches.
The compositions by the greatest Brazilian tango composer and pianist Ernesto Julio de Nazareth (1863 -1934) are strongly influenced by Brazilian folk music. He preferred light entertainment, and his dance music has remained extremely popular in his home country until today. Heitor Villa-Lobos called him 'the true embodiment of the Brazilian soul'. Nazareth composed primarily choros music which is very common in Brazil, but it was his 25 tangos (25 Tangos Brasileiros for piano, Schott ED 7561) that made him famous.The melancholy waltz Confidencias in A minor (already published for piano in Valsas brasileiros, Schott ED 20304) bridges the gap between Latin American folkore and Romantic elements, as can be found in the waltzes by Chopin. The work's specific expressive chromaticism in melody and harmony stands out particularly in the arrangement for chamber music ensemble.