SKU: PE.EP73544

ISBN 9790577021089. Words by Giacomo Casanova.

Casanova in Lockdown by Judith Bingham is a scena for baritone and piano based on Giacomo Casanovas Histoire de ma Vie. It was commissioned by the Barbican and the European Concert Hall Organization in the framework of ECHO Rising Stars. Casanova in Lockdown was first performed by James Newby (baritone) and Joseph Middleton (piano) at Philharmonie Luxembourg on September 26, 2022.

This product is Printed on Demand and may take several weeks to fulfill.

SKU: HL.339866

ISBN 9781540091390. UPC: 840126917598. 11.25x17.0x0.433 inches.

FALLING MAN for baritone and orchestra are based on Don DeLillo's 2007 novel about the events, aftermath, and changed lives of 9/11,a book which enthralled Kenneth Fuchs. DeLillo's unflinching description of raw terror and absolute chaos provided a standpoint from which Fuchs could begin to come to terms as a composer with the shocking and world-changing events of that fateful morning. The work is cast in the form of a dramatic scena for baritone voice and orchestra, and the principal melodic and harmonic elements are organized around a falling twelve-tone theme. Recorded by JoAnn Falletta and the London Symphony Orchestra with baritone Roderick Williams at Abbey Road Studio, Naxos CD Falling Man 8.559753. This is a wonderfully recorded disc that should continue to gain Fuchs the notoriety he so deserves. --Steven Bergman, Edge A chamber version for baritone and mixed octet, arranged by David Krane, is also available from the publisher.

SKU: GI.G-9362

ISBN 9781622772247. English.

Foreword by Eric Whitacre Innovation in the Ensemble Arts caps a trilogy of volumes that delves into the building blocks necessary for a vibrant, growing music organization. In the first volume—Mentoring in the Ensemble Arts: Helping Others Find Their Voice—author Tim Sharp examines the mentor/ protégé dynamic and its critical impact on the lives of ensembles and their conductors. In the second volume—Collaboration in the Ensemble Arts: Working and Playing Well with Others— he challenges us to think beyond our traditional confines and to expand our worldview to one that encompasses creative new ideas, concepts, and connections. Now Innovation in the Ensemble Arts lays out the techniques of transformative renewal that enable music educators to lead individual ensemble members in the personal growth that fuels the ensemble’s contributions to the community. Sharp establishes a mindset that can lead to ongoing relevancy and create public value for today’s ensembles. Tim Sharp (BM, MCM, DMA), an active choral conductor, researcher, and writer, is Executive Director of the American Choral Directors Association (ACDA), the national professional association for choral conductors, educators, scholars, students, and choral music industry representatives in the United States. He is also Artistic Director and Conductor of the Tulsa Oratorio Chorus. In language informed by years of research and personal experience, this book leads us through “Stages in the Process of Innovation,” “Foundational Pillars for Building an Innovation Mindset,” “Creativity versus Innovation,” and “Moving from Innovation to Impact.” Along the way, Sharp presents concrete and practical plans for turning insight into action. Innovation in the Ensemble Arts is not only thought-provoking and inspirational, but it also illustrates how to generate momentum that can propel music ensembles forward in the pursuit of musical excellence.

SKU: HL.4008643

ISBN 9798350114997. UPC: 196288189664.

During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing” exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground.

SKU: SU.95010450

Text: Doris Kosloff.

SSAA Chorus, Piano Duration: 4' Text: Doris Kosloff Composed: 1994 Published by: Subito Music Publishing NOTE: Life Cycle (1994-2001) is an ongoing project for women's voices and instruments to poems by women. Other movements include (to date): The Habit of Anger (#95010470); Kneeling in the Big City [Demeter, Persephone] (#95010380); They Were Women Then (#95010390) Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.

SKU: SU.50010200

This work is designed for six female speakers, though it could be performed by a women's chorus as well Published by: Seesaw Music Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.

SKU: SU.12300090

For SATTBB, Solo Voices or Chamber Choir Duration: 4' Composed: 1991 Published by: Odhecaton Z Music Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request).

SKU: SU.95010370

Text: Elizabeth Macklin.

SSAA Chorus, Piano Duration: Text: Elizabeth Macklin Composed: 2001 Published by: Subito Music Corporation NOTE: Life Cycle (1994-2001) is an ongoing project for women's voices and instruments to poems by women. Other movements include (to date): Friends (#95010450); Kneeling in the Big City [Demeter, Persephone] (#95010380); They Were Women Then (#95010390) Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.

SKU: HL.4007483

UPC: 196288058175.

During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing” exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground.