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Handel-How willing my paternal love in G flat Major, for Voice and Piano
Handel-How willing my paternal love in G flat Major, for Voice and Piano
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Piano, Voice
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George Frideric Handel
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MSM
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Handel-How willing my paternal love in C Major, for Voice and Piano
Handel-How willing my paternal love in C Major, for Voice and Piano
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Piano, Voice
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George Frideric Handel
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A Willing Servant (Med-High, solo/duet)
A Willing Servant (Med-High, solo/duet)
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Vocal duet, Piano
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Gabon (ZARATE JOSE)
String Orchestra
[Score]
Unión Musical Ediciones
Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work...
(+)
Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work where the composer investigates and delves into his personal idealization of the relationship of the text and its interpretation as poetic-musical recital. The piece tries to propose to the musician certain meaningful poetical concepts, with the requirement of a meticulous willingness to sing, to recite, and to feel. / Date parution : 2021-11-03/ Répertoire / Orchestre à Cordes
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John Miller: Beginning Fingerstyle Guitar: Guitar: Instrumental Tutor
Guitar notes and tablatures
[Sheet music + Audio access]
Mel Bay
Beginning Fingerstyle Guitar. With Beginning Fingerstyle Guitar, author John Mil...
(+)
Beginning Fingerstyle Guitar. With Beginning Fingerstyle Guitar, author John Miller has written a book designed to provide newcomers to this style, whether first-time guitarists or guitarists who have previously only played with a pick, the techniques needed to develop a solid foundation for playing fingerstyle. The book uses songs for teaching, presenting multiple ways of playing a song, starting simply, and building gradually in terms of technical difficulty. And the exercises are designed to build skills in a wide range of fingerstyle skills: strumming, thumb-lead playing, pattern picking, and melody arrangements with the thumb playing alternating bass. What specific features does the book offer for the beginning fingerstyle guitarist? ? Over fifty exercises, for playing through the songs, all notated in both standard notation and tablature. ? Links to sound samples for all of the exercises, with each exercise played at a slow tempo, for starting out, and a target tempo, with all of the exercises counted in, so that you can play along with them. ? Chord diagrams are provided for each song with the fingerings indicated that you would need to play the exercises. ? Playing tips precede each exercise, offering guidance on how to play the exercises with the greatest ease and efficiency in both the picking and the fretting hands. ? A special section on playing Blues at the end of the book.Additional guidance is offered on understanding tablature, practicing, developing your tone, scale structure and transposition and use of a capo. So, in Beginning Fingerstyle Guitar, you will find a full service instruction manual?one that has been designed to enable you to progress comfortably at your own rate of learning, while steadily building skills and moving forward in terms of your own confidence and willingness to accept new challenges.
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Berliner Messe (PART ARVO)
Chœur Mixte [SATB] et Piano
Universal Edition
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentec...
(+)
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Piano
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Torstein Aagaard-Nilsen: The Binding of the Wolf: Brass Band: Score
Brass ensemble
Gobelin Music Publications
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written fo...
(+)
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. ?The Binding of the Wolf? is not a programmatic piece of music but I felt that there was a kind of coherence between the music and the dramatic story: ?...The wolf Fenrir was one of the demonic offspring of Loki and as he grew up in Asgard among the gods he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world such as the roots of a mountain the noise of a moving cat the breath of a fish. When completed this chain seemed to be no more than a silken cord but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this and when the wolf found that the chain was unbreakable the gods rejoiced but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men as well as that of the gods from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...?
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Franz Schubert: Octet In F Op.Post.166 D 803: Orchestra: Parts
BARENREITER
Octet-Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn...
(+)
Octet-Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Violin (2) Viola Violincello Double Bass?I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things for I have composed two quartets for Violins Viola and Violincello [A minor D 804; D minor D 810] and an octet [F major D 803] and will write yet another quartet [not carried out]. Indeed in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] ...I too am inclined to give a similar concert next Year God willing.?ThusSchubert writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony by which he doubtless meant the genre as a whole rather than any specific work he wrote string quartets and a large-scale piece of chamber music for strings and winds taking Beethoven as his guide.Urtext of the New Schubert EditionParts (BA5617) and study score format 22.5 x 16.5cm (TP302) available for sale
37.50 GBP - Sold by Musicroom UK
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Children's Lied 2 (ESKELINEN MARJUKKA)
Piano, Voice
[Sheet music]
Fennica Gehrman
Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Li...
(+)
Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Lied 2 is a collection of repertoire for young singers and pianists with songs from a wide range of countries and cultures. There are songs in eight languages, all of them with sung English translations. Text interpretation and storytelling, social and musical interaction skills together with instrument and performance skills are activated when children themselves take the active role in devising interpretations. A thorough pedagogical introduction and a large collection of downloadable versions of the songs in various keys make this collection a valuable tool for all educators willing to open the door to the world of Lied for kids and teens./ Recueil / Chant et Piano
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Black Nativity: Piano Vocal and Guitar: Mixed Songbook
Piano, Vocal and Guitar
Hal Leonard
Music from the Motion Picture Soundtrack-In a contemporary adaptation of Langsto...
(+)
Music from the Motion Picture Soundtrack-In a contemporary adaptation of Langston Hughes' celebrated play the holiday musical drama Black Nativity follows Langston (Jacob Latimore) a street-wise teen from Baltimore raised by a single mother as he journeys to New York City to spend the Christmas holiday with his estranged relatives Reverend Cornell and Aretha Cobbs (Forest Whitaker and Angela Bassett). Unwilling to live by the imposing Reverend Cobbs' rules a frustrated Langston is determined to return home to his mother Naima (Jennifer Hudson). Langston embarks on a surprising and inspirational journey and along with new friends and a little divine intervention he discovers the true meaning of faith healing andfamily. The soundtrack features 12 songs including: As · Be Grateful · Can't Stop Praising His Name · Fix Me Jesus · Hush Child · Motherless Child · Test of Faith · and more.
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Franz Schubert: Octet In F Op.Post.166 D 803: Ensemble: Study Score
Clarinette, Basson, Cor, 2 Violons, Viole, Violonc
[Sheet music]
Barenreiter
Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Viol...
(+)
Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Violin (2) Viola Violincello Double Bass?I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things for I have composed two quartets for Violins Viola and Violincello [A minor D 804; D minor D 810] and an octet [F major D 803] and will write yet another quartet [not carried out]. Indeed in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] ...I too am inclined to give a similar concert next Year God willing.?ThusSchubert writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony by which he doubtless meant the genre as a whole rather than any specific work he wrote string quartets and a large-scale piece of chamber music for strings and winds taking Beethoven as his guide.Urtext of the New Schubert EditionParts (BA5617) and study score format 22.5 x 16.5cm (TP302) available for sale
16.00 GBP - Sold by Musicroom UK
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Schärfe. Schatten (SCHWEITZER BENJAMIN)
Flûte [Piccolo], Hautbois, Clarinette en Bb, A et
[Score and Parts]
Schott
for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer present...
(+)
for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer presents his first work for this combination. Willing to try out something new, he adds to the typical character of the wind instruments the sound of the piano. The work is made up of two movements, each movement of several parts. Complex interwoven passages are set against stringently composed sections. The composer says of his piece: 'the combination of shortness and an ease of attitude with the complexity of a major chamber music work relates, in a certain way, the piece to the late works of Elliott Carter.'/ Répertoire / Flûte [Piccolo], Hautbois, Clarinette en Bb, A et
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Bent Sørensen: Intermezzi: Mezzo-Soprano: Score
Wilhelm Hansen
Intermezzi from the opera Under Himlen was composed by Bent Sørensen in 2003....
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Intermezzi from the opera Under Himlen was composed by Bent Sørensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003 when the Royal Theatre premiered the composer Bent Sørensen’s and the dramatist Peter Asmussen’s opera Under the Sky it was not only Bent Sørensen’s first opera on the large scale but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR Per Erik Veng who had asked Asmussen in 1996 whether he would write the librettofor an opera and pick out a composer to work with on it. Asmussen was willing and he pointed to Bent Sørensen as the composer. Bent Sørensen reacted positively to Per Erik Veng’s suggestion of an opera collaboration with Asmussen and with the opera agreement settled the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera but sheds light on it from a different angle Bent Sørensen himself compares it to a film ‘trailer’. The result is Intermezzi a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first third and fifth movements as well as the purely instrumental second and fourth movements as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte’s child while from afar Molte observes the idyllic world from the outside. The second movement is
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Darrell Evans: Redeemer Savior Friend: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
This favorite worship song of gratitude and devotion is accessible to most SATB ...
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This favorite worship song of gratitude and devotion is accessible to most SATB or SAB choirs. From “I know You had me on Your mind when You climbed up on that hill” to “I'll gladly lay down all my crowns for thename by which I'm saved ” the lyrics express the profound love of Christ for us and our willing response to that love. Performance Time: Approx. 3:55.Available separately: SATB SAB SSA ChoirTrax CD and Instrumental ePak(Parts for Violin I & II Viola Cello and String Bass).
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Bob Chilcott: A Sporting Chance: Unison Voices: Vocal Score
Choral Unison
[Vocal Score]
Oxford University Press
For Unison upper voices (with optional parts) Brass Quintet and optional Percu...
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For Unison upper voices (with optional parts) Brass Quintet and optional Percussion.A Sporting Chance is a fun and lively choral work on the theme of sport games and exercise. Each of the seven movements celebrates a different sport - you'll find running soccer weightlifting and more - and words by the composer provide an entertaining narrative of each event. Look out for exciting choral effects such as panting rapping and grunting as well as active audience participation and even a slow-motion race from the trumpet players. Scored for unison voices with optional extra parts this crowd-pleaser will have both choir and audience cheering for theirhome team and willing the athlete to 'run for gold'!Bob ChilcottBob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.
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Chad Johnson: How to Record at Home on a Budget: Reference Books: Reference
[Book]
Hal Leonard
Home recording has never before seen the popularity it's experiencing today. Whe...
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Home recording has never before seen the popularity it's experiencing today. Whether it's simply a laptop with a camera microphone or a decked-out studio with tens of thousands of dollars in equipment more people are recording their music at home now than at any other time in history. What's even more impressive are the sounds that can be accomplished with affordable gear. The gap between the capabilities of the professional and home studio is diminishing more every year which makes this a great time to be in the home recording business. In How To Record At Home On A Budget we'll look closely at all aspects involved in getting qualityrecordings from your modest home studio rig. The technological revolution has made high-grade production from home more attainable than ever but the instruments won't record themselves. There's still lots of know-how involved and that's where this book comes in. If you're willing to put in a bit of effort to learn the tools of the trade great sounds await!
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Vasiliev: 24 Melodious Etudes: Tuba: Study
Français
Tuba
[Sheet music]
Leduc, Alphonse
for Tuba-24 Melodious Études is a set of studies by S. Vasiliev for Tuba. Numb...
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for Tuba-24 Melodious Études is a set of studies by S. Vasiliev for Tuba. Number 276 of the collection “Music for Brass” each study is between one and two pages long and will enable intermediate players to work on their embouchure and their breathing. They will also help to gain a better sonority. S. Vasiliev has managed to make them quite lyrical to avoid any fastidious feeling while working on them. This volume is definitely a must-have for all tubists willing to improve their skills and abilities. This volume was selected for the ABRSM Tuba Syllabus Grade 4.
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John Jacobson Roger Emerson: Go West!: Children's Choir: CD
Hal Leonard
A Musical Celebration of America's Westward Expansion-There's gold in them thar ...
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A Musical Celebration of America's Westward Expansion-There's gold in them thar hills! Gold has been discovered in the hills of California. Land is being given away to settlers willing to make a fresh start in the newly explored regions of the American West. Cowpokes andminers farmers and trappers gamblers and adventurers of all kinds are making their way west to chase the promise of the American Dream. They come by way of wagon train horseback stream boat and rail. Go West combines music history and drama to explore important facts about the westward expansion of early United States and discovers that real gold is not always the kind made into ingots and baubles. Real gold is discovered in the ideas andinspiration derived from new lands fresh starts and attainable dreams abundant in the promises of the land of the free. Perfect for upper elementary and middle school performers this historic and entertaining 35-minute musicalfeatures 7 original songs connecting script John Jacobson's choreography and a helpful production guide. The Teacher Edition includes full script accompanied songs Production Guide and choreography suggestions. Available:Teacher Edition Singer Edition 5-Pak Preview CD (with vocals only) Performance/Accompaniment CD Performance Kit/CD (Teacher 20 Singer books P/A CD). Performance Time: Approx. 35 minutes. For Grades 4-8.
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Michael Berkeley: Listen listen O my child: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
Listen Listen O My Child was commissioned as the anthem for the Enthronement o...
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Listen Listen O My Child was commissioned as the anthem for the Enthronement of the 105th Archbishop of Canterbury the Most Reverend and Right Honourable Justin Welby.It sets a text from The Rule of St Benedict translated by Michael Berkeley counselling the recipient to 'receive willingly and carry out effectively your loving Father's advice'. The vocal lines are simple flowing and eminently singable with alternating sections of unaccompanied chant and joyous outbursts from the full choir. The supportive Organ part may be omitted if preferred.
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Ostrander: Basic Techniques For Double: Trombone: Instrumental Tutor
Bass Trombone
[Sheet music]
Leduc, Alphonse
Basic Techniques For The Double Valve Bass Trombone is a method by Allen Ostrand...
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Basic Techniques For The Double Valve Bass Trombone is a method by Allen Ostrander for the Double Valve Bass Trombone. Written in English it includes much advice and instruction to obtain the best sonority while gaining in speed and agility. The positioning is part of the legend in the book and each lesson is followed by some direct applications and exercises. This method is recognised as one of the best to acquire the best technique of the instrument: it is a must-have for those willing to gain in technique and skills. Allen Ostrander (1909-1994) is an American trombonist who played innumerous orchestras including National Symphony Orchestra and the New York Philharmonic.
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Blythswood: Viola: Instrumental Work
Viola, Piano
Stainer and Bell
Rhian Samuel's fresh and stimulating vocal and instrumental works have earned he...
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Rhian Samuel's fresh and stimulating vocal and instrumental works have earned her an enviable reputation as a composer willing to tackle challenging subjects and a variety of musical forms. The three contrasting pieces of Blythswood were written at Glaick in Scotland on the mainland across from Skye and each one evokes in terms of seascape or memory the idea of the 'distant view'.
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Darrell Evans: Redeemer Savior Friend: SAB: Vocal Score
Choral 3-part
SAB
[Vocal Score]
Daybreak Music
This favorite worship song of gratitude and devotion is accessible to most SATB ...
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This favorite worship song of gratitude and devotion is accessible to most SATB or SAB choirs. From I know You had me on Your mind when You climbed up on that hill to I'll gladly lay down all my crowns for the name bywhich I'm saved the lyrics express the profound love of Christ for us and our willing response to that love. Performance Time: Approx. 3:55.Available separately: SATB SAB SSA ChoirTrax CD and Instrumental ePak (Parts forViolin I & II Viola Cello and String Bass).
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Geoffrey Burgon: Orpheus: Voice: Vocal Score
Opera
[Sheet music]
Chester
A chamber opera in one act for soprano tenor baritone and bass soli TTBB chor...
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A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and costumed or as a concert piece. Either way itsstructure is dramatic rather than reflective. It tells the story of Orpheus probably the most familiar story in music and en emblem of their art for composers of all periods as a direct narrative. Since the legend is set inthe world of pagan mythology it has been lightly Christianised for its Church setting. The Aeneid has often been seen as speaking of Christ avant la lettre and Renaissance Humanists were always willing to identify forerunnersof Christian types in Classical personages: in this manner Orpheus pursues without undue emphasis musical parallels with St Francis St Cecilia and even Adam and Eve.The work is framed briefly by a prologue and epilogue. ThePrologue introduces the four solo singers Hades (bass) Orpheus (tenor) Eurydice (soprano) and Charon (baritone). It also introduces the chorus who do not only portray at various stages Orpheus’s wedding companions thedenizens of Hell and Blessed Spirits in the Elysian Fields but also comments on the action as it proceeds.
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CASTOR ET POLLUX (RAMEAU JEAN-PHILIPPE) (RAMEAU JEAN-PHILIPPE)
Piano, Voice
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to u...
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Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano
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Ben Stewart: Evolving Drumming: Drum Kit: Instrumental Tutor
Drums
[Sheet music + CD]
-
Easy
Play Music Publishing
This method is designed for all Drummers from beginners to advanced willing to...
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This method is designed for all Drummers from beginners to advanced willing to practise their instrument cleverly whether alone or supervised in order to refine both their independence coordination and above all musical skills. Through a simple and progressive logic any Drummer will indeed find what he or she is looking for among the 400 evolving Drum beats
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Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
Piano Trio: piano, violin, cello
Furore Verlag
Instrumentation: piano trio (violin, violoncello and piano) Edition: score and p...
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Instrumentation: piano trio (violin, violoncello and piano) Edition: score and parts editor: Eberhard Mayer Item no.: fue 4160 Difficulty: medium ISMN: 979-0-50012-916-5 Mel Bonis?s music became more and more influenced by a highly refined impressionism over the years. Her work was enriched by new rhythmic innovations and willingly turned towards humour. Surely they belong to the most important chamber music compositions in French Post Romanticism and can greatly enrich today?s concert programmes.
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Christoph Willibald Gluck: Orfeo ed Euridice (Orpheus and Eurydice): Mixed
[Vocal Score]
Schirmer
Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an atte...
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Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck for his approach to the score is also monumental as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife unwilling tofollow her husband blindly out of Hades even though she has been called back to life. Her arguments and pleadings her passion and confusion create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Vocal Score with English words by Walter Ducloux taking precedance over the French original.
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Fred Ebb John Kander: Steel Pier: Piano Vocal and Guitar: Vocal Album
Voice solo
[Sheet music]
Hal Leonard
11 vocal selections from the 1997 Broadway musical: Rita's Theme · Willing to...
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11 vocal selections from the 1997 Broadway musical: Rita's Theme · Willing to Ride · Second Chance · Dance with Me · The Last Girl · Everybody's Girl · Wet · Lovebird · Somebody Older · First You Dream · Steel Pier.
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Franz Schubert: Alfonso und Estrella D 732: Opera: Vocal Score
Opera
[Vocal Score]
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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