SKU: HL.282477
ISBN 9781540034342. UPC: 888680789213. 9.0x12.0x0.812 inches.
Almost 100 songs from the birth of the rock and roll era in the 1950s are included in this collection arranged for easy piano with lyrics. Songs include: All I Have to Do Is Dream * Bye Bye Love * Chantilly Lace * Don't Be Cruel * Earth Angel * Fever * Great Balls of Fire * Hound Dog * I Walk the Line * It's So Easy * Kansas City * Lonely Teardrops * Mister Sandman * Only You (And You Alone) * Peter Gunn * Rock Around the Clock * Sh-Boom * Shout * Sixteen Tons * Tequila * Tutti Frutti * Unchained Melody * Volare * Why Do Fools Fall in Love * Yakety Yak * Your Cheatin' Heart * and more.
SKU: HL.4007375
UPC: 196288018575. 9.0x12.0x0.025 inches.
Young players sometimes need a lyric piece with built-in emotional points and dynamic variety. This easy arrangement starts softly with just clarinets and F horn on the melody, then gradually builds to a powerful climax.
SKU: LP.765762210905
UPC: 765762210905.
Carry Your Name is the newest collection of songs for the worshiping choir from arranger/orchestrator Cliff Duren. Written to be accessible for most choirs Duren has picked songs that are currently flying up the CCLI charts like Brenton Brown's Amazing God Matt Redman's Never Once and the title song Christy Nockels' Carry Your Name. Along with classic favorites like Philips Craig & Dean's Crucified with Christ and the Michael English hit In Christ Alone Duren has also picked the favorite hymns Be Thou My Vision and Revive Us Again and given special treatments to each that are stunning and uplifting. As a special bonus a brand new song Faithful and True Is Your Name is included which Duren co-wrote with the recent Dove and Grammy Award winning Laura Story. A full range of companion products are available including split-track accompaniment CD and orchestrations.
SKU: HL.14048001
ISBN 9788759836880. 11.5x16.5 inches. English.
Program note: I was born with a right hand that is not fully functional, and though it never prevented me from loving playing the piano as well as I could with this physical limitation, it has obviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn, my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand, but rather by a composer who can only play with the left hand. The title Left, alone contains all kinds of references, not only to the obvious fact that the left hand is playing alone. Left, alone is divided into two large parts, each consisting of three smaller movements - in effect, six in total. The work was commissioned by Westdeutscher Rundfunk, and co-commissioned by City of Birmingham Symphony Orchestra, Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. -Hans Abrahamsen.
