Par WALTON DARLENE. Livre de méthode de harpe de l'Harpsicle ® est un excellent outil pour apprendre à jouer de la harpe ® de Harpsicle ou de n'importe quelle taille harpe dès le début. Aucune connaissance musicale n'est nécessaire pour utiliser cette méthode. Toute la musique est écrite dans les clés de do majeur et un mineur, donc aucune sharping leviers ou des pédales ne sont nécessaires. Les accords de guitare sont affichées au-dessus du personnel, afin que les étudiants peuvent ajouter de la musique écrite, ou autres instruments peuvent accompagner la harpe. La musique est diplômée de deux doigts à jouer avec les deux mains. La musique est étiquetée pour permettre aux élèves d'apprendre progressivement les notes et les doigtés sans stress ou de la frustration. La méthode contient des leçons sur les parties de la harpe, tuning, assemblage et prendre soin de votre instrument. Egalement inclus dans la méthode sont musique de lecture, signatures de temps et comptage, plaçant bracketing, perceuses doigt et bien plus encore. Il y a aussi des dix-huit chansons, à partir de très facile et continuer à ajouter à la musique, en cours de l'étudiant. Toutes les chansons ont labele... / Niveau : Débutant / Folk - Methods / Méthode / Harpe Folk ou Celtique

The Harpsicle Harp Method book is an excellent tool for learning to play the Harpsicle Harp or any size Harp from the very beginning. No musical knowledge is necessary to use this method. All the music is written inthe keys of C Major and A minor so no sharping levers or pedals are needed. The Guitar chords are displayed above the staff so the students can add to the written music or other instruments can accompany the Harp. The music isgraduated from two fingers to playing with both hands. The music is labeled to allow the students to gradually learn the notes and fingering without stress or frustration.The method contains lessons on the parts of theHarp tuning stringing and taking care of your instrument. Also included in the method are reading music time signatures and counting placing and bracketing finger drills and much more. There are also eighteen songs starting from very easy and continuing to add to the music as the student progresses. All songs have labeled notes to help the students learn notes and fingering. Online video compliments the book and follows up the writteninstructions with video footage so the student can visually see the method. 

Célèbres études pour la harpe-This book is the first volume of Famous Studies For The Harp ? Fifty Studies Op. 34 by Nicolas-Charles Bochsa was dedicated to J.B. Cramer. Edited and arranged according to Hasselmans? methods by R. Martenot it features the studies 1 to 25 for intermediate Harp players and above. This volume is followed by a second book including the studies 26 to 50. Nicolas-Charles Bochsa (1789-1856) was a musician and composer able to play the Flute the Piano and the Harp. He became the harpist of the Imperial Orchestra but had to move to London where he was one of the founders of the Royal Academy of Music.

A step-by-step self-instruction method. Includes care of the Autoharp playing positions chord changes back-up strums arpeggio strums melody picking rhythm picking and much more. Each song teaches something new and eachstrum pattern is built on the previous one.When you have practiced each selection and perfected each strum you will have the necessary foundation to go on to more advanced styles and more intricate picking. The songs inthe book are arranged for the 15-chord instrument since it is the most popular for beginning students. In the 60-minute instructional audio recording the author uses Autoharp and Vocals to demonstrate the major styles presentedin the book from simple to advanced strums to melody picking. The player learns effective ways to practice each new style and has a chance to play along with the singer on the songs that are repeated unaccompanied. Includesaccess to online audio.

Alfred's Basic 5-String Banjo continues the Alfred Music tradition of easy-to-use, thorough, and enjoyable instruction for the absolute beginner. The basics of left- and right-hand picking are covered, including pinches, different kinds of rolls, and backup patterns. Basic left-hand techniques are introduced, including hammer-ons and slides, and chord diagrams are provided for both G-tuning and C-tuning. Important topics such as setting up the banjo, tuning, banjo heads, fingerpicks, strings, and capos are taught as well. Illustrations, diagrams, and photographs throughout the book make learning easy and fun. The accompanying CD includes 60 minutes of recordings performed by Dick Weissman that demonstrate all the exercises and songs in the book. Learning to play has never been more fun than with Alfred-s Basic 5-String Banjo -- the best choice for today's beginning banjo students. / Banjo

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Ank Van Campen???s Tutor for The Celtic Harp is an attempt to benefit both children and adults. Whilst minimising the inevitable accessibility issues. It is a detailed approach to playing this evocative traditional instrumentwith studies fragments of melodies and exercises all guiding you in the right direction. There are also several sections for ensemble or group sessions with suggestions and ideas for discussion and practical work.

Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement, conçu pour aider à faire de la personne et l'enseignement de groupe plus facile, plus intégrée et plus efficace. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que le développement technique et musicalité. / Saxophone Et Piano

Always wanted to play Guitar? Then get on the FastTrack and make it happen now! FastTrack method books give you a fast way to learn how to play that new instrument (or the one that's been sitting in the closet for a few years). Skeptical because other method books haven't worked for you? That's exactly why we wrote these! They're designed for the player who wants to learn on their own terms with the help of some user-friendly instruction professional audio and video examples and cool music to play along the way. Don't worry: we're not going to just show you a few tricks to play one or two songs. You're going to get everything you need to startplaying (this is a Hal Leonard book after all!) but then in a couple of weeks you'll become the player you've always wanted to be ready to move into the songbooks filled with songs by the Beatles Clapton Hendrix and more. And just in case that's not enough to convince you the last section of all FastTrack Starter Packs (Guitar Bass Keyboard and Drums) include the same songs so that you and your buddies can form a band and jam together. So yes it IS time to reignite those rock star dreams!The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel. / Piano

The William Leavitt Modern Method for Guitar, used as the basic text for the Berklee College of Music guitar program, has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand, Berklee Press has created a compilation of the original volumes 1, 2, and 3, including all audio and video tracks. Now, serious guitar students and instructors, from beginning through advanced, have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos, duets, and exercises progressively teach melody, harmony, and rhythm. This edition contains audio and video produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department), demonstrating the examples and providing play-along tracks for the ensemble exercises.

For Mountain Dulcimer-A beginning method for the appalachian dulcimer with a unique new approach to solo melody and chord playing. Includes tuning modes and many beautiful folk songs all demonstrated on the accompanying CD.

SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.

A brilliant beginners' DVD that teaches the rudimentary and fundimental skills and techniques needed to play the Autoharp - one of the most beautiful (and easiest)traditional instruments. Step-by-step instruction of everything you need to know from proper use of the chord buttons strumming and fingerpicking techniques and how to pick out melodies and play instrumentals in the styles of the great traditional players. John Sebastian of Lovin' Spoonful presents his detailed but easy method which is perfect for novices and beginners as it teaches how to hold the harp how to tune it play simple strums and co-ordinate the fingers and thumb in fingerpicking for the first time.