The World Beat Rhythms series explores rhythmic styles from different regions of the world. The hybrid compositions and rhythms in this book and CD package are influenced by the popular Samba Olodum and Baiao styles of Brazil. All levels.WHAT'S INSIDE: Photographs of each percussion instrument Instruction on techniques used to play each instrument Percussion scores Rhythm indexes played at different tempos Worksheets Percussion breaks Charts Audio examples of each rhythm demonstrated on their respective instruments The Cd contains demonstration and play-along tracks that can be used when learning and practicing theexamples. Play along with a 30-piece percussion ensemble with drumset and bass. The World Beat Rhythms series can be used by studenst who want to teach themselves or by music educators for private or group instruction. ...a great asset to all music educators and band directors to get their orchestras band ensembles and students of all ages grooving together.Joe Porcaro

Contenu : Bluesette - Brazil - Le Sud - Les Feuilles mortes - Manha do Carnaval - Manoir de mes rêves - My Way - Nuage - Reality Compositeur/Auteur : FARGES Paul Discipline/Instrument : guitare Support : Partition Style/Genre : variété - jazz Date de parution : mai-96

Brazil offers a great and luxurious musical variety not only for its large extension of land but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the formingof its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous the European colonizer and the African (those latter brought here as slave workers) resulted a 'Brazility'feeling which is common to every country side despite the distances that separate them: joyous melancholic nostalgic or ritual Brazilian music is always the most authentically expression of its people their happiness andsorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen coming from the country as well as urban areas are part of a repertoire quite familiar to everyBrazilian some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented inthis book was above all a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.

The ten pieces of this edition, written varyingly using 2/4, 3/4 or 4/4 time signatures, are entertaining, rhythmically lively and, above all, easy to learn. The pieces, originating in Brazil, Columbia, Peru and Argentina, are all either based on traditional music or are popular works written more recently.

From the contents
?Baila Negra? (Colombia), ?Sambalelê? (Brazil), ?Senora Chichera? (Bolivia), ?Goza mi mambo? (Cuba; A. Arcano)

The author
Jean Kleeb was born in Brazil and lives in Germany, where he is a freelance musician, teacher, pianist and choir director. He completed his music studies in 1988 in São Paulo and began teaching at the University of Gießen in 1992. Since 2005 he has been the conductor of the Brazilian choir ?Vozes do Brasiles?. / Jazz / Partition / Agrafé /

arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players?in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom.This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: ?Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist?Biographical and performance notes regarding the selected composers and compositions.?Insightful suggestions for further reading, listening, and study. ?Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil?s early flute virtuoso, Patápio Silva.Includes access to online audio. / Date parution : 2022-04-26/ Recueil / Guitare Classique

The city of Salvador Brazil is also known as Bahia. From 1549 to 1763 this bay was the capital of the Portuguese colony of Brazil and is located 800 miles northwest of Rio de Janeiro on the Atlantic Ocean Bay of All Saints. Take your band on a trip to a party (Festa Festival) at the town known as Bahia!

Méthode en anglais pour Batterie Instrument/Discipline : Batterie Style/Genre : Musique du monde Support : Livre + CD Auteur/Compositeur : SWEENEY PETE Collection : DRUM ATLAS SERIES Brazilian music is well known around the world for its emotional depth and catchy rhythms. For drummers, it presents an incredible opportunity to incorporate a wide variety of beats in an exciting, dynamic context. Drum Atlas: Brazil teaches you basic Brazilian beats and ways to create variety through sticking patterns, the placement of accents, and the use of brushes. You’ll learn about the percussion instruments of Brazil, how to perform alongside them, and even how to emulate them when you are the sole drummer. This book also touches on the importance of drumming in Brazilian culture, including celebrations such as Carnival, and the various cultural influences that made Brazilian drumming possible. You’ll understand how Brazilian rhythm has spread throughout the world, influencing contemporary styles like jazz and pop. Drum Atlas: Brazil will widen your musical scope by introducing you to a new, exciting style of music---helping you become a better, more well-rounded drummer with the included CD, which demonstrates all the examples and compositions featured in the book, performed with a full Brazilian-style band.

Often called the George Gershwin of Brazil Antonio Carlos Jobim added large numbers of songs to the jazz repertoire. He certainly symbolized Brazil in the eyes of the world. Especially known for his bossa nova stylings this is a tasty arrangement that cannot help but be sung with style. There is divisi for both the men and the women and dissonance and suspensions are abundant making this a great selection for advanced high school colleges and community choirs looking to add a little style to their concert.

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson Rick Udler discusses and demonstrates styles techniques and rhythms of Brazil's great players. This is a uniqueopportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriterGilberto Gil's beautiful composition 'A Paz' to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop abetter feel for this sophisticated syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic 'One Note Samba' will be a welcome addition to many players repertoires with it'srhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to thoselooking for ways to generate more excitement and authenticity in their comping. A sambified version of 'Happy Birthday' demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And to provide an evengreater challenge for all players Rick gives a detailed analysis of his tour de force solo guitar piece 'Amigo Paulo' composed as an homage to his friend guitar legend Paulinho Nogueira (1927-2003). This tune with it's choroinfluences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

Par BOSMANS ARTHUR. Although Belgian composer Arthur Bosmans (1908 - 1991) was born in Brussels, he lived most of his life in Brazil, having gained Brazilian citizenship in 1953. He first moved to Rio de Janeiro in 1940 in order to conduct the Brazilian Symphonic Orchestra. Later, he became the chair of composition and conducting at the Music School of the University of Minas Gerais State in Belo Horizonte. He composed two works for solo guitar, the most famous of which is this suite entitled Brasileiras, consisting of five movements: Ponteio, Modinha, Batukada, Toada and Sorongo.Although Belgian composer Arthur Bosmans (1908 - 1991) was born in Brussels, he lived most of his life in Brazil, having gained Brazilian citizenship in 1953. He first moved to Rio de Janeiro in 1940 in order to conduct the Brazilian Symphonic Orchestra. Later, he became the chair of composition and conducting at the Music School of the University of Minas Gerais State in Belo Horizonte. He composed two works for solo guitar, the most famous of which is this suite entitled Brasileiras, consisting of five movements: Ponteio, Modinha, Batukada, Toada and Sorongo./ Répertoire / Guitare

This classic bossa nova tune will give a smooth Brazilian flavor to your next jazz or show choir concert. Originally recorded by Sergio Mendez & Brazil '66. Includes Portugese and English lyrics. Available: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:35.

A collection of 25 latin music hits including Bossa Nova Samba and standard compilations: Aguas de Marco Amado mio Amapola Amor amor amor Besame mucho Brazil Chan chan Chega de saudade Cuando calienta el sol Desafinado and more.