For Mandolin and Fiddle-If you have tried and failed to learn to read standard music notation for the Mandolin or Fiddle using traditional methods or you have never tried and want to this book is for you.Learn to play from music in theMandolin and Fiddle-friendly major keys of C G D A F and B-flat and their relative minor keys. Also learn to play in various time signatures including 4/4 (common time) 2/2 (cut time) 3/4 (waltz) and 6/8 (jig). You willalso be taught to recognise and play whole notes half notes quarter notes and eighth notes. Includes online audio.

Irish Folk Song-Colcannon made from various combinations of cabbage kale onions scallions and potatoes mashed with butter and milk is one of Ireland's most famous traditional dishes. Although this piece at first seems like a tribute to food it's really a tribute to memory and to times gone. The verses take us from the home to the school to courting on a country lane with the narrator a little older in every verse and a little more aware of the magic of the moment. For women's choir (SSA).

for Jazz Improvisation. Par ORO XABIER. With content ranging from theory and history to practical exercises, examples, études, and play-along tracks, this book offers the most comprehensive guide ever written for this esoteric and traditionally obscure scale. Simply put, it reveals the last big secret of jazz fusion?s avant-garde.According to which music theorist believes he first discovered it, this scale has been known variously as Messiaen?s mode 3, Slonimsky?s Tcherepnin Scale (honoring his colleague), and Tcherepnin?s own name for it? the 9-note augmented or nonatonic scale.The nine notes of the double-symmetrical augmented scale have fascinated and crucially influenced legendary musicians like John Coltrane, Allan Holdsworth, Mark Turner, Kurt Rosenwinkel, Nelson Veras, Tim Miller, Gary Thomas, and Jerry Bergonzi, among many others.Coltrane?s historic composition, ?Giant Steps,? can be directly attributed to his familiarity with the nonatonic scale. With this book by Berklee College of Music honors graduate, Xabier Oró, you?ll know the secret too.Includes access to online audio. / Date parution : 2022-10-12/ Etude / Guitare

This book sets out to teach the reader how to play the fiddle by using inspiring music from some of the great musical traditions of the world especially arranged by the author for the instrument. Includes 2 CDs!Ideal for the complete beginner there is no need for any previous musical knowledge.Invaluable for the existing player/improver looking for fresh ideas and exciting new tunes.By working though this unique book the reader will gain a sound knowledge of the fiddle plus a large and varied repertoire of traditional music from all over the world.By drawing on the less commonly heard music of countries such as Venezuala Rwanda Holland Trinidad Japan and Australia as well as the more popular traditions of Ireland and North America this book will produce a well-rounded fiddle player - a musician who will be inspired to look further into the exciting musical traditions of the world.Rather than being an exhaustive guide to all traditional styles of the world this book is a fiddle method which uses tunes from around the world to demonstrate the various techniques required to produce a competant traditional musician. It is the sincere hope of the author that the student will be inspired by study of the music contained in this book and recording to look more deeply into the styles of particular interest. Contents 7/8 Time Signature A L'ouchaq Fnit Ana (Morocco) Al Mout Ba-ddra' (Morocco) Alborada de Pontecaldelas (Spain) Bahcevanci with Double-stops (Turkey) Beale Street Blues (U.S.A) Bert Jamison's (Australia) Bisdot Bet-lechem (Israel) Castillian (Trinidad) Castillian with Double-stops (Trinidad) Cornin's Hornpipe (Ireland) Daichovo Chara (Bulgaria) Dance (Egypt) Dance from Rajasthan (India) Double Stops Dwans y Pistyll (Wales) Extract from Shin-Kinuta (Japan) Flop-Eared Mule (U.S.A) Fraggossiriani (Greece) Frayleleh (Israel) Friend Since You Want to Marry

Violin 1 And 2-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunesfor Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition through various online and on-the-ground vocal music societies the ???a cappella market??? is well defined and well connected. Like singing itself a cappella is a global phenomenon.At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is thelong-awaited definitive work on the subject wide ranging both in its scope and in its target audience - which spans beginners music students and community groups to professional and semi-professional performers vocal/instrumental songwriters composers and producers - providing genre-specific insight on a cappella writing.The tone of the book is instructive and informative yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook - and a ???good read??? - for every vocal arranger whether amateur or professional; every vocal music classroom and any professional recording studio.

Messiah occupies a unique position in Handel’s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.

For those who have exhausted Traditional Tunes for Two Fiddlers Book 1 and by popular request we have produced more fiddle duets from a variety of well known traditional music arrangers. Most of the second parts are easy some are very easy. Greatselection of marches jigs and airs by various arrangers. Bowings and chords included.

A Collection of Attractive Easy Tunes-Fifty five carefully selected tunes all arranged by Geoff Hyde to provide enjoyment for beginner and early grade Cellists together with an incentive to practice. Various technical aspects are included such as bowing syncopation dotted rhythms simple left hand extensions and basic fourth position work.

Duo was originally written for violin and piano but Sweeney intentionally left the instrumentation of the solo part open because he felt that the piece was more 'a rhythmic working-out of certain motivic ideas rather than the expression of a particular instrumental timbre'. Written in ternary form Duo is essentially a lively and exuberant exploration of the tonal relationships of a three-note cell F#-A-B within various keys and using ostinato and syncopated rhythmic techniques.Eric Sweeney studied at Trinity College Dublin and the Conservatorio di Santa Cecilia in Rome and is now Head of Music at Waterford Regional Technical College Ireland. Hismusical language underwent a radical change in the late 1980s abandoning his earlier style of extended tonality and free serialism and developing a personal form of minimalism by integrating elements of Irish traditional music. This stylistic shift in his compositional evolution was marked by two major works: Dance Music (1989) commissioned by the Royal Philharmonic Orchestra and the cantata Diedre (1989).

In this 2 hour DVD Morris 'Arnie' Lang shares the wisdom gained in his studies with the legendary drummer Billy Gladstone. Drawing on decades of experience as percussionist with the New York Philharmonic and as a world-renowned educator Lang covers the Gladstone technique in detail explaining parts of the stroke body mechanics and more.An approach to the rudiments is covered in detail as well as various other subjects including accents and matched and traditional grip. There is also a segment on applying the Gladstone technique to the Drumset. Lang gives an insight into how he has carried on the tradition ofmanufacturing the Gladstone drums with his own company and discusses many aspects of his career including his work with the New York Philharmonic auditions working with a conductor knowledge of styles and more.

This instruction manual and song collection is a well-crafted collection of basic Dulcimer technique and traditional songs that might have been popular in Cripple Creek Colorado in the 19th Century-- plus a few modern daytunes by its current inhabitants. The techniques and songs have been transcribed from the performances of Bud and Donna Ford who have been collecting songs for their favorite instrument for some time. The Fords explain thebasics of playing the Dulcimer including instructions on strumming tunings and picking. Solos are offered in all of the various modes (Ionian Dorian Locrian etc.) in standard notation only with lyrics and chord symbols. Theend result is an attractive yet pragmatic book that offers a solid grounding in the art of Dulcimer playing. The recording features verbal instruction and performances of most of the tunes in the book on solo Dulcimer making learning easy and fun. The recording used tunings which are lower than those in the book but this will not affect players reading the tablature. Includes access to online audio.

Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, ?There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture ? trumpets, harp, bells, cymbals, tabor, rebec.? These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, ?This is an extremely dramatic work which draws the listener into the apocalyptic story line ? The ending is cataclysmic.? / Niveau : Difficile / Date parution : 2022-11-08/ Répertoire / Choeur SATB et Piano

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.