Return To Avalon is scored for two flutes one doubling Piccolo the other doubling Alto Flute.In the mid-thirteenth century over 200 000 Cathars were murdered in the South of France 'Avalon' by forces of darkness and ignorance. The Cathars were European Buddhists who believed in loving each other that we are all equal in the eyes of God non-revenge vegetarianism and that women could be priests. They also believed in reincarnation.In answer to threats and bullying many of them chose to be burnt alive rather than be forced to follow teachings they believed to be untrue.People say that the Cathars never came back. People saythat they died in vain. But I believe that they are wrong I believe that the Cathars did come back to create a Church of light outside the constricts of religion but through the arts through music poetry and prose.'Return to Avalon' is the story of two great Cathar flute players who rise from the ashes of the Montsegur massacre to return and baptize the world into the truth of the eternal through the beauty of sound and honesty of expression. I imagined these 'Sons of the light ' playing this piece and letting its message of friendship and brotherhood echo out over the mountains.'Return to Avalon' begins with 'The Last Song' a 13th century Cathar melody echoed on alto flute then explores an idea I first used in my 1993 flute concerto the idea of orchestrated digital delay.The second movement 'Human flame' on piccolo and alto is also based on a medieval theme but takes it further and further out until finally it burns up into a huge fireball.In the third movement 'Sons of the light return to Avalon' the two flutes reappear Phoenix-like from the ashes leading and learning from each other. Eventually the flutes become inseparable as they interweave together at speed leading us to a higher truth that we are all brothers and sisters equally loved by God.Phenomenal flautist Samuel

This is the full/performing score for John Tavener's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems byW.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind?was commissioned by the Little Missenden Festival and firstperformed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtlysacred sources. The ?frailty tenderness and spiritual transparency of Yeats? poetry? inspired this song-cycle from 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to hispoems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener?s first wife VictoriaMaragopoulou.

Flute/Oboe-Here is an accessible accompaniment for the SATB collection (#50489463) and with optional flexible orchestration for mix and match instrumental ensemble. Includes: Handel's ?Hallelujah Chorus? from Messiah Beethoven's?Hallelujah? from the Mount of Olives Handel's ?Hallelujah Amen? from Judas Maccabaeus Mendelssohn's ?He Watching over Israel? from Elijah and Haydn's ?The Heavens Are Telling? from TheCreation.This volume contains a part for Flute or Oboe.

I was born but... for flute(alto flute piccolo) clarinet in A piano percussion violin and cello. Composed 2002. Arranged in August 2005 from the larger ensemble version. Published 2017. Duration: 89 minutes Conceived as a live performance accompaniment to screenings of the silent film I Was Born But... by Yasujiro Ozu (Japan 1932). Released in 2011 as a specially recorded soundtrack on BFIB1070.

The Essence of Bebop est la nouvelle série du saxophoniste new-yorkais Jim Snidero, acclamé par la critique. The Essence of Bebop révèle le cœur et l'âme de ce style de jazz révolutionnaire et constitue le premier véritable « manuel » pour maîtriser le bebop. Les 10 études bien jouables sont inspirées de Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins et bien d'autres et offrent une base unique d'étude et d'analyse. Des aperçus historiques ainsi que des recommandations d'écoute et de lecture font de cette édition un élément indispensable de la formation en jazz. Le soliste Anders Bostrom est connu, entre autres, comme un flûtiste polyvalent dans de nombreuses productions de Broadway. / Partitions jazz&blues / Bois / Flute traversiere / ADVANCE MUSIC

A series of Classical pieces ordered alphabetically by composer. E Composers For Flute Oboe or Violin with Guitar accompaniment by Armin Schmidt.

POD-Flashnight for Bass Flute solo with Electronis and Ensemble was composed by Niels Rosing-Schow in 2015-16.

Par SCHUBERT FRANZ. Arrangé par Mourat / Niveau : Assez Facile / classique / Répertoire / Flûte Traversière ou Hautbois ou Violon et Guitare

Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano

Leo? Janá?ek composa sa suite pour instruments à vent Mládí - en français: Jeunesse - en 1924, alors qu'il était déjà âgé de plus de 70 ans. Comme il existe de nombreuses sources de l'oeuvre, il est difficile de filtrer les dernières intentions du compositeur. Ji?í Zahrádka, des archives Janá?ek de Brno, est parvenu dans notre édition Urtext - que nous présentons en collaboration avec les éditions Universal de Vienne - à s'acquitter de cette tâche avec bravoure: il se base ici pour la première fois sur toutes les sources manuscrites, ce qui lui permet, par exemple, de donner de précises indications concernant les nombreuses variantes de tempo. / Flute/Piccolo, Hautbois, Clarinette (Si Bémol), Cor (Fa), Basson, Clarinette Basse (Si Bémol)

Automaten is the full Operatic score by Danish composer and pianist Niels Viggo Bentzon. Libretto by Michael Leinert. Instr: S A T B Alto Saxophone Tenor Saxophone Flute Violin Viola Piano

The setting of a text by Hans-Georg Kriete written for Soprano Flute and Piano and edited by Henner Eppel.