SKU: BR.PB-4432
The edition EB 8579 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.
ISBN 9790004203439. 9 x 12 inches.
SKU: BR.PB-15107
In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance.You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. Our ISBN 9790004211922. 10 x 12.5 inches.
One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: BT.EMBZ6338
Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.
SKU: BT.EMBZ40083
The first drafts of the piano concerto in B flat major were already made in the spring of 1878 but the detailed elaboration of the composition followed only three years later. Its first public performance took place in Budapest on November 9th, 1881 in a concert of the Philharmonic Society. The orchestra was conducted by Sándor Erkel, the piano part was played by the composer.
SKU: HL.49044458
11.5x16.5x0.26 inches.
SKU: BR.PB-15111-07
ISBN 9790004212684. 6.5 x 9 inches.
SKU: HL.49011963
ISBN 9783795793197. UPC: 073999799019. 10.0x13.25x1.268 inches.
Schumann's Piano Concerto is known all over the world, yet despite its popularity it remains in a certain sense an undiscovered work. The aim with this edition is not only to provide a critical score of the work, but at the same time to indicate what questions of detail should form the focus of future research. The critical analysis offered here thus offers discussion of the relationship between the one-movement Fantasia version and the three-movement concerto version, the problem of the transition from the second to the third movement and a series of questions relating to the version completed in 1853. A booklet of facsimiles completes the volume.
SKU: BT.F-03002
SKU: FG.042-07880-8
ISBN 979-0-042-07880-8.
In gestural terms the pianism of Efisaes is a study in miniature for Hameenniemi's later work for piano and large orchestra, Dialogue (1985). In the more intimate surroundings of this shorter work Hameenniemi explores the tempestuousness and rhapsodic potential of the instrument and its capacity for shifts in mood.
