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Happy Birthday, Amadeus! (PAUL DIETRICH)
26.64
Happy Birthday, Amadeus! (PAUL DIETRICH)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Schott
A Bright Birthday Serenade In Style Of Mozart. Par PAUL DIETRICH. Cette serenade...
(+)
A Bright Birthday Serenade In Style Of Mozart. Par PAUL DIETRICH. Cette serenade Joyeux anniversaire, composée dans le style de Mozart et arrangé par Paul Dietrich, utilise les chansons connues anniversaire ' Happy Birthday to You ' (thème 1) et ' Hoch soll er leben' (thème 2). Initialement écrite pour le piano et maintenant fixé pour les chaînes par l'arrangeur expérimenté, Wolfgang Birtel, cette pièce est agréable et amusant pour tous les amateurs de Mozart - et convient aussi comme un morceau d'encore dans les concerts./ Répertoire / Quatuor à Cordes ou Contrebasse Ad Libitum
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Happy Birthday (HEIDRICH MAXIMILIAN)
35.40
Happy Birthday (HEIDRICH MAXIMILIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Sikorski
Thema und Variationen über die Melodie von Mildred J. Hill. Par HEIDRICH MAXIMI...
(+)
Thema und Variationen über die Melodie von Mildred J. Hill. Par HEIDRICH MAXIMILIAN. A hugely entertaining set of fourteen variations, based upon the well-known 'Happy Birthday' melody by Mildred J. Hill, and capturing the styles of the great composers. Peter Heinrich presents a suite of birthday variations for String Quartet, based upon the composing styles of Bach, Beethoven, Mozart, Wagner and many more. There are even variations in the manner of film-music, Jazz, Dance music and more making this a delight for audiences everywhere!/ Répertoire / Quatuor à Cordes
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10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
29.10
10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...
(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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10 Fugues (BACH JOHANN-SEBASTIAN)
29.10
10 Fugues (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...
(+)
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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First Sorrow (BARRY GERALD)
42.74
First Sorrow (BARRY GERALD)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
String Quartet No. 4. Par BARRY GERALD. The title of Barry’s fourth string qua...
(+)
String Quartet No. 4. Par BARRY GERALD. The title of Barry’s fourth string quartet refers to a Kafka story of the same name about a trapeze artist who is happy only when aloft. This is striking music, full of fragility, beauty, outbursts and to finish, an unexpected hymn sung by the quartet./ Répertoire / Quatuor à Cordes
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STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
25.32
STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...
(+)
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
14.77
STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...
(+)
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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Dvorak A. - String Quartet N°13 Op.106 - Set Of Parts
19.60
Dvorak A. - String Quartet N°13 Op.106 - Set Of Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
After working for three years at the NationalConservatory in New York, Dvorak re...
(+)
After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.
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Klezmer Freylachs for String Quartet: String Quartet: Score
22.50
Klezmer Freylachs for String Quartet: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Tara Publications
An album of improvisations using the classical string quartet format to achieve ...
(+)
An album of improvisations using the classical string quartet format to achieve an early Klezmer sound. Features a dozen happy dances arranged in the same key to facilitate going from one to another without modulations. These Freylachs can even be played in any sequence for a marathon of joyous dancing by simply eliminating the Coda until the last set! Includes pull-out parts for Cello Viola and Violin II.
22.50 GBP - vendu par Musicroom GB
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Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
42.74
Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
Quatuor à cordes: 2 violons, alto, violoncelle
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Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
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20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
42.74 EUR - vendu par LMI-partitions
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