DVD-Celebrated folk music tutor Ken Perlman introduces this DVD that explores the heritage and techniques of the Clawhammer Banjo tradition. Beginning with a look at the brush-thumb technique Perlman uses his expert knowledge and experience to guide you through:Drop thumbingDouble thumbingDrop thumb anticipationSkipSingle-string brush-thumbingChords in double 'C' tuning.During the course of the tutorial all lessons are illustrated with authentic examples of traditional folk songs and Clawhammer favourites including The Meeting Of The Waters and Little Billy Wilson. By the end of the disc you will not only be fluent in a host ofClawhammer techniques but also have a repertoire of songs through which to master your Banjo chops all courtesy of one of the most acclaimed players of the style.

Here is a book of tunes from the Elizabethan era?the great period of English song?set in tablature for the clawhammer banjo. At first glance it is true the songs of Shakespeare?s day and the mountain banjo seem to be worldsapart. But the musical traditions are in fact related as Elizabethan songs are the old world cousins of mountain tunes. As a result Elizabethan tunes are a natural way to extend the mountain banjo repertoire for intermediateand advanced players. Their pedigree their modal feel the lilting rhythms and the ease with which they can be adapted to the banjo argue the case. At the same time they open the possibility for new sounds?in particular newrhythms?for the old instrument pushing the banjo beyond unnatural limitations and giving it a new voice. Each section of the book is organized around a traditional mountain tuning with a mountain song serving as a model of thattuning illuminating the relationship between the two musical worlds. ?The Bard?s Banjo? is the first banjo instruction book devoted to the repertoire of Elizabethan song. Free audio downloads are available for use with thistitle.

Play the 5-string banjo in virtually every musical situation now! Beginning with fundamentals like choosing the best instrument and tuning this comprehensive book covers basic to advanced techniques in a variety of styles from classical and bluegrass to reggae and bossa nova. Banjo virtuoso and educator Dick Weissman leads musicians through every topic with easy-to-understand lessons and a CD that demonstrates each example and tune. Every player from beginner through intermediate and up to professional will enjoy exploring styles and expanding their repertoire with Banjo A to Z. All music is presented in standard notation and TAB. Special features: Techniques includethe Seeger strum hammer-ons pull-offs clawhammer strums double thumbing two- and three-finger picking forward and backward rolls bending rasguado and tremolo. * Styles include traditional bluegrass blues Dixieland ragtime waltz Irish flamenco calypso reggae South American Middle Eastern minstrel and classical. * Learn effective ways to tune use the capo play melodically and understand basic music theory.

Over 190 licks and picking patterns at your fingertips for the 5-string banjo! Quickly and easily select picking patterns by chord to substitute in songs you already play or combine patterns of your choice to create your ownarrangements. The licks are organized and grouped by type use and by chord for on the spot improvising arranging and for changing a song you already know to make it 'yours!' This easy to follow Picking Patterns Chartincludes: traditional bluegrass licks and popular variations roll patterns and variations melodic style patterns common up the neck licks back up licks and moveable patterns for any chord 'famous' patterns by chord licksidentified from songs moveable patterns by shape licks for specific chords pick up notes to begin a song and popular endings. This easy to follow layout is organized for study as well. Students who follow this chart inorder from the first lick to the last will find that it also teaches 'lick' theory as it pertains to the identification development and applications of licks in a brief easy to understand method. A suggested exercise on howto improvise completes the chart. This chart fills a gap in understanding and applying banjo licks for all level players. It builds on the knowledge base of 5-string banjo students with an easy to follow layout by patterntype and technique. . . AND is fun and easy to use! For all levels especially the intermediate player Standard G tuning Key of G.

This collection for the 5-string Banjo features a selection of well-known traditional Irish tunes along with a comprehensive scholarly treatise on the history techniques and etiquette of playing the Banjo in the Celtictradition. The Complete Book Of Irish and Celtic 5-String Banjo includes segments on tuning pick preferences and tablature reading followed by 101 jigs slides polkas slip jigs reels hornpipes strathspeys and O'Carolan tunes plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians street scenes and archaeological sites further enhances this fabulous book.Suitable for players at an intermediate level all of the solos included in this book are written in 5-string Banjo tablature and only a few pieces use unusual tunings. The appendices provide a sizable glossary and a wealth ofinformation regarding soloists and groups playing Celtic music Irish festivals music publications online resources cultural organizations and more. This book includes access to 68 online audio recordings featuring themusic of all six Celtic Nations and includes jigs reels hornpipes slides polkas marches country dances larides andros slipjigs strathspeys airs and O'Carolan tunes. Recorded in stereo with virtuosos Gabriel Donohue(steel- and nylon-string Guitar and Piano) and Robbie Walsh (bodhran- frame Drum played with a stick) the five-string Banjo is 'out front' and plays through each melody in real-life tempo with authentic Celtic chordal andrhythmic backing.

Par SLATER ALEC. With this volume, the reader is pleasantly surprised with two books in one- Section One by Alec Slater, and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with some previous experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. The instruction included here is meant to provide a review, and not to take the place of qualified teacher. Alec recommends that '...anyone wanting to get this playing right, should find someone in your area who plays and have him/her teach you. Listen to it, watch it, and make it your own.' In Section Two, Lisa Schmits presents an extensive collection of 163 jigs, reels, polkas, hornpipes, strathspeys, waltzes, and songs from Ireland, Scotland, the Shetland Islands, Cape Breton, New England and Southern Appalachia for banjo solo. The national origin of each tune is indicated. Lisa offers personal, authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only. / Niveau : Débutant à Intermédiaire / Old Time - Solos / Tablatures / Banjo Tablatures à 5 Cordes