Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Par MAW NICHOLAS. Nicholas Maw's Narration was commissioned by the BBC for the 2001 RNCM Manchester International Cello Festival. Having previously written solo works for violin, double bass and flute with a strong sense of narrative, Maw on this occasion decided to take this as a concept and build the whole work around it. The 20-minute work is cast in a single movement divided into four clearly defined sections. A declamatory opening, a fast moving pizzicato section, an arioso of gradually increasing intensity, and a passage marked 'Fast', which with nervous energy encompasses previous thoughts from the 'narrative' and climaxes in a short recitative just before the finish. / Répertoire / Violoncelle

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violoncelle

This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl's Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Violoncelle

Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of “RAPsody“ from “Pop Music for Violin & Piano“. The accompanying CD provides the piano accompaniment in two different tempos: a comfortable one for practicing and a brighter one for performance. / Niveau : Intermédiaire / Classic - Solos / Recueil / Violoncelle

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy nostalgic a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book at its simplest is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for allits musical material to become distorted either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning' a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific this change of heart doesn't really matter.© David Blake

'You know how Syrinx disregarded fiery Aphrodite and what price she paid for her too great pride and love for virginity; how she turned into a plant with reedy growth substituted for her own when she had fled from Pan's love and how she still sings Pan's desire!' (Nonnus of Panopolis Dionysiaca book 16. Greek poet 5th cent.AD)Debussy's la fl te de Pan (better known as Syrinx) was originally written for flute. The characteristics of the cello capture and unfold what is distinctly French about this piece.

This book is part of a string series arranged for violin viola and cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student and a carefully crafted removeable part complete with bowings articulations and keys well suited for the level 2-3 player. A fully orchestrated accompaniment CD is included. Each song on the CD includes a DEMO track which features a live string performance followed by the PLAY-ALONG track by itself. This book is also part of a Lord Of The Ringsinstrumental series written for flute clarinet alto sax tenor sax trumpet horn in F and trombone.

Scored for Solo Cello 3 Flutes 3 Oboes 2 Clarinets in B-flat Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in C 3 Trombones Tuba Timpani (5 Drums) Percussion (three players) Harp (doubled) Strings. Full score is available for purchase separately. Performance material is available on rental from the publisher. Duration: c.27 minutes.

Par BENOY A.W. / SUTTON L.. 62 very short, progressive exercises/ Recueil / Violoncelle

Vingt-deux morceaux pour violoncelle avec accompagnement de piano. Time Pieces contient une sélection d'oeuvres formidables qui couvrent près de trois siècles et demi. / Violoncelle / niveau : Facile / Partition

Le deuxième livre dans une anthologie en trois volumes offrant une sélection classée des arrangements bien conçus et idiomatique, ainsi que quelques pièces originales, pour violoncelle et piano. Pour grade 2-3 standard. / Violoncelle / niveau : Facile / Partition

Par NELSON SHEILA MARY. Stringsongs développer les compétences de lecture commencées en Tetratunes, par l'utilisation de chant et jouant de la partie, sans exiger que les touches plus avancés ou poste de travail. Les principaux objectifs sont en développement musicalité, l'utilisation des compétences de base archet pour l'interprétation exacte tangue basée sur des échelles de chant et bien comprises et la capacité d'écouter une partie contrastée.L'édition fait partie du syllabus Trinity 2007 (grades initiales and 1). / Répertoire d'Examen / Répertoire / Violoncelle