Arrangeur: Matt Johnston. Par MORTELMANS LODEWIJK. Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano

15 Top Classical Themes-15 top classical themes made easy for clarinet in Bb with jazzed-up piano accompaniments. Includes Beethoven 5 Theme William Tell Rock Mozart 40 Polovtsian Dance etc. Grade: 1 - 3

Studies in classical jazz rock and latin stylesFollowing the success of the recently published vollume for saxophone - including its selection for the new Associated Board examinations (grades 1 - 5) this version for clarinet will provide players from grade 1 to intermediate level with their own style workouts. 40 original studies are grouped together in four sections - Classical Jazz Rock and Latin - all in player-friendly keys to maximize concentration on STYLE.James Rae includes hints and tips with each piece and a Listening List to support his strong advice that listening to all types of music is essential for acquiring a 'feel' for musical style. Inspiringand fun workouts.

March Waltz And Polka were first composed in 1915 as a collection of three Piano duets Three Easy Pieces by the Russian composer Igor Stravinsky. They were written for the composer to playwith his children as they were learning the Piano so had a considerably easier second part. They have been arranged for Clarinet and Piano by the American musician Ray Jackendoff a Professor of Linguistics who has also had awide-ranging performance career s a classical clarinettist. Igor Stravinsky (1882-1971) was born and brought up in Saint Petersburg before settling first in Paris and finally in America. Despite his classical musicaleducation he is best remembered as one of the main proponents of serialism.

Composed in 1956 by Bohuslav Martinu the Sonatina for Bb Clarinet and Piano is a neo-classical piece. This work to be played as a single movement has been written in three different sections: Moderato Andante and Poco Allegro. The rhythms are reminiscent of a Polka and a March and the piece contains unexpected syncopation. Being one of Bohuslav Martinu‘s later works it was written in New York after he spent some time in Paris. Bohuslav Martinu (1890-1959) was a Czech composer and a violinist. Even though he was interested in different style including Romanticism Jazz and Expressionism he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.

Not sure what to play? Wish you had all your favourite tunes in one book? This Mini Fake Book for Clarinet has the answer with 101 much-loved songs and melodies from across the decades cleverly compiled in one bumper volume. Each book is packed with themes from film TV and theatre including Harry Potter The Flintstones Grease Cabaret Annie Wizard of Oz as well as pop classics from Robbie Williams George Michael Kate Bush Abba Kylie Minogue. Jazz standards from the likes of Gershwin and Porter as well as well-known classical and folk tunes by JS Bach Mozart Tchaikovsky Schubert Faure and many many more! All the tunes have been carefully arranged by Sally Adamsand Paul Harris to and covers grades 1 5 level in melody and chord symbol format. Ideal for buskers young and old or as an alternative to traditional studies for improvising or simply for fun these really are the definitive compilations with something for everyone!

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Performed by Stanley Drucker clarinetAccompaniment: Judith Olson pianoAdvancing clarinetists will love this challenging collection drawn from widely used State Contest Pieces including great repertoire fromClassical (Mozart) Romantic (Brahms) and Modern (Hindemith) eras. The scores are annotated by the soloist on this album Stanley Drucker of the New York Philharmonic. Includes a high-quality printed music score annotated withperformance suggestions and a digitally remastered stereo compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Also includes a slow-tempo practice version of theRondo from Mozart's clarinet concerto to help you get up to speed.

Andre Laporte (b.1931) is a contemporary Belgian composer whose eclectic musical style draws on a wide range of neoclassical avant garde and postmodern techniques. His Reflections for Solo Clarinet wascomposed in 1970 for the Belgian conductor and Clarinet virtuoso Walter Boeykens (1938-2013). Subtitled Inner-space Music it was written shortly after the composer arrived at the Royal Conservatory of Brussels as alecturer in modern compositional techniques. It requires a delicate but precise treatment with microtonal slides and multiphonic chords. A challenging piece it is ideally suited to any advanced clarinettist looking to developtheir contemporary repertoire.

This book has been written to familiarise the clarinettist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing ranging from Jazz and Rock to modern Classical interpretation. They are of short to moderate lenght in order to maximise concentration on style. They are compiled in order of difficulty. Early to advanced grades.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Air (Bach) * Allegro (Corelli) * Allegro (Mozart) * Andante (Mozart) * Blues (Snell) * Caprice (Snell) * Capriccio (Handel) * Duet (Mozart) * Farewell (Haydn) * Flying Fingers Polka (Snell) * The Next Market Day (Irish Folk Song) * Rondo (Beethoven) * Simple Gifts (Shaker Hymn Tune).

Clarinet teaching material-Arrangements of Traditonal Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano