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Guest Spot: 21 Great Songs: Clarinet: Instrumental Album
21.99
Guest Spot: 21 Great Songs: Clarinet: Instrumental Album
Clarinette
[Partition + Accès audio]
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Intermédiaire
Amsco Wise Publications
Step into the spotlight and play along with the specially recorded audio. Demons...
(+)
Step into the spotlight and play along with the specially recorded audio. Demonstration and playalong tracks are available to stream and download.Top line arrangements for all 21 chart hits showstoppers and film themessuperbly arranged for Clarinet.This book is supported by SoundWise. It includes a range of interactive digital features:eBook: A digital edition of your music to read on anydevice.Audio: Full demonstration recordings of each song plus accompaniment-only backing tracks to stream and download.
21.99 GBP - vendu par Musicroom GB
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55 For Fun / De Smet Ed - Clarinette Solo
21.70
55 For Fun / De Smet Ed - Clarinette Solo
Clarinette
[Partition]
Fentone Music
Enfants ces jours semblent veulent apprendre à jouer des instruments à un âge...
(+)
Enfants ces jours semblent veulent apprendre à jouer des instruments à un âge plus précoce et doivent être fournis avec beaucoup de pièces courtes faciles à maintenir leur intérêt avant et entre les examens. Ce livre offre une foule d'airs familiers faciles qui auront plaisir à jouer et une incitation à la pratique. / Clarinette / 28 pages / Partition
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Mark Tanner: Cornish Pastiche: Clarinet: Instrumental Album
12.50
Mark Tanner: Cornish Pastiche: Clarinet: Instrumental Album
Clarinette et Piano
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Facile
Spartan Press
As I sit myself down to write this brief foreword I ask myself can there be mus...
(+)
As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Klezmer Duets
24.97
Klezmer Duets
Clarinette et Accordéon
[Partition]
Universal Edition
Arrangeur: Alan Bern_Thomas Christian David. This collection of duets arranged f...
(+)
Arrangeur: Alan Bern_Thomas Christian David. This collection of duets arranged for clarinet and accordion is a comprehensive introduction to the Jewish musical tradition of klezmer. Pedagogically valuable, the collection inspires players to experience and understand the tradition on a deeper level. The seamless blend of composition and player - a characteristic feature of klezmer - makes Yiddish folk music especially enticing. The characteristic mix of traditional themes (which are imaginatively developed and varied), hidden agogics, narrative style, and a wealth of sound possibilities make this genre truly unique. This explains the diversity of the 10 pieces that have been selected and arranged by the editors Christian Dawid and Alan Bern. The collection contains dancing, emotional, solemn, and lively pieces, with a stylistic complexity spanning from simple tunes to energetic rhythms. The melody, phrasing and ornamentation are to be understood as a natural representation of the human voice, which makes these pieces especially well-suited for the clarinet. The player must produce a clearly articulated sound and maintain a singing tone quality throughout. The development of technical ease and a strong rhythmic pulse add to the interesting challenge of truly understanding the art of klezmer. - Ten intermediate-level, traditional Klezmer pieces - The included detailed instructions and phrasings help players realize the typical rich expressiveness of Klezmer music - Both instruments are equally important - Tips for every piece are provided by the Klezmer specialists Christian Dawid (clarinet) and Alan Bern (accordion) The editors have recorded videos to demonstrate the authentic interpretation of klezmer./ Recueil / Clarinette et Accordéon
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ALEA PUBLISHING GOTTSCHALK ARTHUR - SONATA FOR BASS CLARINET AND PIANO
24.50
ALEA PUBLISHING GOTTSCHALK ARTHUR - SONATA FOR BASS CLARINET AND PIANO
Clarinette Basse, Piano
Alea Publishing
Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston S...
(+)
Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston Symphony clarinetist Richard Nunemaker, and takes full advantage of his prodigious technique and the instrument's extraordinary range. Although the sonata is traditional in its structure - with three movements whose tempi are ordered as fast, slow, fast - it is highly original in its musical content.
The first movement draws upon two rather disparate sources for its material - Dizzy Gillespie's bebop standard Salt Peanut , and Frank Zappa's art-rock masterpiece Eric Dolphy Memorial Barbeque , hence the title, Salt Peanut Memorial Barbeque. The second movement uses a technique much, much older, that of the isorhythmic motet. The piano accompaniment has a talea of five rhythmic events serving a color of four pitch events. The clarinet cantillates a monody against this that is comprised primarily of the pitches not displayed in the accompaniment; hence the title Motet - Ancient Incantations. The third movement is a bebob and boogie-woogie tour-de-force for the two instruments, at once paying homage to Eric Dolphy and to one of the great songs of his era, Green Dolphin Street , and hence the title, Green Dolphy Street Boogie. / Partitions classique / Bois / Clarinette / ALEA PUBLISHING
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Quartetto # 1 Op. 34 (1995)
108.44
Quartetto # 1 Op. 34 (1995)
Quatuor de Clarinettes: 4 clarinettes
[Conducteur et Parties séparées]
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Intermédiaire
Ricordi
Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergi...
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Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes
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