Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic

60 popular themes from the movies in arrangements for solo Clarinet (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Clarinette

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica VivaCommission Circle:Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth LoderFirst performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted byRichard Pittman.Scoring:Flute (doubling alto flute in G)Clarinet in B flatViolinCelloPianoTransposed score

This nocturne was one of a set of six composed for the second wedding of the Duke of Nassau which were published simultaneously as sets of duos or solo pieces for Violin Cello clarinet or concertina with harp or Pianoaccompaniment. Charles Oberthür was a celebrated harpist during his long career in the 1800?s most of which he spent in Britain. Besides being a distinguished instrumentalist Oberthür was a prolific composer creating morethan two hundred works.

Instrumentation: clarinet, violin, violoncello and piano Edition: score and parts Item no.: fue 4450 Year: (1999/2002) Duration: (19') Difficulty: medium ISMN: 979-0-50012-945-5

Set of parts for Letter in April by Britta Byström for Clarinet Violin and Cello. Piano part is included with Full Score (WH31345) Score: WH31345

Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURES (1990-92). The title has a double reference: to the ’inner voices’ of the mind expressing our (hardly conscious) impulses feelings dreams and to the ’inner voices’ of the music in the sense of internal parts and relations. Thus the title points to the obscure reflections of the ones in the others. During the piece there is a gradual transformation of the internal parts such as interval patterns sonorities and dynamics - running alongside the easily perceptible expansion of register. The music is so to say ’turned inside out’.

POD-Michael Nyman's Viola And Piano composed in 2009.This version was revised in 2014 and is scored for Flute Clarinet Piano Violin and Cello. Duration: approx. 14 minutes.

pour violon clarinette & piano-Score and parts for Milhaud's Suite In D for Violin Cello and Clarinet.

Nacht Und Träume for Clarinet Violin Cello and Piano was composed by Per Nørgård in 2005. Based on Franz Schubert's lied 'Nacht und Träume'.

Sunleif Rasmussen's Partita for Clarinet Violin Cello and Piano dating from 2008. Parts: WH31371A

(Innocents in Love) For Clarinet in A Violin Cello Piano-(Innocents in Love) For Clarinet in A Violin Cello Piano. This 15-minute work composed in 1989 was commissioned and premiered by the Aeolian Chamber Players. The quartet is a set of variations based on two melodies: Les Niaisde Sologne by Rameau and a fragment from Rodriguez's first opera Le Diable Amoureux hence the composite title Les Niais Amoureux.