Music Minus One Clarinet-Stravinsky wrote this septet one of the twentieth century's groundbreaking musical compositions in 1917. As always he led the composing world with innovation and excitement. A work that is still widely performed in our time. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Robert Yamins clarinet Accompaniment: Alice Poulson violin Glenn Rubin bass Harry Searing bassoon Gerald Kocher trumpet Sean Mahoney trombone James Preiss percussion

Arr. James Marshall. Par . This set of 10 intermediate-level arrangements was derived from songs from the Colonial through Civil War periods. In these pieces, the hauntingly lyrical tone of the clarinet combined with piano accompaniment creates a unique musical setting. The songs were drawn from the works of Stephen Foster, Sacred Harp shape-note themes, 19th-century folk songs as well as colonial fife and drum music. The arrangements explore the low melodious register of the clarinet through the lyrical mid tones and into the singing moderate-upper register. / Date parution : 2022-04-09/ Recueil / Clarinette et Piano

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. ' First Urtext edition of the orchestral version ' First scholarly-critical edition of a pioneering work for clarinet ' Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Par ARNOLD MALCOLM. A short but highly dense, challenging and inventive Fantasy by one of Britain's most celebrated 20th century composers, Sir Malcolm Arnold. / Niveau : Elémentaire / Répertoire / Clarinette

The most important clarinet literature in one volume: Best of Clarinet Classics contains numerous original works for clarinet in arrangements for clarinet in Bb and piano. With pieces from the early days of the instrument (C. Stamitz, X. Lefèvre, W.A. Mozart) via the era of virtuosos (C. Baermann, I. Müller, B.H. Crusell), the Romantic era and the age of Impressionism (N. Gade, C. Debussy) to the 20th-century composers (C. Nielsen, M. Reger). / Clarinette

The title is a clumsily literal translation of Brahms' Liebeslieder Waltzer and the work is in part a response to Brahms' wonderfully subtle invocation of the waltz. Like other pieces which are 'about' dance rather than to be danced to this is abstract music in which the characteristics of the waltz are immanent not explicit. The piece like its ancestors is in a way nostalgic about a lost dance form as well as reflective of the music of a century ago.

Music through the Ages in 3 Volumes-Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written too. This series allows the pupil to get a real feel for the different styles of music through time and will prove an invaluable varied source of further study and recital repertoire.

Par PERGOLESI GIOVANNI BATTISTA. The ?Stabat Mater? is a 13th-century Catholic hymn to Mary which has been set to music by many composers throughout history. Composed in the final weeks of his life, Giovanni Battista Pergolesi originally scored it for solo soprano and alto voices, accompanied by strings and basso continuo. The haunting first movement, ?Stabat Mater Dolorosa,? is full of anguish and musical suspensions, a perfectly suitable candidate for arrangement for clarinet choir. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

Pastiches in the styles of 20th century composers by Charles Camilleri for two clarinets. Grade: 4 - 6

Transcrit par Balassa GyörgyInstrument: Clarinette et pianoGenre: 20th Century MusicLangue: Hungarian, English, GermanPages: 6 pp

Arranged to be playable by any combination of band instruments these duets cover a wide range of styles from the Baroque Period to the 20th Century. Difficulty ranges from grades II through IV providing a great deal of flexibility for the needs of young musicians. In addition to the mallet duet lines the percussion book provides an optional percussion line that can be used in place of or in addition to a duet line. Perfect for smaller ensembles with unusual instrumentation and for solo and ensemble festivals.

Stamitz: Concerto No. 3 in B Flat for Clarinet-Performed by Keith Dwyer clarinetAccompaniment: Stuttgart Festival OrchestraConductor: Emil KahnNo composer likes to write music without feeling that an artist exists both capable of and willing to playit to good advantage. When Carl Maria von Weber met Heinrich Joseph Baermann one of the greatest clarinetists of the early nineteenth century he delightedly began writing all sorts of work for him including several chamberpieces and the two famous clarinet concerti. In his F-minor Concerto No. 1 it is clear that Weber knew the virtuosity of his player-he makes the soloist range over the entire compass of his instrument and such quiet moments asdo occur are invariably surrounded by runs leaps and passagework of the utmost brilliance. A fantastic concerto. Also in this edition is Carl Stamitz's lovely B-flat-major concerto a most beautiful Classical-era work. Includes aprinted solo part for B-flat clarinet and two compact discs containing a complete version with soloist in digitally remastered stereo; then a second version of the orchestral accompaniment minus the soloist; and a -20%slow-tempo version of the accompaniments for practice purposes.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. The Romanian Folk Dances were originally written in 1915 as a suite of six short piano pieces, which Bartók subsequently orchestrated for small ensemble. In this edition, Hywel Davies has arranged the suite for clarinet with piano accompaniment. / Clarinette Et Piano

Album For 3 Clarinets-This album of Clarinet trios compiled by Graham Sheen includes a fantasia from the seventeenth century and a trio from Gilbert and Sullivan's The Mikado. Rub shoulders with music by Bach Mozart and Tchaikovsky. A full score is included with the parts. Grade: 5 - 7