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| Alain: Oeuvre D'Orgue 1:
Organ: Instrumental Album
 En Français
Orgue [Partition]
Leduc, Alphonse
First of a series of three tomes by Jehan Alain The Organ Work - Tome 1 is a se...(+)
First of a series of three tomes by Jehan Alain The Organ Work - Tome 1 is a set of two pieces in three parts each. For upper intermediate players and above this first tome is quite difficult with fairly fast movements that also feature the use of pedals. This first tome includes: I. Suite (Introduction et Variations JA 69 Scherzo JA 70 and Choral JA 82) II. Trois danses JA 120 (Joie Deuils JA 120 bis and Luttes) The second tome consists of seven pieces while the third tome is the biggest with a total of fourteen. Jehan Alain is a French organist who became famous withhis Suite for Organ. Student of Marcel Dupré and Roger Ducasse among others he kept composing all his life. One of his most famous international pieces is 'Litanies'.
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| Johann Sebastian Bach:
Oeuvres Complètes Pour
Orgue Volume 10 1: Organ:
Score
Orgue
Leduc, Alphonse
3 Chorals transcription 3 Partitas et variations canoniques-Part of the Organ c...(+)
3 Chorals transcription 3 Partitas et variations canoniques-Part of the Organ collection by J. S. Bach this first book of the Volume X Three Choral Transcriptions Three Partitas And Canonical Variations (BWV 645 646 647 766 767 768) contains six pieces and is completed by the second book. The six pieces that feature in this book are three choral-transcriptions and three chorals with variations: 1. Awake The Watchmen ery out 2. Whither shall I flee 3. He that suffereth God to guide him 4. Partite on “Christ Thou who Art the light of the day” 5. Partite on “O God Thou Holy God” 6. Partite on “Hail toThee merciful Jesus” This volume is translated in English and French and features the annotations of Marcel Dupré a French organist to help the performer get the most our of the sheet music. The preface is also well written with explanations of the comments and descriptions of the techniques to use for an accomplished interpretation of this work.
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| Bach J.s. - Organ Works
Vol.6 - Preludes,
Toccatas, Fantasias and
Fugues
Orgue
Barenreiter
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...(+)
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
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| Sacred Moments: Piano:
Mixed Songbook
Orgue [Partition]
Hal Leonard
E-Z Play Today Volume 75-30 songs including: I Love to Tell the Story • L...(+)
E-Z Play Today Volume 75-30 songs including: I Love to Tell the Story • Love Lifted Me • Oh How I Love Jesus • On Christ the Solid Rock I Stand • Send the Light • Tell Me the Old Old Story • There Is Power in the Blood • 'Tis So Sweet to Trust in Jesus.
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| Bill Gaither Gloria
Gaither: The Gospel Songs
of Bill and Gloria
Gaither: Piano:
Orgue [Partition]
Hal Leonard
E-Z Play Today Volume 120-67 favorites in all including: Abide in Me • Be...(+)
E-Z Play Today Volume 120-67 favorites in all including: Abide in Me • Because He Lives • Get All Excited • He Touched Me • I Walked Today Where Jesus Walks • I've Been to Calvary • Jesus I Believe What You Said • Precious Jesus • The Family of God • Next Time We Meet • This Is the Day That the Lord Hath Made • Upon This Rock.
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| Peter Dickinson: Blue
Rose Variations: Organ:
Instrumental Work
Orgue [Partition]
Novello & Co Ltd.
The Blue Rose Variations is one of several works in which the composer has drawn...(+)
The Blue Rose Variations is one of several works in which the composer has drawn on ragtime and blues. The organ work is based on two transformations of the popular piano piece To A Wild Rose (Woodland Sketches Op.51 No.1) by the American composer Edward MacDowell (1860-1908). During the course of the Variations To A Wild Rose appears as a blues and also as a classical rag often as both together.The sections are Theme: a quiet blues; Variation I: a pedal solo in varied metres based on the blues in fast tempo; Variation II: the first appearance of the rag as a background to the blues as a 2' pedal solo; Variation III: a version of Variation I nowinvolving manuals too; Variation IV: another blues solo against the rag; Variation V: another version of Variation I with the pedal solo almost entirely transferred to the manuals; Variation VI: a final confrontation between the blues and the rag now much decorated. First performed in New York in April 1986. Duration c.15 mins.
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| Rick Parks: Organ
Exaltation - revised
edition: Organ:
Instrumental Album
Orgue [Partition] - Intermédiaire/avancé
FJH
Contents include: Praise to the Lord the Almighty; How Firm a Foundation Breth...(+)
Contents include: Praise to the Lord the Almighty; How Firm a Foundation Brethren We Have Met to Worship; Come Thou Fount of Every Blessing; When I Survey the Wondrous Cross; Love Divine All Loves Excelling; There Is a Fountain; Swing Low Sweet Chariot; O Jesus I Have Promised; I Lay My Sins on Jesus; and In Heavenly Love Abiding.
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| John McCabe: Esperanza
for Organ: Organ:
Instrumental Work
Orgue
Novello & Co Ltd.
Commissioned for the 26th International Organ Festival at St Albans 2011 and fun...(+)
Commissioned for the 26th International Organ Festival at St Albans 2011 and funded by the RVW Trust.Duration: 7.45 Performance notes Registration: the performer is free to determine the entire registration scheme except at bar 60 where a solo reed is mandatory.Pitch: manual passages at bars 25 32 38 are written for a solo 4' stop (s). The Pedal is at 16' (ad lib 32') unless otherwise indicated (bars 31 37 where a solo 8' is required).III - Sw.II - Gt.I - Pos/Ch Composer's note Esperanza is named after Camp Esperanza (Camp Hope) the location of the mission to rescue the thirty-three miners trappedunderground for seventy days in 2010 at the San Jose Mine in Chile a rescue that was televised live and was one of the most moving and inspiring things I have ever seen. By the most extraordinary coincidence I had already done a good deal of sketching for this Organ piece before this all happened and had determined on a 'darkness-to-light' kind of piece - so the coincidence as well as my feelings of elation were both too strong to ignore.The piece persues a course from a fairly knotty slow beginning (heralded by a few chords that recur at the very end) full of rising themes (another coincidence - the material had already been sketched before the miners were trapped underground) and reaching a loud climax the quick toccata-like second section bursting vigourously out of the tension which is created at the beginning of the work.
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| David Heath: Gottlieb And
Rhapsody Of The Spheres:
Organ: Instrumental Album
Orgue
Camden Music
Gottlieb And Rhapsody Of The Spheres are two works for solo Organ. Gottlieb was ...(+)
Gottlieb And Rhapsody Of The Spheres are two works for solo Organ. Gottlieb was first performed in 2000 by Simon Neiminski at St Mary's Cathedral Edinburgh. Rhythmically there is a strong influence of Rave music and harmonically I turned the blues upside down often using minor triads in the left hand with major triads in the right hand.Gottlieb is dedicated to Sydney Gottlieb.'Rhapsody of the Spheres: Reading something John Coltrane said on his album 'A Love Supreme' that 'all vibrations lead to God' got me thinking maybe music is the best form of describing what is going on at an atomic and subatomic level: that the great composersand musicians take you to Heaven rather than try to describe it in words.With that in mind I wrote this piece-a prayer to the Moon and the Stars-where I wanted by using the most majestic instrument of all the organ to describe the beauty of existence. This is a one movement piece slow-fast-slow and is dedicated to my eldest son Sean.'David Heath
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| Poul Ruders: Symphony No.
4: Orchestra: Score and
Parts
Orgue
Wilhelm Hansen
The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Po...(+)
The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders. Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take – and live with the consequences.Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another.The second movement CORTÈGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging.This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge.The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO.4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for
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| Francis Jackson: Three
Pieces (Procession
Arabesque Pageant):
Organ:
Orgue [Partition]
Novello & Co Ltd.
Composer's Note: In writing these pieces I had in mind certain difficulties whic...(+)
Composer's Note: In writing these pieces I had in mind certain difficulties which worry most organists from time to time; and in order to combine as it were business with pleasure I thought it worthwhile to concentrate upon one aspect of organ technique in each piece even at the risk of making them a little more difficult than others in this series. In Procession the main difficulty lies in the pedals Arabesque on the other hand could hardly have had a simpler pedal part: its object is to exercise the left hand in producing a smooth running semi-quaver pattern Pageant with its cross-rhythms is designed to produce well-disciplinedhands and feet that can when required work in conflicting rhythms. I have kept the registration schemes as simple and straightforward as possible.
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| Andrew D. Gordon: Gospel
Riffs God Would Love To
Hear- Organ: Organ:
Orgue
ADG productions
Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear ...(+)
Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought
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| Gabriel Jackson: St Asaph
Toccata: Organ:
Instrumental Work
Orgue
Oxford University Press
St Asaph Toccata was commissioned by Symphony Hall Birmingham as part of the B...(+)
St Asaph Toccata was commissioned by Symphony Hall Birmingham as part of the Bach to the Future Series. The composer writes: 'The original title for the piece was Toccata Machine as I had an image of the gigantic Symphony Hall organ as some kind of mad machine uncontrollably spewing out manic toccata figuration. Except for a short oasis of calm two-thirds of the way through the piece is very loud and has millions of notes in it. The eventual title refers to the street in South London where I live rather than the Welsh Saint Asaph'.
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| Songs Of Praise: Organ:
Instrumental Work
Orgue
Banks Music Publications
Songs of Praise for Organ by television music composer Herbert Chappell was comm...(+)
Songs of Praise for Organ by television music composer Herbert Chappell was commissioned by the BBC in 1980 as the signature theme for the long running television programme of the same name and continued to be used until the late 1980s. This piece is lively toccata underpinned by a hymn-like melody and is suitable for organists of moderate abilities and may be used as a thrilling recital piece. 'I decided it should be a lively toccata; this I underpinned with a broad-shouldered hymn-like melody rather than a choral. It was recorded for television by Simon Preston at the organ of Christ Church Oxford and quickly became somethingif a favourite with organists all around the world (possibly because it sounds impressively virtuostic and makes a lot of noise but is not that difficult to play). For example it brought a spirited conclusion to the service that celebrated with a pack congregation the life of Dame Thora Hird for so many years the presenter of the programme on BBC television.' Herbet Chappell 29th September 2010
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| Honor and Majesty: Organ:
Instrumental Album
Orgue [Partition] - Intermédiaire/avancé
FJH
Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation...(+)
Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation-All Hail the Power of Jesus' Name); Treasures Bring Anthems Sing(We Three Kings and What Child is This?); Where Sorrow and Love Flow Mingled Down (When I Survey the Wondrous Cross and Beneath the Cross of Jesus); The Joys Awating (Jerusalem My Happy Home and When I Can Read My Title Clear); Morning Tribute (Morning Has Broken and When Morning Gilds the Skies); An Ever-Present Comfort (All Will Be Well and God Will Take Care of you); Amazing Infinite Love (The Love of God and My Savior's Love); Adoration to the King (We Worship and Adore You/O Come Let Us Adore Him/Joyful Joyful WeAdore Thee).
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| Rued Langgaard: In
ténebras exteriores:
Organ: Score
Orgue [Partitions] - Intermédiaire/avancé
Rued Langgaard Edition
Begravet I Helvede-In ténebras exteriores (Begravet i Helvede). BVN334
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| Johann Sebastian Bach:
Complete Organ Works
Vol.6: Organ:
Instrumental Album
Orgue [Partition] - Avancé
Barenreiter
Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vo...(+)
Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vol. 5) & II (Vol. 6)-Johann Sebastian Bach's Complete Organ Works in revised editions.Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s Organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?.The present volume is an updated edition of Series IV Volume 6 of the ?New Bach Edition? (NBA) prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessmentof existing handwritten copies have brought about changes to the contents of the volume which now includes the ?Fantasia in C minor? (BWV 1121) the ?Fantasia in G major? (BWV 571) the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious.Besides the new compilation and corrections of the musical text the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved.In collaboration with the Bach Archive Leipzig and its ?Bach? digital database links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis.Contents:BWV 551 563-566 (version in E major) 569-571 573-575 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a 533a 535a 543a 545a 549a 566 (version in C major) and 574b.New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources.New contents reflecting the current state of source evaluations.Links to sources in ?Bach digital?.Complete new engraving and revised page-turns.
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| Songs for Praise &
Worship: Piano:
Instrumental Work
Orgue [Partition]
Hal Leonard
Easy-to-play arrangements of 35 inspiring classics, including: As the Deer ? Awe...(+)
Easy-to-play arrangements of 35 inspiring classics, including: As the Deer ? Awesome God ? Behold the Lamb ? Bind Us Together ? Celebrate Jesus ? Great Is the Lord ? He Is Exalted ? I Love You Lord ? Lord, I Lift Your Name on High ? Oh Lord, You're Beautiful ? Open Our Eyes ? Shine, Jesus, Shine ? There Is a Redeemer ? This Is the Day ? We Bow Down ? You Are My All in All ? and more.
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| Petr Eben: Zehn
Choralvorspiele: Organ:
Instrumental Album
Orgue
Barenreiter
The Ten Choral Preludes for Organ are intended for both liturgical purposes and ...(+)
The Ten Choral Preludes for Organ are intended for both liturgical purposes and concert performance. For this reason the notation is written in two staves which is not usual for the Organ. The former of the two purposes forced the composer to respect certain limitations of technical complexity so that even an untrained organist could perform the pieces. The themes to each overture are taken from Bohemian Brethren chorales which appear in their original form as brief ?intonations? in the first few bars preceding each overture. The piece was composed in 1971.Contents:O svetlo Trojice svatá / Es geht daher des Tages Schein / Oh Light the HolyTrinity.Ej nuz lacn z zniv / Wohlauf die ihr hungrig seid / Ye Who Are Hungry and Trinity.D ky vzdávám / Ich Dank dir schon durch deinen Sohn / I giv Thank.In Natali Domino.Jiz zasla slunce záre / Hinunter ist der Sonne Schein / The Sunshine Has Departed.Umucen N. P. Jezu Krista / Jesu Kreuz Leiden und Pein / The Suffering of Our Lord Jesus Christ.O clovece povstaniz / Sonne der Gerechtigkeit / Oh Man Arise.Hr chu svych oplakej / Es sind doch selig alle / Bewail Thy Sins.Nastala noc / Die Nacht ist gekommen / Night Has Fallen.Jat jsem v tom rozveselen / Lob Gott getrost mit Singen / I Rejoice In It
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| Karl-Peter Chilla: Enjoy
The Organ 3: Organ:
Instrumental Album
Orgue [Partition] - Facile
Barenreiter
Volume 3 in our successful ?Enjoy The Organ? series offers attractive Organ piec...(+)
Volume 3 in our successful ?Enjoy The Organ? series offers attractive Organ pieces from the 17th to 20th centuries suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time.Among the pieces in Volume 3 are Juan Cabanilles' ?Batalla Imperial I?; Johann Baptist Vanhal's ?Sonatina in F major?; Robert Schumann's ?Adagio? from op. 70; Gabriel Fauré's ?Cantique de Jean Racine? op. 11; and Pietro Yon's ?Humoresque?.These pieces are intended primarily for the amateur organist but will also appeal to professional church musicians whowill find the collection useful as literature for sight reading and as a starting point for improvisation.Contents:Batalla Imperial I [Juan Cabanilles]Andante - Poco vivace [Johann Georg Albrechtsberger]Sonatina F major [Johann Baptist Vanhal] Adagio from op. 70 [Robert Schumann]Offertoire [Antoine-Édouard Batiste]Cantique de Jean Racine op. 11 [Gabriel Fauré] Humoresque Toccatina for flute stops [Pietro Yon]- Geared towards amateur church musicians and organists.- Collection of easy-to-play concert pieces for Organ.- Also effective on smaller instruments.- Already published Enjoy the Organ 1 (BA 11207); Enjoy the Organ 2 (BA 11208).
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| Louis Mordish: Turkish
Delight: Organ:
Instrumental Work
Orgue
Stainer and Bell
Readers of Louis Mordish's autobiography So I Think I'll Become a Musician w...(+)
Readers of Louis Mordish's autobiography So I Think I'll Become a Musician will recognise in Turkish Delight the wit charm and sparkle so typical of a musician who was amongst the first gentlemen of his profession.
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| Broadway Classics: Organ:
Instrumental Album
Orgue
Hal Leonard
25 classics from the Great White Way made easy for organists to play! Includes:...(+)
25 classics from the Great White Way made easy for organists to play! Includes: Bali Ha'i - Bewitched - Cabaret - Climb Ev'ry Mountain - Day by Day - Do-Re-Mi - Edelweiss - Hello Young Lovers - How Are Things in Glocca Morra - I Whistle a Happy Tune - Just in Time - The Lady Is a Tramp - Mr. Wonderful - Oklahoma - On the Street Where You Live - People - Thank Heaven for Little Girls - Wunderbar - and more.
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| Per Nørgård:
Vintersalme-Musik: Organ:
Instrumental Work
Orgue
Wilhelm Hansen
Vintersalme-Musik (1980) - Choral prelude for Organ. Orig. title: Vintersalme. P...(+)
Vintersalme-Musik (1980) - Choral prelude for Organ. Orig. title: Vintersalme. Programme note: When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig “The Year” and “Choral Hymn”. One of these was later included in the Danish Hymnbook under the title “Året – Som året går” (The Year). These three “Sarvig tunes” were derived from the same material as the second movement of the symphony and could be harmonized together in several different temporelationships at the same time - like fractals. This inspired me to write several choral and instrumental works in the following decade based on these melodies: for instance “Frost Psalm” “Winter Cantata” “Cycles” “Cantica” and this piece for organ all coloured by the Nordic and mythic poem by Sarvig the beginning of which goes: The passing year will pass its deep So shall our mind reach winter´s sleep. And as the tree stands leafles bare Is winter´s realms: our minds aware. Per Nørgård
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| Gospel Hymn Settings:
Organ: Instrumental Album
Orgue
Hinshaw Music Inc.
1. Softly And Tenderly Jesus Is Calling 2. The Everlasting Arms3. I Love To Tell...(+)
1. Softly And Tenderly Jesus Is Calling 2. The Everlasting Arms3. I Love To Tell The Story4. We're Marching To Zion5. God Be With You 'Til We Meet Again6. Wonderful Words Of Life7. I Will Sing The Wondrous Story
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| Traditional Gospel:
Piano: Mixed Songbook
Orgue [Partition]
Hal Leonard
E-Z Play Today Volume 145-Features 21 gospel favorites: He Touched Me • I ...(+)
E-Z Play Today Volume 145-Features 21 gospel favorites: He Touched Me • I Saw the Light • I'll Fly Away • Just a Closer Walk with Thee • Precious Lord Take My Hand • Victory in Jesus • Wings of a Dove • and more!
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| Praise And Thanks For
Organ II: Organ:
Instrumental Album
Orgue - Facile
Barenreiter
Collection of lesser known organ works suitable for all denominationsTried and t...(+)
Collection of lesser known organ works suitable for all denominationsTried and tested free organ compositions and chorale settings from the 19th centuryEasy to medium level of difficultyThis series of anthologies for the church year and important church occasions which is suitable particularly for non-professional church musicians has now been expanded by a second volume in response to frequent demand. The main focus of Praise and Thanks for Organ II lies in the 19th century repertoire. At its centre are chorale settings for the Hymns of Praise and Praise and Thanksgiving from the German Protestant Hymnbook as well as the Praise and Thanks section from the German CatholicHymnbook. Tried and tested freely-composed organ works are also included such as Christian Fink’s Festpostludium op. 63 and chorale fantasias. Already published:Praise and Thanks for Organ IBA 8496Christmas for Organ Volume I: BA 8495Volume II: BA 9258Passiontide and Easter for OrganBA 9210Organ Music for the End of Church YearBA 9266The Organ Funeral AlbumBA 9207Organ Music for CommunionBA 9265The Organ Wedding AlbumBA 8200
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| A Bouquet of Service
Pieces for Organ: Organ:
Instrumental Album
Orgue
Hinshaw Music Inc.
A collection of useful service music that is rewarding to the pianist-turned org...(+)
A collection of useful service music that is rewarding to the pianist-turned organist as well as the more technically proficient and of course to those who worship. Written on the two-stave format.Contents:1. Morning Song2. In Heavenly Love Abiding3. Jesus Thou Joy Of Loving Hearts ('Rockingham')4. I Will Sing Unto The Lord5. Berceuse6. Cortege Nuptial7. Arietta8. Fanfare9. Meditation10. The Lord My Pasture Will Prepare ('St. Petersburg')11. The Faithful Shepherd12. Elegy13. Upon The Cross Of Calvary ('Marian')14. Alleluia15. What A Friend We Have In Jesus ('Friend')16. Rise Up O Men Of God ('Festal Song')17. On Wings Of Hope18. Postlude For A Festive Occasion19. Great God To Thee My Evening Song ('Hazel')20. Eventide
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| Johann Sebastian Bach:
Organ Works Book 4:
Sonatas Nos 1-3: Organ:
Instrumental
Orgue [Partition] - Intermédiaire/avancé
Novello & Co Ltd.
Sonata I (BWV 525) Sonata II (BWV 526) Sonata III (BWV 527). Edited by Walter...(+)
Sonata I (BWV 525) Sonata II (BWV 526) Sonata III (BWV 527). Edited by Walter Emery and John Bower.
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