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My First Concert
16.65
My First Concert
Violon et Piano
Schott
The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for...
(+)
The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for lessons, first recitals or pupils' competitions. This volume takes the player on a musical journey through five epochs - from the Renaissance era via the Baroque, Classical and Romantic eras to contemporary music. A special highlight is the large number of pieces of popular music, including motivating pieces from the areas of pop music, jazz, spiritual, bossa nova and tango most of which have been specially composed for this volume. Most works can be played after two years of lessons already - all pieces are in the first position and can be played in the four fingering patterns. To two compositions requiring position playing, an easier alternative has been added. Fingerings for position playing can of course be entered in the pieces by the teacher to improve the tonal result. / Violon Et Piano
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Dvorak Four Romantic Pieces For Violin And Piano
9.90
Dvorak Four Romantic Pieces For Violin And Piano
Violon et Piano
[Partition]
Hal Leonard
Référence unique par son ISBN 73999628401 cette partition musique de Dvorak An...
(+)
Référence unique par son ISBN 73999628401 cette partition musique de Dvorak Antonin n'est autre que Dvorak Four Romantic Pieces For Violin And Piano qui a été composée pour Violon Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50262840. / Violon Et Piano / 16 pages / Partition
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Sheila M. Nelson's Romantic Violinist: Violin: Instrumental Album
17.50
Sheila M. Nelson's Romantic Violinist: Violin: Instrumental Album
Violon et Piano
Boosey and Hawkes
This is a progressive collection of Intermediate-level Romantic music for Solo V...
(+)
This is a progressive collection of Intermediate-level Romantic music for Solo Violin with Piano Accompaniment. This collection features compositions by Faure Schumann Brahms Grieg and many others and also includes a wide variety of music to cover all aspects of Romantic style and technique. Each piece has performance suggestions and handy hints and tips from Sheila M. Nelson.The piano accompaniment part is also included on a separate insert.
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Antonín Dvo?ák: Romantic Pieces for Violin and Piano op. 75: Violin:
9.00
Antonín Dvo?ák: Romantic Pieces for Violin and Piano op. 75: Violin:
Violon et Piano
Barenreiter
Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Vio...
(+)
Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Violins and Viola. Immediately after completing these four short pieces Dvo ák rewrote them for Violin with Piano accompaniment and published the new version that very year. This edition presents the musical text from the Complete Edition of the Works of Anton n Dvo ák with a new foreword by David R. Beveridge.The Violin part contains fingering by Josef Micka.New foreword by Dvo ák scholar David R. Beveridge (Eng/ Cz /Ger).Violin part with fingering.
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Music From The Romantic Era - First Recital Pieces For Violin and Piano
22.99
Music From The Romantic Era - First Recital Pieces For Violin and Piano
Violon et Piano
Bosworth
Romantic violin pieces from the late nineteenth and early twentieth centuries. B...
(+)
Romantic violin pieces from the late nineteenth and early twentieth centuries. Brilliantly written by masters of the instrument, they are designed for players between grade one to three. Edited by Elizabeth Turnbull. Chanson De Berceau [Borowski, Felix] Czardas [Hille, Gustav] Five Miniatures [Mendelssohn, Ludwig] Minuet [Boccherini, Luigi] Rondo [Rieding, Oskar] Tarantella [Drdla, Franz]
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Sarasate P. De - Zapateado Op. 23 N. 2 - Violon Et Piano
11.60
Sarasate P. De - Zapateado Op. 23 N. 2 - Violon Et Piano
Violon et Piano
Emb (editio Musica Budapest)
Publié par Szenthelyi MiklósInstrument: Violon et pianoGenre: RomanticLangue: ...
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Publié par Szenthelyi MiklósInstrument: Violon et pianoGenre: RomanticLangue: Hungarian, English, GermanPages: 18 ppDate du parution: 1985
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Rieding O. - Concertino Re Op 5 - Violon Et Piano
14.80
Rieding O. - Concertino Re Op 5 - Violon Et Piano
Violon et Piano
EMB (Editio Musica Budapest)
Instrument: Violon et pianoGenre: RomanticLangue: Hungarian, English, GermanPage...
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Instrument: Violon et pianoGenre: RomanticLangue: Hungarian, English, GermanPages: 28 ppDate du parution: 1957
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Sarasate P. De - Malaguena Op. 21 N. 1 - Violon Et Piano
11.60
Sarasate P. De - Malaguena Op. 21 N. 1 - Violon Et Piano
Violon et Piano
Emb (editio Musica Budapest)
Publié par Szenthelyi MiklósInstrument: Violon et pianoGenre: RomanticLangue: ...
(+)
Publié par Szenthelyi MiklósInstrument: Violon et pianoGenre: RomanticLangue: Hungarian, English, GermanPages: 14 ppDate du parution: 1984
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Sarasate P. De - Habanera Op. 21 N. 2 - Violon Et Piano
12.10
Sarasate P. De - Habanera Op. 21 N. 2 - Violon Et Piano
Violon et Piano
Emb (editio Musica Budapest)
HabaneraOp. 21, No. 2Publié par Szenthelyi MiklósInstrument: Violon et pianoGe...
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HabaneraOp. 21, No. 2Publié par Szenthelyi MiklósInstrument: Violon et pianoGenre: RomanticLangue: Hungarian, English, GermanPages: 16 ppDate du parution: 1984
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19 Preludes Op. 34 (CHOSTAKOVITCH DIMITRI)
40.02
19 Preludes Op. 34 (CHOSTAKOVITCH DIMITRI)
Violon et Piano
[Partition]
Sikorski
für Violine und Klavier. Par CHOSTAKOVITCH DIMITRI. A collection of 19 Preludes...
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für Violine und Klavier. Par CHOSTAKOVITCH DIMITRI. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows./ Répertoire / Violon et Piano
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Melody Op. 21 N01 (NOSKOWSKI / GREIVE)
10.60
Melody Op. 21 N01 (NOSKOWSKI / GREIVE)
Violon et Piano
[Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par NOSKOWSKI / GREIVE. Written within throughly romantic style Melody is a high...
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Par NOSKOWSKI / GREIVE. Written within throughly romantic style Melody is a highly attractive example of the composers typically elegant melodic writing, strong sense of structural proportion and lush romantic harmonies. The totally idiomatic violin writing reflects ahigh degree of attainment in its composers violin studies with J. Hornziel and A. Ktski. [Tyrone Greive]./ Répertoire / Violon et Piano
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
30.10
Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violon et Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
26.40
Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violon et Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Fantaisies De Concert (DIVERS AUTEURS / SARASATE)
41.30
Fantaisies De Concert (DIVERS AUTEURS / SARASATE)
En Français
Violon et Piano
[Partition]
Choudens
Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate prod...
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Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral, or Piano accompaniment. The appeal of the Carmen fantasy, with which this collection opens, has remained the most enduring but, perhaps reflecting the varying fortunes with audiences of the operas themselves, settings of Gounod’s Faust and Roméo et Juliette, or Weber’s Der Freischütz are ready for reappraisal today as similarly exhilarating exercises in Romantic violin technique. As an example of Sarasate ’s equally successful and more purely lyrical “salon” style of composition, his Rêverie, Op. 4 is alsoincluded here. / Classique / Répertoire / Violon et Piano
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Romantische Stücke Op. 75 (DVORAK ANTONIN)
14.98
Romantische Stücke Op. 75 (DVORAK ANTONIN)
Violon et Piano
-
Avancé
Schott
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started co...
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Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started composing his Romantic Pieces for violin and piano, opus 75 (B 150), completing that version on 25 January. They were performed for the first time in a private house two days later, with the composer writing to his publisher in Berlin: ‘Played here yesterday and very well received.’ For this edition reference has been made to a copy of the original manuscript and to the first edition. The small number of bow markings in the violin part of the piano score are original and have been left unaltered. These four contrasting movements are a welcome addition to the violin repertoire and a very effective alternative to Dvorák’s large-scale violin works, the Concerto in A minor and Romance in F minor. / Niveau : Avancé / Répertoire / Violon et Piano
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Romance En La Majeur (HAHN)
15.80
Romance En La Majeur (HAHN)
Violon et Piano
[Partition]
Heugel
Par HAHN. Composed by Reynaldo Hahn, Romance In A Major is a chamber piece for V...
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Par HAHN. Composed by Reynaldo Hahn, Romance In A Major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting 'Très modere' with the main theme, the piece later become quieter 'calme' with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, healso wrote many pieces and melodies for different instruments./ Répertoire / Violon et Piano
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Andante E Polacca Per Violino E Pianoforte (TIRINDELLI PIER ADOLFO)
17.73
Andante E Polacca Per Violino E Pianoforte (TIRINDELLI PIER ADOLFO)
Violon et Piano
-
Avancé
Ricordi
a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the A...
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a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece. The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings. / Niveau : Avancé / Répertoire / Violon et Piano
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Miniatures Book 2 Violin/Piano (MENDELSSOHN-BARTHOLDY FELIX)
34.50
Miniatures Book 2 Violin/Piano (MENDELSSOHN-BARTHOLDY FELIX)
Violon et Piano
[Partition]
Bosworth
Par MENDELSSOHN-BARTHOLDY FELIX. En anglais / Romantic / Date parution : 2002-...
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Par MENDELSSOHN-BARTHOLDY FELIX. En anglais / Romantic / Date parution : 2002-01-07/ Répertoire / Violon et Piano
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Romanesca Op. 13/1
10.55
Romanesca Op. 13/1
Violon et Piano
Schott
Any violinist who hears the name Sitt nowadays will probably just think of the a...
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Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano
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Classical Music For Children
14.98
Classical Music For Children
Violon et Piano
Schott
25 easy pieces from the Baroque, Classical and Romantic eras, playable in the fi...
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25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony #9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. A treasure trove for auditions at schools and music schools. / Violon Et Piano
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