The combination of Flute and Guitar is becoming increasingly popular among music school pupils and concert performers. This publication From Renaissance To Ragtime expands the fairly narrow repertoire for this combination of instruments to include arrangements of famous compositions such as variations on the famous English Renaissance song Greensleeves famous melodies by Johann Sebastian Bach (Air Siciliana Badinerie) the popular Minuet by Luigi Boccherini Chopin's virtuoso Variations on a Theme of Rossini and Scott Joplin's popular ragtime tune The Entertainer(familiar from the film The Sting). In order that these relatively demanding arrangements can be enjoyed by a broad spectrum of performers editor Pavel Kloub selected compositions which can easily be played not only on the Flute but also on the Oboe or Violin.Contents:Green Sleeves (variations on the english renaissance song) [Fleury Louis]Le Basque [Marais Marin]Air [Bach Johann Sebastian]Siciliano [Bach Johann Sebastian]Menuet [Bach Johann Sebastian]Badinerie [Bach Johann Sebastian]Menuet [Boccherini Luigi]Variations on a theme of Rossini [Chopin Frederic]The Entertainer [Joplin Scott]

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the Flute and Piano reduction edition. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

BWV 1033 1031 1020 überliefert als Werke Johann Sebastian Bachs-Three SonatasBWV 1033 in C major for Flute and Basso Continuo.BWV 1031 in E-flat major and BWV 1020 in G minor for Flute and obbligato Harpsichord.Handed down as works by Johann Sebastian BachBach?s preferred instrument for chamber music after the Violin was the traverse Flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.Our edition includes a preface (Ger-Eng) by Bach scholar Alfred Dürr and a ctitical report (Ger-Eng) listing the sourecs with source analysis.

Contemporary Japanese composer Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi's works as 'gems that although they are so different they yet belong to the same world a world of vivacity dreams tenderness humour and one that is subtly contradicted by vehemence virtuosity melancholy and sorrow.' Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute andPiano is modern in style exploiting tonality rhythm and the ensemble making this a sublime addition to the advanced repertoire of the instrument.

Composed by Armando Ghidoni Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.

Composed by Armando Ghidoni Lirico Jazzy Duo is a duet for Flute and Clarinet. Lasting 8’46 minutes it is really melodious and was commissioned by Carine and Gilles Swierec from the duet “Attention Deux Vents”. It was composed in 2007 and would be perfect for upper intermediate level and above. Written in a jazz style it is divided in two movements: Adagio and Allegro Vivo the second one being much longer and more lyrical than the first. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.

Sonatine Polonaise-Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his combined expertise has created the sublime Polka Sonatina for Flute and Piano. Suitable for grade 7 and 8 standard flautists Polka Sonatina is made up of two movements; Romantica and Polka and Polonaise. Polka Sonatina is an exciting and varied addition to the Flute repertoire with a typical performance lasting around 7 minutes and 30 seconds. Ledeuil's Polka Sonatina is essential to advanced flautists seeking to improve and expand theirrepertoire.

Par ADAMS SALLY. The Roaring Twenties and Thirties - a lost world of opulence and excess, of champagne parties lasting until dawn, where flappers and their partners danced to the vibrant new music of the latest jazz bands. 'Play Jazztime' presents a selection of world-famous hits from this brilliant, brittle era - from the seductive melodies of Gershwin to the archetypal Twenties hit 'Charleston'. Relive the age of Gatsby - and 'Play Jazztime'! / Niveau : Assez Facile / Répertoire d'Examen / Recueil / Flûte Traversière et Piano

Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Les Méandres De Viviane for Flute and Harp or Piano accompaniment. Suitable for grade 2 standard flautists  Les Méandres De Viviane is made up of four sections which tell the story of the fairy Vivian. Les Méandres De Viviane is an exciting and varied addition to the young flautist's repertoire with a typical performance lasting around three minutes.Ledeuil's Les Méandres De Viviane is essential to beginner flautists seeking to improve and expand their repertoire for performances.

Par NOURSE NANCY. The four preludes included in this collection are each based upon a tune associated with a particular time of the church calendar. The Lenten prelude, Meditation upon 'Forty Days and Forty Nights', likewise employs a theme with interpolations approach. The hymn tune, Heinlein, is most closely associated with the English text, 'Forty days and forty nights, Thou wast fasting in the wild'. However in the midst of this piece occur short musical representations of the three temptations. In the case of the Variations on an Old French Carol, its association is with both Easter in its text of 'Love is Come Again' and in its Christmas text of 'Noel Nouvelet' (or as sung in English, 'Sing We Now of Christmas'). The advent prelude, Meditation upon a Sarum Plainsong, uses the 7th century plainsong chant Conditor Alme Siderum as its basis, with frequent trope-like interpolations occurring between the phrases. Even more simply conceived, the rendering of the Victorian Christmas hymn, Once in Royal David's City. The first verse is played sweetly and simply, while harmonic material is added for verses two and three./ Répertoire / Flûte Traversière

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Ces 12 sonates pour flûte traversière et basse ont été publiés à Amsterdam en 1723 à un accueil très positif. Cela peut être démontré non seulement par l'existence de nombreuses copies pirate, mais aussi par les instances telles que le fait que la partie de la dixième Sonate a été conservée dans l'excellent travail incrusté sur une table haut en marbre imitation appartenant au Prince Friedrich von Schwarzbourg-Rudolstadt. Ils montrent des éléments de la galant émergents de style et sont distinguent par la surprenantes tournures de phrase et une variété extraordinaire d'expression. D'un point de vue stylistique, cette collection représente une contribution précieuse au genre de la Sonate solo, qui était à cette prééminence gagner du temps sur la Sonate en trio. / Flûte Traversière Et Basse Continue

In Fa Op.X N.5 - Rv 442 F.Vi-1 - Tomo 46 --Vivaldi's Concerto in F RV 433 for Flute Strings and Basso Continuo. Called in both cases 'La tempesta di mare ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally above the ripieno in the central episodes. The opening closes on a big half cadence and then moves into the quiet central Largo with the flute soloist becalmed in the eye of the storm and haunted by memories and ghosts. The closing Presto opens with a powerful unison theme with the flute soloist performing the first long lyrical lines of the workagainst the thrusting violins and basso continuo.

Alors que les oeuvres de grande envergure de Roussel sont programmés rarement ces jours, ses oeuvres de musique de chambre sont toujours très populaires. Pour flûtistes, le cycle de Joueurs de Flûte est un ouvrage de référence fréquemment jouée du XXe siècle. Son charme unique réside dans l'affectation des flûtistes mythologiques de flûtistes distingués du début du XXe siècle. Ainsi ont été créés courts portraits musicaux des dedicatees qui reflètent ces fascinants flûtistes : Gaston Blanquart, Marcel Moyse, Louis Fleury et Philippe Gaubert. / Flûte Traversière Et Piano

'Verse 1' marks the beginning of a more ambitious and intense style of composition. The ideas are relatively simple and develop gradually in a cyclic fashion within a one movement sectional design. Progressively faster tempi leadto the main climax of the work near the end of the piece. Then a short coda leads to a very quiet ending and a return to the original tonal centre of C.Quoting composer:'In April 1975 I occupied a flat in Aldeburgh Suffolk near the seafront. As a member of the English Chamber Orchestra I had come to work for a week on a recording of Britten’s opera ‘Death in Venice’ so the real and suggested sound of the sea was in my ears so to speak for dayson end. A few weeks later when I started work on 'Verse 1' it became clear in the first few bars that I was recalling and suggesting the sea and the beach at Aldeburgh. I am not aware of any direct influence from Britten’smusic but I do however quote a small fragment from a theme to be found in a piano quartet by Mahler played early in the piece by the flute (bars 6 & 7).This work was awarded the First Prize in the Viotti InternationalCompetition for composers in Italy in 1975.