Les classiques de la flûte n°20 (transcr. Taffernel Gaubert Clerval)-The twentieth piece of the Flute Classics collection this edition of Orpheus Champs-Élysées Scene by Christoph Willibald Glück was transcribed by Paul Taffanel and Philippe Gaubert. This piece taken from the Champs-Élysées Scene (Acte II) in the Opera 'Orpheus And Eurydice' is divided into two main parts: Lento Dolcissimo and Piú Lento which are both repeated with the piece finishing on a Coda. This edition can be played by upper intermediate players or above and includes the scores for the Flute and for the Fluteand Piano. 'Orpheus And Eurydice' is the most famous work by Glück and is based on the myth of Orpheus.

1 Chr. W. Gluck (1714 - 1787): Reigen seliger Geister2 J. S. Bach (1685-1750): Menuett3 G. F. Händel (1685-1759): Larghetto4 L. Boccherini (1743-1805): Menuet5 E. Grieg (1843-1907): 'Solveig`s Lied'

1 R. Schumann (1810-1856): 'Träumerei'2 Chr. W. Gluck (1714 - 1787): Melodie3 J. Haydn (1732-1809): Serenade4 C. Saint-Saëns (1835-1921): 'Le Cygne'5 S. Joplin (1868-1917): 'The Entertainer'

A Tambourin is a lively dance with two beats. Originally from Provence is was often accompanied by a pipe and a tambourine. Melodic simplicity and poignant rhythm were characteristic features often imitating the hand striking the percussion instrument. They were most popular widespread across France and Europe in the 18th Century this dance often inspired the more sophisticated court composers especially in France. This volume consists of 14 Tambourines by some of the great composers including Philibert de Lavigne Christoph Willibald Gluck Georg Friedrich Handel and Jean-Marie Leclair all arranged for Guitar and Flute by Bent Larsen and Jan Sommer.

Description Selected Flute Solos With Piano Accompaniment A collection of the finest flute solos, selected for their diversity in style and suitability for concert and contest use. Songlist Andalouse Op.20 (Pessard) Bolero Op.28 No.2 (Pessard) Concertino Op.107 (Chaminade) Concerto No.2 K314 (Mozart) Fantasie Op.79 (Faure) Fantasie Pastorale Hongroise Op.26 (Doppler) Gavotte [Turk, Daniel Gottlob] Legende Pastorale Op.138 From Scotch Scenes (Godard) Melodie ? Dance Of The Blessed Spirits (Orfeo) [Gluck, Christoph Willibald] Scherzo (A Midsummer Night's Dream) [Mendelssohn, Felix] Serenade (Hue) Sonata No.2 [Handel, George Frideric] Two Cadenzas For Mozart's Piano Concerto In G K.453

Revidierte Neuausgabe. Par . / Date parution : 2023-07-31/ Recueil / Flûte Traversière

Ce livre contient les classiques de mariage la plus connue et la plus belle. Les grands compositeurs d'époques différentes de style sont présents: de Johann Sebastian Bach à Richard Wagner. Avec majestueuses ainsi que des mélodies joyeusement informel, Classics for Weddings offre ample choix. Sur le CD vous trouverez démo ainsi que play-along versions de tous les morceaux? une aide à la fine pour étudier! Comprend également une partie de piano, qui est également adapté pour orgue (manuels seulement). / Flûte Traversière Et Piano / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pieces With Piano Accompaniment is a collection of fantastic Flute pieces and arrangements with Piano Accompaniment compiled and edited by David Peck.These will provide an enjoyable challenge for the advancing flautist.The solo Flute part is also included on a separate insert.

Faciles classiques pour les flûte avec accompagnement au piano. Comprend 'Eine Kleine Nachtmusik', Mendelssohn ' printemps Song ' et 'Plaisir d'amour' de Martini. Niveaux 3-5. / Flûte Traversière / 120 pages / Partition

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière