Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This enables the flutist to maintain a natural flow during his performance. Since there is very little original literature for the flute ensemble, a pedagogue is often required to draw on arrangements in which the lowest voices are frequently comprised of non-flute accompanying motifs. In chorale music, all voices are equally employed in a voice-leading manner. The phrasing slurs depend upon the text. The breathing signs in some cases only serve to clarify the musical line in general and are not to be used for strong breathing. The arrangements are created for flute ensembles with four voices. In each case the lowest voice can also be performed with an alto flute as an alternative. An according part is attached to the edition. Ideal for group teaching Choral music from the Renaissance and Romantic eras arranged for four flutes All parts are melodic and are musically equal Practice at home using the Play-Along CD which includes all parts / Niveau : Facile / Recueil / 4 Flûtes Traversières

Par ADAMS SALLY. Flute Basics is a landmark method by one of the leading figures in flute education. It starts at absolute beginner level and progresses to about Grade 2 level.There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers,traditional tunes and fun, original exercises such as finger gyms and warm ups to help establish a sound technique, factfiles and quizzes to teach notation and general musicianship. It also contains helpful, clear fingering charts and rhythm boxes and great illustration. This teacher's book offers tips on how to approach new techniques and motivate young players alongside duet parts and simple piano acommpaniment. This book would be particularly helpful for teachers who are not Flute specialists. The CD that accompanies this book is available separately. / Niveau : Débutant / Méthode / Flûte Traversière

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano the general structure of the piece is evolved so that different balances between the 3 instruments can be explored. The mainsection of this composition demonstrates evenly matched instruments whilst there are 3 episodes interweaving throughout that are all different. The 2nd episode sees the wind and piano play extremely contrasting material inquick alternations whilst the 3rd episode shows how the instruments can be balanced in a close environment producing a short canon. The work is relatively short and all sections are played without breaks each one heralded by asingle soft piano chord.

für Querflöte und Generalbaß. Par TELEMANN GEORG PHILIPP. Stuttgarter Ausgaben (Urtext) -/ Répertoire / Flûte Traversière et Basse Continue

Par MOZART WOLFGANG AMADEUS. Die Edition der Flötenstimme besorgte einer der renommiertesten Flötisten unserer Zeit: András Adorján. Die Kadenzen und Eingänge stammen von dem Mozart-Kenner, dem Musikwissenschaftler und Pianisten Robert D. Levin. Die vorgeschlagenen Kadenzen und Eingänge zeichnen sich dadurch aus, dass sich der Musizierende dank eines ausgeklügelten Verweissystems aus dem angebotenen Material immer wieder neue, 'eigene' Kadenzen zusammenstellen kann. Damit kommen Levins Vorschläge dem Improvisationscharakter von Kadenzen und Eingängen sehr nahe. Den Klavierauszug hat der Mozart-Kenner und Generalbaßspezialist Siegfried Petrenz geschrieben. Er strebt einen gut klingenden, technischnicht allzu anspruchsvollen Klaviersatz an, der sich deutlich von den verbreiteten, am Orchestersatz orientierten Klavierauszügen abhebt. Dadurch wird auch der typischen Unterrichtssituation Rechnung getragen, in der oft auch einfachere Sätze benötigt werden. / Partition brochée / Date parution : 1905-06-22/ Répertoire / Flûte Traversière et Piano

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting off point for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible. / Niveau : Intermédiaire / Recueil / Flûte Traversière

Une collection de 21 pièces par de grands compositeurs, facile à moyenne difficulté en ordre progressif, la plupart ont été à l'origine écrit pour flûte. Sélectionné et édité par Louis Moyse. Le CD comprend les accompagnements au piano qui sont jouables à la fois sur votre lecteur de CD et l'ordinateur. Il est également renforcée avec le logiciel le réglage du tempo quand il est utilisé dans votre ordinateur comme un lecteur de CD-ROM. / Flûte Traversière Et Piano / 72 pages / niveau : Intermédiaire / Partition + Cd