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Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
15.99
Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
Flûte traversière et Piano
-
Avancé
Schirmer
In a letter dating from 1777 Mozart reported to his father from Mannheim that Jo...
(+)
In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.
15.99 GBP - vendu par Musicroom GB
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Miniature Score): Miniature
22.99
Peter Maxwell Davies: Strathclyde Concerto No. 6 (Miniature Score): Miniature
Flûte traversière, Orchestre
[Conducteur d'étude / Miniature]
Chester
The solo flute here is kept in high profile by the absence from the orchestra no...
(+)
The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.
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Esa-Pekka Salonen: Memoria for Wind Quintet: Wind Ensemble: Score
12.99
Esa-Pekka Salonen: Memoria for Wind Quintet: Wind Ensemble: Score
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
[Partition]
Chester
Esa-Pekka Salonen's Memoria For Wind Quintet. This work was written as a gift fo...
(+)
Esa-Pekka Salonen's Memoria For Wind Quintet. This work was written as a gift for the Avanti! Chamber Orchestra on their 20th anniversary. It was first performed on 30th November 2003 at the HelsinkiConservatoire Finland by members of the Avanti! Chamber Orchestra conducted by Esa-Pekka Salonen. Duration c. 12 minutes Parts available: SOS15785.
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Esa-Pekka Salonen: Memoria For Wind Quintet: Wind Ensemble: Parts
21.99
Esa-Pekka Salonen: Memoria For Wind Quintet: Wind Ensemble: Parts
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
[Partition]
St Rose Music Publishing
Esa-Pekka Salonen's Memoria For Wind Quintet. This work was written as a gift fo...
(+)
Esa-Pekka Salonen's Memoria For Wind Quintet. This work was written as a gift for the Avanti! Chamber Orchestra on their 20th anniversary. It was first performed on 30th November 2003 at the Helsinki Conservatoire Finland by members of the Avanti! Chamber Orchestra conducted by Esa-Pekka Salonen. Duration c. 12 minutes Score available: CH67958.
21.99 GBP - vendu par Musicroom GB
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5 Danses Profanes Et Sacrees (TOMASI HENRI)
71.00
5 Danses Profanes Et Sacrees (TOMASI HENRI)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Leduc, Alphonse
Pour Quintette de Vents. Par TOMASI HENRI. French composer and conductor, Henri ...
(+)
Pour Quintette de Vents. Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions, Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance, 2) Secular Dance, 3) Sacred Dances, 4) Bridal Dance, and 5) Warrior Dances, Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet, providing an exciting alternative addition to the ensemble repertoire./ Répertoire / Quintette à vent
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Ballet Music from Othello for Flute Orchestra (VERDI GIUSEPPE)
34.48
Ballet Music from Othello for Flute Orchestra (VERDI GIUSEPPE)
Ensemble de Flûtes
Megido Publications
Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giu...
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Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes
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Mien (WENNAKOSKI LOTTA)
40.49
Mien (WENNAKOSKI LOTTA)
Quintette à Vent
[Conducteur et Parties séparées]
Fennica Gehrman
Par WENNAKOSKI LOTTA. Lotta Wennäkoski's Mien (2014) for wind quintet is based ...
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Par WENNAKOSKI LOTTA. Lotta Wennäkoski's Mien (2014) for wind quintet is based on rippling, wavering, timbre changing effect of bisbigliando. The good-humoured piece has a swinging jingle, and with duration of approximately 5 minutes is suitable for many kinds of programming. Mien was premiered in February 2015 by the wind quintet of the Lapland Chamber Orchestra. This product includes the full score and a set of parts. Instrumentation: alto flute, cor anglais, clarinet, horn and bassoon. / Date parution : 2022-05-31/ Répertoire / Quintette de Vents
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Anton Emil Titl: Serenade: Flute and Accomp.: Instrumental Work
7.50
Anton Emil Titl: Serenade: Flute and Accomp.: Instrumental Work
Flûte traversière et Piano
[Partition]
Southern Music Ltd
for Flute and Piano-Emil Titl's Serenade was originally composed for flute and h...
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for Flute and Piano-Emil Titl's Serenade was originally composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8 its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute and piano has been carefully arranged and edited by world-renowned flutist and teacher Sir James Galway.
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Flute Concerto No.2 (ARNOLD MALCOLM)
18.73
Flute Concerto No.2 (ARNOLD MALCOLM)
Flûte traversière et Piano
[Partition]
Faber Music Limited
Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 fo...
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Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 for Richard Adeney, who premiered it at the Aldeburgh Festival with the English Chamber Orchestra. Cast in three movements, this delightful 14-minute concerto is scored for solo flute, pairs of oboes and horns, and strings. / Instrumental Music / Répertoire / Flûte Traversière et Piano
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part): Flute: Score
19.99
Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part): Flute: Score
Flûte traversière et Piano
[Partition]
Chester
Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high prof...
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Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.Flute part with piano reduction of the orchestral score.
19.99 GBP - vendu par Musicroom GB
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