Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano

La référence GB4177 de l'éditeur Billaudot dont l'auteur célèbre est Massenet Jules, qui a pour titre ELEGIE (DES ERINNYES), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

For flute with piano accompaniment
Édité par Kovács Lóránt
Instrument: Flute et piano
Genre: Pedagogical performance pieces
Pages: 76 pp
Date du parution: 1985
Contenu:
1. Vivaldi, Antonio: Largo from The Four Seasons
2. Bach, Johann Sebastian: Vivaldi: Largo from the Concerto in D minor
3. Bach, Johann Sebastian: Badinerie from the Suite in B minor
4. Händel, Georg Friedrich: Largo from Xerxes
5. Mozart, Wolfgang Amadeus: Minuet from the Sonata in C major K 14
6. Paganini, Niccolo: Moto perpetuo
7. Mendelssohn-Bartholdy, Felix: Frühlingslied op. 62 no. 6
8. Bizet, Georges: Minuet from L'Arlesienne
9. Gounod, Charles: Ave Maria
10. Rimsky-Korsakov, Nicolai: The Flight of the Bumble-Bee
11. Schumann, Robert: Träumerei
12. Chopin, Frédéric: Variations on a Theme by Rossini
13. Schubert, Franz: Ave Maria
14. Saint-Saens, Camille: The Swan
15. Massenet, Jules: Tha´s Meditation

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn was best known for his contributions to the French Mélodie. Nocturne for Flute and Piano however represents the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was a magical art and his instrumental compositions often containexpressions of his otherwise hidden emotions and moods. Suitable for intermediate standard flautists Hahn's Nocturne provides a pleasant and evocative piece incorporating a range of expressions rhythms and other musical features.

für Flöte und Klavier-Romantic Miniatures – Volume 1 contains thirteen intermediate Flute solos from the nineteenth century. Includes arrangements and original pieces by Alb?niz Chaminade Massenet Chopin?and more.

Contents: Adoration (Borowski) • Agnus Dei (Mozart) • Alleluja from Exultate Jubilate (Mozart) • Ave Maria (Bach-Gounod) • Ave Maria (Schubert) • Calvary (Rodney) • The Holy City (Adams) •If With All Your Hearts (from Elijah) (Mendelssohn) • Meditation (Massanet) • Panis Angelicus (Franck) • Where E'er You Walk (from Semele) (Handel)

For solo Flute.Composer's Programme Note'March Sonatina is the third in a series of short sonatina-like pieces for soloinstruments and it was commissioned by the 25th Presteigne Festival of Musicand the Arts with funds provided by the Colwinston Charitable Trust and it isdedicated to this most loveable of Festivals. The first performance was given byKathryn Thomas on Tuesday 28th August 2007 at St Mary’s Church Kinnerton.It contrasts a slow opening with a quicker central section and employs a fewspecial flute effects though not to any great extent. In the middle of the piece alyrical phrase from Ravel’sminiature Prelude for piano suddenly pops up andis then varied. It was a surprise to me to find that a high F sharp on which thesonatina ends seemed absolutely the right note on which to finish. Theatmosphere of the opening section seems to me to relate closely to a number ofrecent pieces inspired by rainforests.'

Par LOPEZ ALAIN. Composition mélodique destinée aux jeunes' élèves où seuls les rythmes de blanches, noires, croches sur le temps, sont utilisés. ' - Alain LOPEZ - Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Flûtes : 4 Flûtes - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 05 s - Style Musical : Classique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Facile / Classique / Répertoire / 4 Flûtes Traversières