Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

In Fa Op.X N.5 - Rv 442 F.Vi-1 - Tomo 46 --Vivaldi's Concerto in F RV 433 for Flute Strings and Basso Continuo. Called in both cases 'La tempesta di mare ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally above the ripieno in the central episodes. The opening closes on a big half cadence and then moves into the quiet central Largo with the flute soloist becalmed in the eye of the storm and haunted by memories and ghosts. The closing Presto opens with a powerful unison theme with the flute soloist performing the first long lyrical lines of the workagainst the thrusting violins and basso continuo.

'Verse 1' marks the beginning of a more ambitious and intense style of composition. The ideas are relatively simple and develop gradually in a cyclic fashion within a one movement sectional design. Progressively faster tempi leadto the main climax of the work near the end of the piece. Then a short coda leads to a very quiet ending and a return to the original tonal centre of C.Quoting composer:'In April 1975 I occupied a flat in Aldeburgh Suffolk near the seafront. As a member of the English Chamber Orchestra I had come to work for a week on a recording of Britten’s opera ‘Death in Venice’ so the real and suggested sound of the sea was in my ears so to speak for dayson end. A few weeks later when I started work on 'Verse 1' it became clear in the first few bars that I was recalling and suggesting the sea and the beach at Aldeburgh. I am not aware of any direct influence from Britten’smusic but I do however quote a small fragment from a theme to be found in a piano quartet by Mahler played early in the piece by the flute (bars 6 & 7).This work was awarded the First Prize in the Viotti InternationalCompetition for composers in Italy in 1975.

Par FRACKENPOHL ARTHUR. Divertimento is an original trio by Arthur Frackenpohl that was written at the request of a trio for a senior flute recital at the Crane School of Music. The first movement, Introduction, is in sonata form with two contrasting themes, closing section, short development and recapitulation. In the second movement, Passacaglia, the dorian theme is stated canonically, with variations on the eight bar theme and closing in quietly in the minor. The third movement is a lively Scherzo with a rhythmic first section employing some echo effects before moving into a more subdued and legato trio. The final movement is an energetic Fughetta, which uses the contrapuntal devices ofinversion, augmentation and stretto. Each movement can be played by itself, or in combination with the other movements./ Répertoire / 3 Flûtes Traversières

Par COHEN JONATHAN. Springtide Exaltation for Flute and Piano by Jonathan Cohen. From the composer: 'Springtide Exaltation recalls scampering out of the house into the colors of a promising spring day, reveling in the new warmth, the fresh green appearing on the trees, the exploits of a carefree weekend. Out in nature, we sit in a favorite spot and, closing our eyes, slip into a reverie, the sun and slight breeze nearly coaxing us to sleep. Then, first quietly, then building, we are roused by the voice of adventure; we jump up and sprint with joy, our best friend at our side, into the boundless possibilities of a newborn season.' / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Commissioned by the sound festival for The Scottish Flute Trio. First performance: November 13 2008. Duff House Banff Scotland. In this work all three players in turn play each of the three instruments - piccolo flute and alto flute - thus giving a contrasted sound to match the character of the four linked movements: hence the title. Sleepy using all three alto flutes begins on the lowest note - G. The mood gradually changes as they introduce higher pitches and faster rhythms as they 'wake up'. In Lyrical a flute introduces the melody which is then shared by a second flute and later by the alto flute. With Mischievous the piccolos arrive on the scene. The first oneincites another piccolo and then the flute to join in. The tempo quickens and after a brief climax the mood quietens leading to Peaceful. In this last movement all three instruments are played. In turn they present a lyrical melody but in different keys so as to suit their individual tessituras.

Commissioned by the sound festival for The Scottish Flute Trio. First performance: November 13 2008. Duff House Banff Scotland. In this work all three players in turn play each of the three instruments - piccolo flute and alto flute - thus giving a contrasted sound to match the character of the four linked movements: hence the title. Sleepy using all three alto flutes begins on the lowest note - G. The mood gradually changes as they introduce higher pitches and faster rhythms as they 'wake up'. In Lyrical a flute introduces the melody which is then shared by a second flute and later by the alto flute. With Mischievous the piccolos arrive on the scene. The first oneincites another piccolo and then the flute to join in. The tempo quickens and after a brief climax the mood quietens leading to Peaceful. In this last movement all three instruments are played. In turn they present a lyrical melody but in different keys so as to suit their individual tessituras.

with Suggested Chordal Accompaniment. Par BAY WILLIAM. This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs, sentimental expressions of a deep-rooted faith, and gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Flûte Traversière et Guitare

Onze pièces rythmées et attrayantes pour développer ses connaissances des techniques et de l'interprétation du jazz. / Flûte Traversière / Partition Cd

Plus de 430 pages des airs par l'Europe 100 plus grands compositeurs de jazz. 100 % exactes approuvé par le compositeur graphiques, manuscrit facile à lire, tune grande sélection et plusieurs fonctionnalités supplémentaires comme lignes de basse échantillon, voicings de corde, rhythm section hits, annexe de tambour harmonie partsxtensive, etc.. Les fichiers MP3 en continu de plus des deux tiers des airs sont en ligne à www.shermusic.com afin de musiciens peuvent entendre les chansons pour eux-mêmes / Instruments En Do