Une série très souple de livres conçu pour encourager les jeunes à jouer ensemble dans diverses combinaisons de chiffres et d'instruments, parfaits pour les frais de scolarité de groupe. Livre 1 offre 19 trios de simple intermédiaire pour les flûte à l'aide de mélodies familières disposés dans des styles classiques, de folkloriques et de jazz, y compris les pays Garden, Dieu reste Ye Merry Gentlemen, danse du chapeau mexicain, Hornpipe de marin. Cette collection peut être utilisée pour solo, duo ou trio jouant et peut également servir avec des dispositions correspondantes du même matériau dans le livre i pour Saxophone, clarinette, violon, laiton. Un livre d'accompagnement piano est disponible. / Flûte Traversière / 32 pages / Partition

Instrumental Play-Along-Solo arrangements of 15 favorite Christmas songs. The price of this book includes access to online audio demonstration and backing tracks that allow instrumentalists to slow down the audio without changing pitch loop for challenging parts and more. Includes: Angels We Have Heard on High - Fum Fum Fum - God Rest Ye Merry Gentlemen - I Saw Three Ships - Jingle Bells - O Holy Night - Silent Night - and more.

Flutes Of The Forest is a series of seven themed compositions for intermediate students. The pieces for Flute and Piano are also atmospherically arranged with CD accompaniment as an alternative capturing the character of the trees within the music. Each composition has a complete performance with the Flute and accompaniment and then a version with accompaniment only.

Learn and perform at a flute master class with the legendary Murray Panitz as your teacher! Perfect for practice rehearsal auditions contest solos performances and more! This third volume of advanced solos features Murray Panitz of the Philadelphia Orchestra performing each piece with piano accompaniment. Then you step in and take his place. Includes additional slow-tempo practice versions of the Handel Sonata's Presto Henze's Sonatine and the Quantz Concerto's Allegro. Includes a high-quality printed music score annotated with performance suggestions and a CD with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist.

Agrestide, Op. 44 by Eugène Bozza (1905-1991) is a piece for Flute and Piano written for the Paris Conservatoire contest. Dedicated to Gaston Crunelle, a professor at the Paris Conservatoire, this piece is very difficult and was composed in 1942. Op. 44 is divided in 4 distinct parts: Moderato (like a Pastoral), Cadenza, Andantino, Anime and Piu Vivo. Agrestide, Op. 44 is really melodic and would also be perfect for a contest or recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets, among others.

La référence AL20101 de l'éditeur Leduc dont l'auteur célèbre est Bozza Eugène, qui a pour titre Agrestide Op44, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

COMPOSER'S NOTE The solo flute piece Solo III consists of two contrasting movements. the slow first movement was a commission from the Cruselk Week Music Festival in Uusikaupunki Finland for the Scandinavian Flute Competition held there in August 1990. The first movement was a complusory piece at the competition. This movement is like a single endless melody and it tests the sound quality of the flautist and his/her ability to create long melodic phrases and a long continuous musical form. The whole movement is based on a quarter-tone scale. After finishing the first movement in January 1990 I decided to write a second fast movement for Solo III.A year later in January 1991 I composed the technically very demanding and virtuoso second movement Presto. The Presto flows in a very fast perpetual motion in semiquavers. The movement begins mysteriously in the lower register of the flute and gradually the music moves towards the upper register. At the same time the texture becomes more complex with hidden polyphony. The second movement culminates in a wild prestissimo. The complete Solo III was premiered by the Finnish flautist Tapio Jalas in Helsinki on April 14 1991.

Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

As Just Beautiful has been so popular for Piano Organ Cello and Violin here is a collection for Flute. For Grade 3-5 Just Beautiful is a collection that no flautist should be without.Includes 25 pieces chosen by Kevin Mayhew by great composers such as Bach Chopin Handel Elgar Schumann and many more.”I have chosen these pieces because I love every one of them. I can clearly remember theoccasion when I first came across each piece and the excitement I felt. It was during my time as a chorister at Westminster Cathedral and in my subsequent work as a church musician that I first discovered many of the sacredpieces. The rest are my choice from years of seeking out beautiful melodies and perfect harmonies. I hope you enjoy Just Beautiful as much as I do.” Kevin Mayhew.

Braga était un violoncelliste et compositeur italien et il parcourt l'Europe et les USA en tant qu'interprète. Il a écrit de nombreuses pièces de salon, y compris La Serenata, qui est resté populaire jusqu'à nos jours. Il a été initialement écrit pour la voix avec violoncelle obligato mais elle s'adapte idéalement à la flûte. / Flûte Traversière Et Piano / 4 pages / niveau : Elémentaire - Moyen / Partition