Description The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few years, but this piece by Schubert is a lovely reminder. This edition is transcribed for flute by James Galway and edited by Phillip Moll for the Great Performer's Edition series. The opening Allegro Moderato is built around a wistful melody. A second theme proceeds in gentle gusts of semiquavers (the arpeggione could not play fast notes with much volume at all, and so the Sonata's quicker portions are almost always marked piano or pianissimo). The Adagio is a rich but introverted musing on an almost hymn-like subject, at the end Schubert invites the soloist to improvise a brief transition into the final, multi-sectioned Allegretto . Songlist Sonata (Per Arpeggione)

As Just Beautiful has been so popular for Piano Organ Cello and Violin here is a collection for Flute. For Grade 3-5 Just Beautiful is a collection that no flautist should be without.Includes 25 pieces chosen by Kevin Mayhew by great composers such as Bach Chopin Handel Elgar Schumann and many more.”I have chosen these pieces because I love every one of them. I can clearly remember theoccasion when I first came across each piece and the excitement I felt. It was during my time as a chorister at Westminster Cathedral and in my subsequent work as a church musician that I first discovered many of the sacredpieces. The rest are my choice from years of seeking out beautiful melodies and perfect harmonies. I hope you enjoy Just Beautiful as much as I do.” Kevin Mayhew.

The iconic minuet from Mozart’s Eine Kleine Nachtmusik is among the best known and most frequently performed works of classical musical. Originally composed for two Violins Viola Cello and Bass the work is most frequently performed in Orchestral arrangement though many other adaptations and arrangements have been created including this simplified version for an unusual combination of instruments.

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre

Six Hungarian Dances for Flute (or Violin) Cello and Piano arranged by Doris Geller.

Composer's NoteOut Of The Cool was my first work and inspired by the music of Miles Davis and John Coltrane. It was originally written for the flute but may equally well be played on the violin cello or sopranosaxophone.The piece is in three sections - slow/fast/slow. I have not marked many dynamics or phrasings and those shown are suggestions only. The slow sections in particular should be very free rhythmically and eachperformer should feel free to interpret the piece in his own way. The pedalling marks however are more specific as I have used them to show how notes and chords are to be sustained. Some of the blurred effects may seem strangeat first but this pedalling is essential to the style of the piece. Above all Out Of The Cool was written to be enjoyed so have fun with it!David Heath.

60 popular themes from the movies in arrangements for solo Flute (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

Score and Parts-For flute cello and guitar. Includes set of parts for each player.

These eleven sonatas most likely written between 1712 and 1728 have been considered ideally suited for the Flute and a part of the main repertoire for the instrument for well over two hundred years. This the first book in theseries and is arranged for Flute Cello and Piano Accompaniment.

Flute - Ou Vlon. Par CORRETTE / BOULAY. for flute (or violin), cello and continuo/ Répertoire / Flûte Traversière