Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

15 grands succès populaires des superproductions de cinéma d'aujourd'hui, avec des morceaux de l'accompagnement, y compris : et All That Jazz, venir ce que mai, je suis un homme de Constant Sorrow, I Believe I Can fly, je marche la ligne et plus encore. / Flûte Traversière

36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pieces With Piano Accompaniment is a collection of fantastic Flute pieces and arrangements with Piano Accompaniment compiled and edited by David Peck.These will provide an enjoyable challenge for the advancing flautist.The solo Flute part is also included on a separate insert.