SKU: LO.20-1708L
ISBN 9781429134897.
Thes e two arrangements will allow your beginning ensemble to play a prominent role in your Holy Week and Easter observances. The setting of Christ Has Arisen, Alleluia features no bell changes, while Ah, Holy Jesus requires a minimal number. In keeping true to the level, there is no subdivision of the beat in either arrangement.
SKU: GI.G-2437INST
The percussion part is for cymbal. The brass parts are for two brass quartets.
SKU: CA.2046906
ISBN 9790007161408. Text language: Latin.
The Easter concerto Surrexit pastor bonus, for large forces, is based on a Latin responsory for Easter. The work is extant only in handwritten form, and nothing is known regarding the date of composition, although the polychoral design, with two ad libitum tutti choirs (Capellchore) could indicate a temporal proximity to the Psalms of David 1619. On the other hand, the freer treatment of the instruments in particular suggests the Symphoniae sacrae and especially - given the work's large instrumentation - the third part, dated 1650. Score available separately - see item CA.2046900.
SKU: CA.2046905
ISBN 9790007161392. Text language: Latin.
SKU: CA.2046919
ISBN 9790007143022. Text language: Latin.
The Easter concerto Surrexit pastor bonus, for large forces, is based on a Latin responsory for Easter. The work is extant only in handwritten form, and nothing is known regarding the date of composition, although the polychoral design, with two ad libitum tutti choirs (Capellchore) could indicate a temporal proximity to the Psalms of David 1619. On the other hand, the freer treatment of the instruments in particular suggests the Symphoniae sacrae and especially - given the work's large instrumentation - the third part, dated 1650. Score and parts available separately - see item CA.2046900.
SKU: BR.OB-32034-19
ISBN 9790004350911. 10 x 12.5 inches.
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.
SKU: BR.OB-32034-15
ISBN 9790004350898. 10 x 12.5 inches.
SKU: BR.PB-32034
ISBN 9790004215678. 10 x 12.5 inches.
SKU: BR.OB-32034-11
ISBN 9790004350881. 10 x 12.5 inches.
SKU: BR.OB-32034-20
ISBN 9790004350928. 10 x 12.5 inches.
SKU: BR.OB-32034-26
ISBN 9790004350935. 10 x 12.5 inches.
SKU: BR.EB-32034
ISBN 9790004186398. 7.5 x 10.5 inches.
SKU: BR.OB-32034-16
ISBN 9790004350904. 10 x 12.5 inches.
SKU: BR.OB-32034-54
ISBN 9790004350966. 10 x 12.5 inches.
SKU: BR.OB-32034-53
ISBN 9790004350959. 10 x 12.5 inches.