Instrumental Accompaniment Set-Includes: Full Score 2 Flutes 2 Oboes 2 Clarinets 2 Bassoons 2 Horns 2 Trumpets 2 Trombones (Tenor And Bass) Tuba Timpani Percussion Harp Strings And Optional Organ.Preferably 3 Timpani.Only tuba percussion harp and organ are dispensable. When organ isavailable some wind and string instruments may be dispensable. Itwill be necessary to study the full score to decide which omissionscould be covered by organ.Timpani and brass (except tuba) are *not* dispensable.Instrumentation available (HMB220b): 2 Hrn 2 Tpt 2 Tbn Timpani(2/perferably 3) and organ. Organist plays from cond/organ score thatis included within this instrumentation.Recordings available on CD and cassette: (HS268cd) and (HS268c)

Il s'agit de la première publication de la partition originale de Modeste Moussorgski. Le compositeur lui-même écrit le texte de la chanson dans le style du poème de Lord Byron du même nom. Apart forment le texte russe, l'édition contient une transcription phonétique. Le matériau orchestral est disponible en location. Auparavant, le travail était seulement connu avec l'instrumentation de Nikolaï Rimski-Korsakov (BEL 512). Score de Moussorgski en mi bémol mineur se caractérise notamment par l'utilisation inhabituelle d'alto (1), le ténor (2) et bass trombones. / Choeur Mixte Et Orchestre

Adele's Oscar-winning song as heard in the James Bond motion picture Skyfall. Film orchestrator and arranger J.A.C. Redford has adapted his film version for full symphony orchestra. Includes drum set electric bass and optional parts for guitar and SATB chorus.

13 ausgewählte Kirchenmusiken zwischen 1. Advent und Michaelis. This volume represents the only annual cycle of sacred music of the 18th century printed in score: it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual practice of the Telemann Edition to edit segments of the church years, here the entire course of the church year is presented. The music to be performed at the beginning of each part of the church year and at special celebrations is included. Telemann used a variety of expressive polyphonic techniques to create the introductory dicta. These, like the chorales, are written in concentrated three-part harmony. The preface provides information on the printing history of the church year and its dissemination supplemented by comments on performance practice: the critical report analyses the rich source material. Editions of Telemann's preface (with his performance notes and an explanation of his figured bass system), the preface on the printing of the texts and the texts of the compositions contained in the volume flank the edition of the music. Facsimiles from the original print and from Hamburg performance materials are included.