Music Minus One Piano-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes complete solo Piano part printed on high-quality ivory paper and a compact disc containing a complete performance of the quintet with soloist then performed again minus the soloist. Performed by Harriet Wingreen piano Accompaniment: New Art WindQuintet

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

This short piece (which also exists in versions for violin or bassoon and piano) was created for the 'Blues' project of the Dutch pianist Marcel Worms. The title maybe alludes to the fact that such a busy artist has to spend a lot of time on the road between performances. However, the composition is, by no means, melancholy. It rather is a lively piece playing with thirds mainly in a high register. Bitonality and jazz harmony contradict the musical-box-like character in a fascinating way. Marcel Worms recorded Economy Class Blues on his CD 'A Can of Blues' which has been released by the label Vermes Records. / Piano

Par HENRY VIII. Thirty-Five Compositions By King Henry VIII is a unique collection, containing King Henry VIII’s complete secular works. These works consist of part-songs and instrumental consorts, and have been transcribed and edited by John Stevens. The collection is a mixture of instrumental pieces and pieces for vocal ensemble, mostly in three parts, with about half-a-dozen in four. Seventeen of the pieces are instrumental, though it is perfectly possible (and historically accurate) to play the vocal pieces on instruments if preferred. In the instrumental pieces no instruments are stipulated. The top staff is treble, the second is written in the trebleclef but sounds an octave lower, as for vocal tenor, and the lowest line is a for a bass clef melody instrument. Either flute or recorder would work well for the top line in most of these pieces, which usually go no lower than around middle C. The bassoon could play either the second or third line. And the line left over could be played on keyboard. This is not harmonic music however. There are no chords, nor would it be easy of idiomatic for the keyboard player to vamp or otherwise extemporise harmonies. The pieces are printed in score, so two players might share one copy, but two copies would be ideal if the keyboard player is also taking part, and three of course if the players want to practise separately./ Recueil / Piano

This charming suite published in 1935 bears the subtitle d'après Claude Gervaise (16e siècle) and displays Poulenc's inimitable blend of the archaic and the anarchic. The sheet music based on the music of Claude Gervaise was composed as incidental music for the play La Reine Margot. It is origanally scored for pairs of Oboes Bassoons and Trumpets three Trombones Percussion and Harpsichord and then re-arranged for solo Piano in the same year.