The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle

Scored for solo Cello, Dreaming is Kaija Saariaho's contribution to the set of thirty-two works by various composers written for the collection Mystery Variations in 2011. The piece is preceded by a statement of the famous Chiacona by 17th century composer Giuseppe Colombi, upon which it is based. / Violoncelle

Nikolai Kapustin draws from various influences in many of his compositions by combining his modern tonal language with classical forms. / Violoncelle

Fi'er, Lubo' Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná' Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo' Fi'er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo' Fi'er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer's lifetime.

Selections from the Cello Repertoire-Solos for Young Cellists is an eight-volume series of music compilations with companion CDs available separately. The series ranges from elementary to advanced levels and represents a truly exciting variety of musical genres and techniques. This collection of wonderful music offers young cellists the opportunity to work in various positions techniques meters keys and musical styles. Many of the works have long been recognized as stepping stones to the major instrumental repertoire while others are newly published pieces and original compositions providing an exciting and diverse choice of study. The collection will become a valuable resource for teachers andstudents of all ages and levels.Contents:Cradle Song-SquireBerceuse-JarnefeltDrei Leichte Stucke-HindemithRunning of the Bulls-E. W. CheneyNina-PergolesiElfintanz-JenkinsonAt Twilight-SquireNeopolitan Dance-Marcelli

Cello-Bass-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The piecesmaybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is notnecessary. The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment ANDensemble score downloads are available for use with this title.

Based on folk melodies and other songs collected by the composer from various regions of China Seven Tunes Heard In China was written for Cellist Yo-Yo Ma and first performed October 1995. Duration 20 minutes. Edited byYo-Yo Ma.

Solos For Young Cellists is an eight-volume series of music compilations with companion CDs. The series ranges from elementary to advanced levels and represents a truly exciting variety of musical genres and techniques. This collection of wonderful music offers young cellists the opportunity to work in various positions techniques meters keys and musical styles. Many of the works have long been recognized as stepping stones to the major instrumental repertoire while others are newly published pieces and original compositions providing an exciting and diverse choice of study. The collection will become a valuable resource for teachers and studentsof all ages and levels. The Piano track recorded on the second half of each CD (available seperately) gives the cellist the chance to practice performing with accompaniments. The companion CD to Volume 5 is 00-24482.