Plus de 430 pages des airs par l'Europe 100 plus grands compositeurs de jazz. 100 % exactes approuvé par le compositeur graphiques, manuscrit facile à lire, tune grande sélection et plusieurs fonctionnalités supplémentaires comme lignes de basse échantillon, voicings de corde, rhythm section hits, annexe de tambour harmonie partsxtensive, etc.. Les fichiers MP3 en continu de plus des deux tiers des airs sont en ligne à www.shermusic.com afin de musiciens peuvent entendre les chansons pour eux-mêmes / Instruments En Do

Johann Sebastien Bach's timeless and popular Air On A G String arranged for Recorder ensemble by Mike Prescott. This set includes the Full score and 3 parts each for Descant Treble and Tenor recorders.

Originally this work was written for string players and the title says it all: the strings were played pizzicato i.e. plucked with the fingers. You can imitate the effect of the â??short notesâ?? on the recorder perfectly well.This airy and humorous polka requires a playful performance: experimenting with the tempo is the motto. When it comes to playing together Pizzicato Polka is not always easy: additional evidence of the quality of the Viennese orchestras of the day. For ensembles that do not have a bass recorder at their disposal an alternative part for tenor recorder has also been provided. A performance with five recorders is possible as well using this extra partto reinforce the bass melody. Johann Strauss II wrote the famous Pizzicato Polka together with his brother Josef.

Six Suites - Vol. 1 for Alto Recorder is the first volume of a series of two by J. S. Bach. Initially composed for Cello between 1717 and 1723 it was transcribed by Jean-Claude Veilhan and features the Suites I II and III. The transcription keeps the original key and only some passages have to be played one octave higher than in the original sheet. The first suite BWV 1007 is in G major and contains a Prelude an Allemande a Courante a Sarabande two Minuets and a Guigue. Its Prelude is the most famous movement of the whole set of Suites consisting mainly of only arpeggiated chords. It can be heard in manyfilms and is highly recognisable. The second one BWV1008 is in D minor and held the same movements' organisation. Its prelude in two parts features a cadenza which leads to other cadenzas in the Allemande. The Minuet part is quite technical to play. Finally the third one BWV 1009 in C major sees the Minuets being replaced by Bourrées which are often played together as a solo material. The second Bourrée only has a partial signature and the Allemande has a rhythm quite unique for the piece as it includes three semiquavers instead of one. These suites also exist arranged for Piano for Trombone and for many other instruments.

These three pieces can serve perfectly well as a suite of sonatas - a coherent but varied whole - although in their original form they are unrelated. The adaptations have been kept to a minimum so that the true Bach is still abundantly present in the music. Contains: Prelude XXII from The Well-Tempered Clavier • Adagio (originally from the Sonata for violin and obbligato harpsichord in B minor BWV 1014) • Allegro from the Sonata for viola da gamba and harpsichord BWV 1028.

nach orig. E-Dur BWV 1035-These wonderful editions from Dowani come with CDs with the continuo accompaniment at three different speeds to allow players to play along at a tempo which suits their level of playing.