for Recorders-The Artistic Directors of the award-winning Terra Nova Consort have been in residence at the Oregon Shakespeare Festival for over ten years. This their first publication contains over 40 arrangements for recorders of RenaissanceEnglish and Scottish Country-Dance music as early as Playford and up to the present. The arrangements in this book were written and performed by Patricia O'Scannell herself an accomplished recorder player in the context of musicbeing set for dances balls and workshops and are an excellent tool for aspiring players. The settings are for two to four recorders allowing for numerous combinations of voicing depending on what the players have at hand andinclude O'Scannell's insightful comments about style and technique. The music may also be played on a variety of other instruments common to the genre and used by aficionados seeking arrangements for Scottish and Englishrepertoire to play with dancers. Written for intermediate through advanced players with some parts appropriate for beginners this collection will appeal to all serious recorder players.

Par PUSCOIU COSTEL. Une collection de répertoire adapté et composé pour le musicien plus avancé. Tous les morceaux sont arrangés pour enregistreur treble/alto avec accompagnement au piano. Sélections comprennent des oeuvres de Brahms, Schubert, Ravel, Grieg, Massenet et plus encore. / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Flûte à Bec Alto

Spielbuch 3: Spielstücke für Sopranblockflöte solo vom Mittelalter bis zur Gegenwart. Par BRAUN GERHARD. The recorder is one of the oldest of all human instruments. In ancient times it crops up in sagas and pictorial evidence, and it has accompanied Western music right up to the avant-garde. For many children and young people today, the soprano recorder in c“ is a popular starting instrument but if you stay on there is also more challenging literature for advanced players. Play-Book 3 from the The Recorder - series offers a selection of medium-hard to advanced musical examples from the middle ages to the present day, which goes far beyond music school teaching but can just as well be used for full-scale concert performances. Advanced recorder players should havegood command of the range from c“ to d““ though. / Niveau : Intermédiaire / Répertoire / Flûte à Bec

African-Am and Jamaican-For advanced soprano recorder or intermediate flute: 41 arrangements based on spirituals folk songs dance tunes and melodies by African-American composers plus five solos composed for this collection. Composers includeBasile Barès A. J. R. Conner Henry Hart Francis Johnson and J. W. Postlewaite. Old favorites include Banyan Tree Carry Me Back to Old Virginny Doctor Bird Down by the Riverside and Ev'ry Time I Feel the Spirit. Includesfingering chart for high notes performance notes and suggestions for use with sound system and/or percussion. Supported by Internet-accessible melody-specific Historical Notes for all the solos.

Containing seventeen Christmas carols this book enables beginners Recorder players to perform simplified arrangements of popular festive repertoire either on their own using the various accompaniment options to provide the full original melody or alongside singers and more advanced players.Complete with a CD of backing tracks and access to free downloadable Piano accompaniments (available at www.hybridpublications.com) both of whichincorporate the original melody line this book provides the ideal resource for teachers and parents looking to enable recorder players of all standards to join the celebrations of the season.John Pitts' hugelysuccessful Recorder from the Beginning teaching scheme is ideal for all teachers with its straignforward easy-to-follow approach and its attractive collections of well-known and original tunes.

20 pièces pour Flûte à bec alto et Piano - avec CD. Peter Bowman and Kathryn Bennetts present the fourth and final volume in the Renaissance Recorder Anthology. Standard Renaissance works are included alongside lesser known works for treble (alto) recorder and piano (keyboard). The pieces are all of an intermediate to advanced level of difficulty (UKGrade 7-8 UK). Detailed information on the composers, dance forms and pieces is also included. / Niveau : Intermédiaire à Avancé / Recueil / Flûte à Bec

Par . Both volumes of Easier Together - Recorders contain short and easy duos that can be performed by beginners either with their teachers or with more advanced learners. The pieces progress gradually from easier ones to more difficult works. This collection of recorder duos can also, with some supplementary material, be used as a recorder method. In these volumes, the musical experience of two-part playing is further enriched by the use of different recorder types: where indicated, the lower part can be played not only on soprano recorder but also on alto, tenor, or even sopranino recorder. Some pieces include harmonic indications, so an accompaniment can be improvised alongside the two recorder parts. The process of learning and practising is additionally supported by a fingering chart and articulation marks for tonguing, with new musical elements highlighted in the score. Trombone and recorder teacher Péter Perényi (b. 1954) was for many years the head of the wind department at the Bence Szabolcsi Music School in Budapest. He has held several training courses for recorder teachers, and the recorder gatherings he organised in Budapest gave rise to the National László Czidra Recorder Competition. He is the author and editor of several publications on wind pedagogy, including methods for trombone and recorder. / Date parution : 2022-12-12/ Recueil / 2 ou Flûtes à Becs

Par SALKELD ROBERT. First published by Chappell\'s in the late 1960s, Robert Salkeld\'s Play The Recorder is a truly established method for recorder. Suitable for the self-taught, or for individual or group teaching, this methodical approach not only introduces the notes to be learned, but helps develop sound, expression and technical skills. Each section identifies fingering, breathing, tonguing and reading needs. This book continues the work commenced in Book 1 with more solos and duets and more advanced chromatic notation.   / Methods and Tutors / Méthode / Flûte à Bec

Partitur und Stimmen - for recorder quartet Arrangers: Beutler, Irmhild / Rosin, Sylvia C. Much of Arvo Pärt's music is for small forces and within the technical capabilities of developing musicians. Da Pacem Domine for recorder quartet is another example. Written in his tintinnabuli style, the piece was originally for choir or soloists a cappella. This scoring for recorders can be played in either of two combinations both of which can be found in this publication: High version - descant, treble, tenor and bass (S, A, T, B) Low version - tenor, bass, great bass, sub-bass (T, B, GB, SB). This adaptation will make a unique concert item for middle grade to more advanced players. Da pacem Domine in diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus noster.

Par PURCELL HENRY. Staeps (rightly) believes that the English Baroque is the fountainhead of recorder music, and that Purcell's music is the perfect vehicle. Here, he takes six excerpts from The Fairy Queen (introductions and dances) and fashions a Suite for recorder quartet with basso continuo (keyboard instrument with another bass instrument playing an octave lower than the bass recorder). For advanced quartets. Reprint of the 1957 UE original. / Musique contemporaine / Répertoire / Quatuors de Flûtes à Bec et Clavecin ou Piano

A collection of 16 colourful miniatures in diverse styles inspired by the seasons an aviary of antipodean birds places in Wales and Greece jazz and folk music. Including challenging works by Alan Bullard Nicholas Marshall Michael Ball John Turner John Golland Timothy Moore and many others. This is a superb resource for the advanced player looking to expand their repertoire.

The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.